Reviews with content warning for Murder - Pénélope, reine d'Ithaque

As the first book in the series, ITHACA tells a chapter in Penelope’s life while Odysseus is aware. It tells a complete story, then ends rather dramatically in a way that foreshadows the sequel.

One of the difficulties in embarking upon retellings of Greek myths for a modern reader is that merely trying to lay out the relevant backstory involves listing several people Zeus assaulted, and a great deal of other violence, just to say the origins of a particular hero or the parentage of a demigod. ITHACA has a refreshing and circumspect approach to this and other similar difficulties which come from delving into stories where women were generally not considered to be full persons. ITHACA aims to tells the stories of the people the poets ignored, the women and slaves who were excised from their own stories (unless relegated to paragons of virtue or warnings of catastrophe). Hera is the narrator, telling what happened while Odysseus was on Calypso's Island, indulging in passion, and Penelope is at home in Ithaca, keeping dozens of suitors at bay. She keeps them just hopeful enough to refrain from war against Ithaca to claim her hand and her husband's responsibilities. In this retelling, there’s a cleverness and frustration to Hera. She, who was the goddess of queens, made small by Zeus and the imaginations of mortal men. Squeezed into the role of the goddess of wives, stifled by the implication that wives and mothers are less than men and distinct from warriors. Instead, ITHACA slowly disrupts that status quo as Penelope shows how she is a queen in fact and in name.

Because everything is from Hera's perspective, she doesn’t know exactly what Penelope is thinking. Hera's most frequent interactions are with Athena and Artemis, as she is deliberately hiding her activities from Zeus, and any god who might carry tales to him. There’s a loneliness and a hunger in Hera, as the way she can only accomplish things while beneath Zeus's notice mirrors the way that the wives, mothers, and queens, who pray to her must conceal their cleverness. When they produce something that men like, their ingenuity is misunderstood, or assumed to have another cause. When their cleverness threatens the men, either truly or only in their minds, then the women must be stopped through social pressure or violence.

The suitors cannot believe that Penelope continues to feed so many without gold, refusing to accept that she is a shrewd tradeswoman who manages her household well. Those who press her on the matter seem to think that hidden gold is a readier explanation than competent husbandry of goats. As if feasts are made of metal and gems, the men refuse to understand that barter and bargain can produce feasts with the resources of the farms and fields.

I’m very pleased with the worldbuilding, the narrative style, the focus as shaped through Hera, and many small moments in the story. I’m very excited to read more, and I’m glad this is a series instead of a standalone book.

Content Warnings

brittishrcoming's review against another edition

Go to review page

inspiring reflective medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? It's complicated

4.25

Content Warnings

madamenovelist's review against another edition

Go to review page

adventurous dark emotional sad tense slow-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

3.0

Content Warnings

historic_wince's review against another edition

Go to review page

adventurous emotional inspiring tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

5.0

Content Warnings

tinybluepixel's review against another edition

Go to review page

adventurous challenging emotional mysterious reflective sad slow-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

4.5

Content Warnings

srm's review against another edition

Go to review page

adventurous dark emotional mysterious reflective sad tense medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

4.0

This is a fascinating account of Penelope struggles to survive and maintain her position in the long wait for Odysseus to return from the Trojan War. Told from the POV of the goddess Hera, Penelope is undoubtedly the focus, but Hera's omniscience allows the reader to see the thoughts of Telemachus, Elektra, and many others at the Ithacan court. Plus, Hera's narrative voice is just fantastic. Interested that this is listed as Penelope #1, because I'm definitely excited to see where North goes with this next.

Content Warnings

anapthine's review against another edition

Go to review page

adventurous dark emotional tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? No
Flaws of characters a main focus? No

4.25

Content Warnings

More...