Reviews tagging Toxic friendship

Tomorrow, and Tomorrow, and Tomorrow, by Gabrielle Zevin

32 reviews

woolgatherer's review against another edition

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emotional sad tense medium-paced

3.5

I‘m definitely in the minority here when I say that the book was okay, at best. I wanted to like this book more than I actually did, especially because it was about video games. Honestly, it was probably because it was about video games that I was driven to finish this book. Besides this, though, I felt that the book really started to fall apart at the seams around the halfway mark, and barely held together by the end of the book.

While there is a plot of sorts, it read to me as though Zevin wanted her book to be character-driven. I think she was fairly successful on this front, but it was not without fault. I was really looking forward to her dive into a very complicated friendship mired with platonic love and frustration. I thought the first portion of the book did an excellent job with this, so, it was a bit of a disappointment that what could have been a rich exploration of such friendships ended up being an unrequited love kind of situation. It felt like a lazy choice to me. I was also frustrated with how Sam and Sadie’s relationships with other characters played out, which, frankly, felt very much so like how one would interact with NPCs. It was especially the case with Marx (who was too perfect for comfort), whose role in the book later on came off as an insensitive (and, frankly, manipulative) plot device to push Sadie’s story further.

I also think another thing working against Zevin was that she was too ambitious with the second half of the novel. There was too much she wanted to explore beyond characters and their relationships with one another that she kept introducing. Notably (to me), she wanted to tackle various sociopolitical issues as well. I would have rather she tackled one or two issues rather than several surface-level discussions that left a lot to be desired.

I think it’s still worth checking out this book, especially if you love video games. Also, while I had my issues with the content, I think Zevin is a rather good writer, and I thought the way she experimented with the structure of the book was quite fascinating.

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deetabz's review

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challenging dark emotional funny hopeful reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5


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hannalizzy's review against another edition

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challenging dark emotional hopeful inspiring reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.75

This book was so beautifully written. The story plays out like an actual life, full of its raging beauty and sharp ugliness. I read it at the recommendation of John Green, and I can see why he enjoyed it. It has a bit of his poetic flair, and the characters have their unique quirks like his do. The characters are richly complex, and somehow lovable despite their very apparent flaws.  

I wonder how I will feel about the ending after I’ve had more time to think about it. It felt like it lacked some of the finality I was hoping for in terms of Sadie and Sam’s relationship. I also felt like Sam and Sadie’s fights became a little too repetitive, but of course, c’est la vie. 

I always love stories of characters encountering grief, loss, and depression in its most potent form and still figuring out how to manage to continue on. I think those kinds of triumphs are so important to read about in an age where poor mental health feels like a largely universal experience.  

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literarylion's review

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challenging dark emotional funny reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.5

I really really liked this. 

Pros:
  • Creative storytelling, well-paced; I haven't devoured a book like this for a long time
  • Incredible character development -- even minor characters are nuanced and three-dimensional
  • Innovative plot and setting -- a perspective we don't often see

Cons:
  • There was some pretty blatant borrowing from A Little Life, but I love that book, so! 

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cindy_reads's review against another edition

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dark emotional sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.0


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isleoflinds's review against another edition

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challenging emotional informative reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.5

I went into this book with mixed expectations. I tried reading it when it was first released, but couldn't get into it. When it started getting a lot of attention, I heard a negative review for it that made it sound really interesting, so I took another shot. As an ace person who is pretty steeped in nerd culture, I was really excited for a story sold as "two friends who were often in love -- but never lovers." To that end, I was not disappointed. Tomorrow, and Tomorrow, and Tomorrow delivered all the gaming nostalgia and a heart-tugging story about a different kind of love. However, there were elements of the book - especially the second half -  that were tedious and, at least to me, undercut a lot of the first half seemed to build up to. 

I thought that the characters - Sadie and Sam - were really well-rounded and flawed, but believable people. I was disappointed in the development of the character Marx, who felt most often like a plot device despite also appearing to be almost as significant as Sam and Sadie. Many of the tropes included about halfway through also felt unnecessary and I think a lot of the tension between Sadie and Sam could have happened without employing them. In general, I think Sadie's story was marred by too many gender-related difficulties. I know that being a woman in tech (now, but especially in the 90s) was difficult, but the bulk of the harm she experienced wasn't even related to her work, and I just wish we could have seen her face other issues. 

