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apangburn's review against another edition
3.0
This needed to be edited down by a hundred pages or so as it gets rather slow in spots and slightly repetitive toward the end. I felt like it took forever to finish, but really wanted to get to the part where Alice is First Lady-- only to be disappointed as that time period is not really the focus of the novel at all but rather her personal journey to becoming the wife of a President.
Alice is a milk toast character, and while she displays a quiet, self-effacing dignity (although with her narrating her story in the first person, one must question the bias of her own account), there were moments when her passivity was highly annoying.
And while I don't know much about Laura Bush, this seemed highly speculative, if not downright libelous. However, it does make for a good story.
Alice is a milk toast character, and while she displays a quiet, self-effacing dignity (although with her narrating her story in the first person, one must question the bias of her own account), there were moments when her passivity was highly annoying.
And while I don't know much about Laura Bush, this seemed highly speculative, if not downright libelous. However, it does make for a good story.
b00ksinbed's review against another edition
emotional
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.75
booksinthetreehouse's review against another edition
informative
reflective
fast-paced
- Plot- or character-driven? Character
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
ekafritsas's review against another edition
3.0
I teetered between 3 and 4 stars on this book, but landed at 3 because I felt like the first half of the book far outweighed the second half. I loved the portion about Alice's childhood, and also found the beginning of her relationship with Charlie intriguing. I feel like the third part dragged a bit, and despite its length, the move from the third to the fourth section (Charlie's presidency) was really abrupt. Overall, though, I enjoyed this book and thought it was well-written.
kairosdreaming's review against another edition
3.0
I had a really hard time with this one. Even trying to classify it I have trouble. Is it fiction? Yes, mainly. Is it non-fiction? Also yes, it's apparently VERY loosely based on the Bush family. It reads in memoir format but is not truly a memoir. And as other reviews before mine recount, it has some steamy scenes reminiscent of a romance novel.
So it is all those things, but ultimately it is the fictional recounting of the life of a woman who became the First Lady. And to be honest, she's not very compelling; she even calls herself dull. There are so many times I wanted to shake her and remove herself from her doormat personality. Even when we get glimpses of spirit, they are quickly gone again. Which sure, if you're partnered with someone with a more vivacious personality, you might get shadowed. It just set me up for a lot of frustration throughout the book.
Which was a lot of frustration period, because this is a surprisingly long book. We start in the high school years, and those seem to stretch on forever, to her young adult life and the meeting of her husband, to the years in between, and finally the years of the presidency. It was very reminiscent of how life flows in general; when you're young it seems to pass by so slowly and as you age events speed up and fly by. While I did find some of the details of her life to be interesting, particularly those that showed her trauma or gave her motivation behind her actions, they were far and few between. Her husband was downright unlikable to me, and never really improved.
Which leads me into this fiction vs non-fiction debate; which I don't want to spend too much time on, but am also a bit bothered by. Regardless of your political affiliation, it seems unfair to a person to take certain true events from your life, that are known to be associated with you (and you being a very well-known figure that even with character names being different can still be a stand-in for you) and mix it with events that are in all probability not true. Even framing it as fiction, it blurs the lines quite a bit. Which don't get me wrong, they made the character more interesting, but as the person itself, that may not be a desire.
Very solidly written, but just not for me I guess.
Review by M. Reynard 2023
So it is all those things, but ultimately it is the fictional recounting of the life of a woman who became the First Lady. And to be honest, she's not very compelling; she even calls herself dull. There are so many times I wanted to shake her and remove herself from her doormat personality. Even when we get glimpses of spirit, they are quickly gone again. Which sure, if you're partnered with someone with a more vivacious personality, you might get shadowed. It just set me up for a lot of frustration throughout the book.
Which was a lot of frustration period, because this is a surprisingly long book. We start in the high school years, and those seem to stretch on forever, to her young adult life and the meeting of her husband, to the years in between, and finally the years of the presidency. It was very reminiscent of how life flows in general; when you're young it seems to pass by so slowly and as you age events speed up and fly by. While I did find some of the details of her life to be interesting, particularly those that showed her trauma or gave her motivation behind her actions, they were far and few between. Her husband was downright unlikable to me, and never really improved.
