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autumn33344's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
5.0
Graphic: Death, Violence, and Grief
Moderate: Child death and Blood
Minor: Confinement, Kidnapping, and Death of parent
kbowles24's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Graphic: Grief
Moderate: Child death, Death, Violence, Blood, Fire/Fire injury, War, and Injury/Injury detail
Minor: Cursing, Gore, Infidelity, Misogyny, Sexism, Terminal illness, Kidnapping, Death of parent, Gaslighting, and Classism
abby_can_read's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I had a wonderful time with this book. I liked the pacing and I liked the plot. The characters were fun and I liked their various relationships. Though I didn't care for the love triangle.
Graphic: Death, Violence, and Grief
Moderate: Child death, Blood, and War
Minor: Infidelity, Kidnapping, and Death of parent
happysami's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Death, Violence, and Grief
Moderate: War
Minor: Sexual assault and Kidnapping
haley_reads_books's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.75
Graphic: Death, Toxic relationship, Violence, Blood, Grief, Murder, Fire/Fire injury, and Injury/Injury detail
Moderate: Terminal illness, Vomit, and Fire/Fire injury
Minor: Kidnapping
samchase112's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.0
I’ve seen this book described as a C-drama, and I wholeheartedly agree. It has the emotionality and cinematic scope of a well-done fantasy drama, and I love that! Maybe not my personal favorite genre, but I can certainly see how it would appeal to so many others.
All in all, I am truly glad I finished out this series — it’s helped remind me of my love for fantasy, and for that I’m grateful.
Graphic: Child death, Death, Violence, Blood, Murder, and War
Minor: Confinement and Kidnapping
navayiota's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Child death, Death, Torture, Blood, Kidnapping, Grief, Death of parent, Murder, Abandonment, Injury/Injury detail, and Classism
Moderate: Fire/Fire injury and Alcohol
thequeeraunt's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
There are many, many things that I loved about Heart of the Sun Warrior, and only a few things I disliked. I'll start with the dislikes, first.
The love triangle took up far more space than it needed in this novel. I'm an avid romance reader, so I don't mind romantic subplots in other genres, but what bothers me is when the romantic subplots eclipse the bigger narrative taking place. Such was the case with Heart of the Sun Warrior. There's a really cool, fascinating conflict that Xingyin and her family must navigate, but so much page space is spent on Xingyin's divided feelings between her two beaus.
We got some LGBTQ+ representation... tacked on to the very end of the novel like an afterthought. This is one of my least favorite ways to introduce queer characters. It feels like Tan may have gotten to the end of the novel, realized she had only heterosexual romances represented, and smashed two characters with barely a hint of chemistry (and certainly no page space to develop feelings for one another) into a relationship. Cool. It's not quite as bad as certain writers proclaiming characters to be gay long after books have been published with literally no supporting evidence for their gayness. That said, it was disappointing.
Those two major complaints aside, a lot of what I loved about Daughter of the Moon Goddess was present here in Heart of the Sun Warrior as well. The worldbuilding is exquisitely done without falling into the habit of being overly-descriptive. The different immortal kingdoms have unique identities that set them apart from one another. Natalie Naudus' performance of the audiobook was enjoyable from beginning to end. And, in spite of the fact that I was disappointed by the amount of pining taking place throughout this whole apocalyptic conflict, I would still recommend this novel (and of course, its predecessor) to anyone in need of a vivid and delightful fantastical romance.
Graphic: Child death, Death, Violence, and Blood
Moderate: Kidnapping, Grief, Fire/Fire injury, and War
booksthatburn's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
The worldbuilding leans on things set up in the first book, expanding on a couple of new areas and spending much more on the moon and Xingyin's parents. Her mother is finally free to leave the moon and this makes way for opportunities long denied to her. It is immersive without getting bogged down in descriptions of each place. They have a distinctive character conveyed through Xingyin's reactions and worries, as well as the people in the various areas. It's not as travel-heavy as the first book, with a much more straightforward quest in a shorter timespan. The elixir of immortality is in play once again, and the quest, in this case, is to flee and not die from the king's wrath, while hopefully figuring out how to stop a plot against Xingyin's mother.
Xingyin is still torn between Liwei and Wenzhi, with both men making their interest clear but not pressuring her. Her complicated feelings are driven by events in the first book, and she's trying to sort out her thoughts and desires. They represent two different kinds of lives in addition to being different people, and she's strongly bonded to them. I like this better than a lot of love triangles, but I must admit that a part of me wishes this resolved like IRON WIDOW by Xiran Jay Zhao. It doesn't because Liwei and Wenzhi are not at all interested in each other, and so it remains a choice between people on Xingyin's part. Ultimately I like how it ends, I think it fits the characters and the narrative. Because they are immortal unless actively killed, this is very early in Xingyin's presumably long existence to come, and the ending is very aware of that. It helps to solidify the sense that this is one particularly important and eventful chapter in her life, but that this isn't the end by any stretch.
Graphic: Child death, Death, Emotional abuse, Toxic relationship, and Grief
Moderate: Confinement, Self harm, Violence, Blood, and Fire/Fire injury
Minor: Kidnapping, Death of parent, and Alcohol
calicat42's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Graphic: Child death, Death, Panic attacks/disorders, Terminal illness, Torture, Toxic relationship, Violence, Kidnapping, Grief, Death of parent, Murder, Fire/Fire injury, Abandonment, War, and Injury/Injury detail