The structure of the book was incredibly compelling - it is built around the vague idea that each "part" is its own game. Especially in the first half of the book, I could really feel the themes aligning with the structure of the book in an intriguing way. The story took a lot of turns in the second half that were just not for me (
Spoilermiscommunication trope, two accidental pregnancy tropes for the same character, dead baby daddy, and just a general waste of what could have been a really enlightening use of the NPC chapter concept.
) and I do think it affected my reading. The execution of Part IV was by far my favorite use of the novel's video game structure, however, and made the closeout of the story more satisfying.

Overall, I think that Tomorrow and Tomorrow and Tomorrow had great bones for a story, I just wish it had been a little shorter and/or that it had spent more time considering the significance of Marx. In a story about the complex ways that people can love one another, Marx was central to this, and making <spoilers>the NPC</spoilers> seemed more of an afterthought to be profound rather. 

My final very small complaint is the little statement at the end about <spoilers>"this generation thinking their whole personality is their trauma." I am a millennial, so perhaps this very Gen X sentiment just isn't for me, but in 2022, the inclusion of this bit feels quite purposeful. It was said and largely abandoned, squeezed in at the end and unexplored. Why say something that significant and then end the book with "oh I guess maybe our trauma made us who we are too... or maybe not!" Trauma use colloquially often refers to 'the difficult things I have experienced in my life that give me perspective on the world and how I interact with it.' Perhaps this is nuanced, but it just felt quite dismissive and not necessary.</spoilers>

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katisreading's review

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emotional funny sad fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

Absolutely beautiful book - I’m not entirely sure I can put into words how or why it’s so beautiful, but it moved me. And I SOBBED for probably the last 40% of the book after that damn poetic bird scene. Still too emotional to write more, but I loved it.

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hancaavdic's review

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challenging dark emotional hopeful informative reflective sad tense slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.75

One thing I truly love about this book is that the author does an incredible job at crafting the characters and the dynamics of each relationship, without going into emotional detail (this may party be due to it being told in 3rd person POV?). And while I didn’t exactly *like/love* the characters themselves, nor did I fee any emotional attachment to them, I for some reason kept thinking about them when I wasn’t reading. I genuinely wanted to know what they were going to do next, what would happen next, etc.. 
that could be the only thing I actually really enjoyed about the story, apart from the writing.

This book is incredibly dense; definitely not as dense as A Little Life, if we’re comparing, but it’s nearly there. There are plenty of passages, paragraphs, phrases/sentences, dialogue, etc that I just did not care for. At all. In fact I think there’s a good chunk that could just be cut out from the book because it truly doesn’t do anything for the book, in the end, in my opinion. Like now that I think of it, I’m just asking myself what was the point? Why did I spend my time reading that? I don’t know. I felt like that a lot throughout the book. The structure and organization is weird because it constantly goes back and forth between the past and present and then at times—very quickly—it’ll jump to a time in the future, and then you’re pulled back in the present. The structure and organization are just weird; I hated the jumps in the past, and so much of it kept interrupting the flow of the story. 

The execution of the story is poor. It feels incredibly pretentious and that it was trying to do too much. 

Apart from that, one thing that really bothered me about the story is that with the characters, you wouldn’t know what they were exactly feeling or thinking about unless they actually said it themselves through dialogue. And because of that, when the reader reads through their dialogue, the characters seem to fall flat and almost monotonous. The tone of the language lacks emotion, there’s no spark. Nothing. Unless the character says so themselves, AND/OR when the writing in 3rd person POV is focused on their part of the story. And in other parts, it’ll change to 2nd person to put the reader as if they were the actual character. Again, trying to do too much, and in the end doesn’t add much depth to the story.

Also, final note: if you’re not interested in learning all about video games to the core, this book isn’t for you. I wasn’t prepared for that. I didn’t read the summary (I never do anymore with any book) but I don’t think not even that would’ve prepared me for the extensive talk and history about video games there is. Now I just genuinely don’t know what to do with all this information, and at the same time I don’t even know what I read.

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atomicbritt's review against another edition

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challenging emotional sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.75


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chichisode's review

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adventurous emotional hopeful informative inspiring reflective relaxing sad medium-paced
  • Plot- or character-driven? Character
  • Loveable characters? Yes
  • Diverse cast of characters? Yes

5.0

if a little life was less trauma porn and more of just "life happens to us and sometimes life means shit", also video games and just games in general. but we keep going. fucking cried when the reasoning behind the title was revealed on page. strong read for escapists— yes, even when you're not a gamer.

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