Which leads me into this fiction vs non-fiction debate; which I don't want to spend too much time on, but am also a bit bothered by. Regardless of your political affiliation, it seems unfair to a person to take certain true events from your life, that are known to be associated with you (and you being a very well-known figure that even with character names being different can still be a stand-in for you) and mix it with events that are in all probability not true. Even framing it as fiction, it blurs the lines quite a bit. Which don't get me wrong, they made the character more interesting, but as the person itself, that may not be a desire.
Very solidly written, but just not for me I guess.
Review by M. Reynard 2023
juniperd's review against another edition
review for the audiobook edition.
so... wow. this was not good. i really enjoyed sittenfeld's book eligible, find her a treasure on twitter, and so many of my GR friends have read and loved american wife. so i went in optimistically hoping for an interesting read. i'm not sure if the audiobook is the issue, or if the book is just not for me? but... ugh!
as much as i really dislike giving up, i actually quit on this one at the 30% mark because, a) i didn't really enjoy the voice of the narrator; and b) i could not take any more of the awkward sex scenes. i don't read a lot of novels featuring sex -- not because i am against this, but because writing this type of scene/moment is really difficult to do well, and every time i encounter one in fiction i wonder what the actual hell went down between writer and editor that resulted in terrible, clichéd, sexual clumsiness.
if you are going to read this novel, i suggest the paper edition, and i hope you have a better experience than i did.
so... wow. this was not good. i really enjoyed sittenfeld's book eligible, find her a treasure on twitter, and so many of my GR friends have read and loved american wife. so i went in optimistically hoping for an interesting read. i'm not sure if the audiobook is the issue, or if the book is just not for me? but... ugh!
as much as i really dislike giving up, i actually quit on this one at the 30% mark because, a) i didn't really enjoy the voice of the narrator; and b) i could not take any more of the awkward sex scenes. i don't read a lot of novels featuring sex -- not because i am against this, but because writing this type of scene/moment is really difficult to do well, and every time i encounter one in fiction i wonder what the actual hell went down between writer and editor that resulted in terrible, clichéd, sexual clumsiness.
if you are going to read this novel, i suggest the paper edition, and i hope you have a better experience than i did.
brennie192's review against another edition
3.0
My low rating is due to 2 factors: 1. That I have a negative opinion of George Bush & so by default I didn't enjoy reading about these characters & 2. That I was hoping for more on the White House years & election. Most of that section felt like the author was just making excuses for actions that had already taken place.
caroline77's review against another edition
5.0
***NO SPOILERS***
As she did with [b:Prep|9844|Prep|Curtis Sittenfeld|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1386925666l/9844._SY75_.jpg|2317177], Curtis Sittenfeld tackled privilege (in general) and, to a lesser extent, white privilege, in this sweeping novel. American Wife is based loosely on the life of Laura Bush--"loosely" being the operative word. Sittenfeld took the most notable events in Bush's life and embellished to create a compelling literary fiction with drama, tension, and, most of all, feeling. Her embellishment also drew a little from Laura Bush's mother-in-law, Barbara Bush. The combination works perfectly. The Laura Bush of Sittenfeld's imagining--a character she named Alice Blackwell--has Laura Bush's politeness and kindness (and, at times, blandness) and Barbara Bush's Democratic views alongside her husband's Republican ones. I always wondered how Barbara Bush could reconcile being married to someone with views so different from her own, and Sittenfeld offered a window into that, showing how it's hardly a straightforward reconciling.
Alice Blackwell comes from a humble WASP background, an only child who lives with her loving parents and cool, with-it grandma. She marries Charlie Blackwell, also from a WASP background but vastly more privileged. Sittenfeld depicted well the culture shock of marrying into such a family, and one of the best scenes involves a family gathering with the Blackwell clan, ebullient to an almost aggressive degree, and shallow. These are people living in a bubble with a black maid whom they consider family but who sees the reality and regards their wealth with quiet disdain.
Sittenfeld fashions characters in her stories with startling vividness. Everyone who plays any kind of significant role in American Wife leaps off the page so I could hear them and see them in all the unique ways that make them them. I could see their particular gait, the slightest expressions on their face, all body language. I could hear the amused twang in Charlie Blackwell's voice without Sittenfeld actually saying he has a twang. I could feel Alice Blackwell's generosity and warmth.
Sittenfeld doesn't just write stories. She writes with intention. She writes to entertain but to force contemplation--and she does it without being heavy-handed. She has a message, but she communicates that in a way that feels totally organic to her plot; it always makes sense. American Wife is more than 500 pages, and every page was needed to establish a solid foundation for the story's main takeaway. As is true of Prep, what Sittenfeld was trying to say with American Wife is undeniable.
