Reviews tagging 'Death'

Le pouvoir du chien by Thomas Savage

12 reviews

rachel1106's review against another edition

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challenging dark emotional mysterious reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

5.0

A dark Western about two very different brothers, with plot details about characters and the enviornment around them, as well as the enviornment that they create, that keeps one interested, engaged, and full of tense questions of what will happen. All main characters are worthy of discussion. The writing is superb. 

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violetturtledove's review against another edition

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challenging dark emotional mysterious reflective tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.75

This was a great book, although for the most part i can't exactly say i enjoyed reading it. It's uncomfortable reading, the character of Phil is both intriguing and thoroughly hateable (in fact all of the characters are flawed and brilliantly observed). It's tense, and the narrative skips differently from one point of view or time to another (sometimes it goes from present to recollection, or jumps forward a month, without a clear indication in the text). This is a bit confusing, but also I think it keeps you hooked, wanting to know more.
Once you read the end you can suddenly look back at all the little hints and foreshadowing and then it hits you how clever the story really is

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mia_merrill's review against another edition

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mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Flaws of characters a main focus? Yes

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cellyphane's review against another edition

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dark tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5

After watching the movie, I became interested in reading the original text. It's tense and slower than I usually like but compelling. Each character didn't need to be likable to be interesting, and that's a huge strength in this novel. Savage explores masculinity in a variety of ways, and I was quite impressed at the level of commentary for other intersections. He is certainly deserving of more recognition in the general public.

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booksthatburn's review against another edition

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challenging dark reflective tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

5.0

THE POWER OF THE DOG is about manhood and homophobia in the last gasps of the Old West, following a rich cattle rancher and his brother as one starts to have a life outside of their duo and the other tries to make him miserable enough to stay.

If you liked the 2021 film of the same name, adapted from this text, then you’ll probably like the book. The main changes are consolidations; placing some events as backstory instead of showing them as the book does, collapsing two side events into one, and to move Phil’s bigotry into fewer targets. The rest of this review contains minor spoilers, as it’s impossible to discuss what makes this so good without talking about some of what happens in it.

Phil is an odious person, a homophobic man who has based his hygiene and personal habits around as many opposites to his idea of a gay man in his era (clean, well-dressed, quiet, liking womanly things) that he possibly can. The end result is someone who bathes once a month (not at all in the winter), refuses to wear gloves (not even when castrating cattle and doing all the other bloody, messy work required to drive cattle and run a ranch), and uses his exceptionally sharp mind to whittle down the confidence of anyone who catches his ire (usually in language dripping with bigotry of whatever kind will sting the most). His closest relationship is with his brother George, a closeness which assumes George would never request distance and leaves Phil frustrated when George falls in love and marries a widow. He’s also enamored with his long-dead mentor in all things cowboy; Bronco Henry, talking up his wisdom and exploits to the ranch hands even two decades on from Bronco Henry’s death.

George meets and marries Rose, a widow whose husband killed himself early on in the book, years before the main story. Their son is strange, eventually assumed by Phil to be gay, called a sissy for his arrangements of paper flowers and way of dressing and walking. The boy’s quiet study of medical texts and dissections of animals hum along in the background, eventually he attends medical school with the help of his late father’s books. His actual sexuality is secondary to Phil’s perception of it, seeing the boy as weakness walking, the embodiment of everything Phil despises even as he eventually longs for connection again. 

Phil’s homophobia is one of a pile of bigotries which he wields like barbs when he’s irritated or inconvenienced. He most common method of addressing his brother is “Fatso”, and when Rose starts drinking in an attempt to stomach living in the same house as him, he belittles her for it, taking it as proof that she’s just taking advantage of his brother. His every action drips condemnation, that if someone has chosen to do what Phil would not, then they must be weak or scheming and their choice is contemptible. 

The audiobook narrator’s calm tone is perfect for this dryly delivered story which builds slowly, layers of time pooling to form the whole. The ending is quiet, managing to tie together everything in a single calm moment. It’s a resolution that feels like life, where one phase can unquestionably be over even as everything else continues on.

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larseneiii's review against another edition

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dark emotional tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.5


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felofhe's review against another edition

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dark emotional mysterious reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5


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gloomwraith's review against another edition

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challenging dark mysterious reflective tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.5

Saw the movie first, liked it a lot. Read the book, loved it a lot more. Thomas Savage’s descriptive but cutting and concise writing style paired with the backdrop of the dry Western landscape…dang. His characterization >>> highly recommend

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arthur_ant18's review against another edition

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dark mysterious reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? It's complicated

4.25


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joshhornbeck's review against another edition

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challenging dark reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5

FIRST THOUGHTS:
The characters are richly drawn and so much is given in the layered subtext of the novel. I love the way the film explores misogyny, deconstructs traditional masculine codes, and even looks at homosexual desire - and written in a time when that was rare to find in a Western. The way the novel jumps between point of view is also really compelling, giving us insights into characters other than the white menu at its center. The language and sentence structure throughout is a bit too convoluted for my tastes - phrasings and sentences are organized in ways that often get themselves List before they reach the end. But the characters themselves are richly drawn.

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