This is the strongest fiction story about privilege that I've read--and, with a major plot point that's tear-jerking, one of the best meditations on tragedy and bereavement. On that point, Sittenfeld presented shockingly good insight into the stickiness of grief. Many authors compartmentalize it: A tragic something happens; the character mourns; and the story moves on with no reference to the tragedy, as if human beings are automatons who mourn for a set period and then are just fine. Sittenfeld understands that major grief cannot be encapsulated; in an instant, it leaves an indelible mark, informing future decisions and way of looking at the world.
American Wife is more than meets the eye. Despite its story line of a woman who goes on to become First Lady of the U.S., it's not overwhelmingly political. It's merely a story about the complexity of being human. Anyone who's lived, with all of life's ups and downs, will relate.
As she did with [b:Prep|9844|Prep|Curtis Sittenfeld|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1386925666l/9844._SY75_.jpg|2317177], Curtis Sittenfeld tackled privilege (in general) and, to a lesser extent, white privilege, in this sweeping novel. American Wife is based loosely on the life of Laura Bush--"loosely" being the operative word. Sittenfeld took the most notable events in Bush's life and embellished to create a compelling literary fiction with drama, tension, and, most of all, feeling. Her embellishment also drew a little from Laura Bush's mother-in-law, Barbara Bush. The combination works perfectly. The Laura Bush of Sittenfeld's imagining--a character she named Alice Blackwell--has Laura Bush's politeness and kindness (and, at times, blandness) and Barbara Bush's Democratic views alongside her husband's Republican ones. I always wondered how Barbara Bush could reconcile being married to someone with views so different from her own, and Sittenfeld offered a window into that, showing how it's hardly a straightforward reconciling.
Alice Blackwell comes from a humble WASP background, an only child who lives with her loving parents and cool, with-it grandma. She marries Charlie Blackwell, also from a WASP background but vastly more privileged. Sittenfeld depicted well the culture shock of marrying into such a family, and one of the best scenes involves a family gathering with the Blackwell clan, ebullient to an almost aggressive degree, and shallow. These are people living in a bubble with a black maid whom they consider family but who sees the reality and regards their wealth with quiet disdain.
Sittenfeld fashions characters in her stories with startling vividness. Everyone who plays any kind of significant role in American Wife leaps off the page so I could hear them and see them in all the unique ways that make them them. I could see their particular gait, the slightest expressions on their face, all body language. I could hear the amused twang in Charlie Blackwell's voice without Sittenfeld actually saying he has a twang. I could feel Alice Blackwell's generosity and warmth.
Sittenfeld doesn't just write stories. She writes with intention. She writes to entertain but to force contemplation--and she does it without being heavy-handed. She has a message, but she communicates that in a way that feels totally organic to her plot; it always makes sense. American Wife is more than 500 pages, and every page was needed to establish a solid foundation for the story's main takeaway. As is true of Prep, what Sittenfeld was trying to say with American Wife is undeniable.
This is the strongest fiction story about privilege that I've read--and, with a major plot point that's tear-jerking, one of the best meditations on tragedy and bereavement. On that point, Sittenfeld presented shockingly good insight into the stickiness of grief. Many authors compartmentalize it: A tragic something happens; the character mourns; and the story moves on with no reference to the tragedy, as if human beings are automatons who mourn for a set period and then are just fine. Sittenfeld understands that major grief cannot be encapsulated; in an instant, it leaves an indelible mark, informing future decisions and way of looking at the world.
American Wife is more than meets the eye. Despite its story line of a woman who goes on to become First Lady of the U.S., it's not overwhelmingly political. It's merely a story about the complexity of being human. Anyone who's lived, with all of life's ups and downs, will relate.
kellyheet's review against another edition
5.0
An excellent book! While it claims to be loosely based off of Laura Bush's life you rarely feel that connection while reading it. I liked the splitting of the book into the locations where she lived. It made it easier to follow the time frame of the book and was neat since it was different than most other books. I recommend this one!
alisposato's review against another edition
3.0
The book starts out amazingly, but then Curtis completely changes the main character into someone completely stuck up, annoying, unlikable, and almost unbelievable!:( Would have been a GREAT book except for the last of the 4 sections!