coffee_and_wool's review against another edition
adventurous
dark
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.25
Content Warnings
Graphic: Sexual assault, Outing, Suicide, Sexual violence, Gaslighting, Emotional abuse, Animal cruelty, Homophobia, Vomit, Domestic abuse, Rape, and Physical abuse
Moderate: Child death, Classism, Incest, and Pedophilia
fe_aye's review against another edition
dark
informative
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
This book had an interesting premise and did do something interesting. However I found the writing style to be very dull. I managed to finish the book so at least it’s enough to keep you reading.
Content Warnings
Graphic: Alcohol, Classism, Cursing, Death, Sexual harassment, Animal death, Confinement, Dementia, Homophobia, Outing, Rape, Sexual assault, Animal cruelty, Sexual content, and Vomit
dananana's review against another edition
emotional
mysterious
reflective
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Graphic: Death, Emotional abuse, Child death, Outing, Suicide, Physical abuse, Child abuse, Homophobia, Animal death, and Rape
Moderate: Classism, Sexism, Alcoholism, and Fire/Fire injury
llyrian's review against another edition
emotional
inspiring
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
4.25
That was so sad and wholesome and pretty
Content Warnings
Graphic: Abandonment, Child abuse, Classism, and Emotional abuse
Moderate: Alcoholism, Biphobia, and Homophobia
Minor: Vomit
wildelwrcase's review against another edition
adventurous
hopeful
mysterious
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.0
I considered DNFing at several points during part 1, and I can't say I completely made the right decision by sticking it through. (Sorry if this is a little spoilery. I think a lot of this is predictable anyway, but if you want to go in totally blind, skip my review)
Looking at the back of the book, in a Q&A with the author, it's stated she has written 7 YA books before releasing this adult fantasy, and boy golly can you tell. Every time the characters swore was a mini jumpscare where in I had to remember this was not written for teenagers. Because even with the references to the darker material present in this world (see trigger warnings) it still feels totally juvenile with incredibly flat, black and white morality characterization. In the past I've disliked YA books for this quality, yet forgiven them for the fact that they are geared toward people younger than me, but this is marketed fully as an adult fantasy, giving it no excuse.
On the topic of characters, the ones portrayed in this book are both absurdly flat and painfully boring. Outside of our main duo, every single character is presented so cartoonishly it's impossible to take seriously. They are all either virtuous girls who suffer for the advancement of our male heroes' plot, or legitimately evil peverted monsters, with neither party being offered even the barest of nuance. (The big bad man who takes Emmett to the big city is named de Havilland. Really. I haven't seen anything so heavy handed since Cruella Deville.) Unfortunately, neither Emmett or Lucian are given much further development. This almost astounds me since they are both 1st person POV characters! As individuals they can be surmised easily: Emmett - farmer (it's his last name and occupation), hates monetary hand outs, righteous (except when the plot needs him to not be), Lucian - rich, hates his dad, hates bookbinding (but only kind of and only to stir up plot drama.) Could you guess that they're also incredibly inconsistent? And somehow still, the most egregious character injustice is killing off a main character and then never mentioning her again!
The plot is easily the best part of the book, and yet still so much of my enjoyment is based on it's potential for more. I think the plot twists are satisfying, though predictable, and the magic system is so cool. There are so many moments that expand the world and potential that binding memories could have on a vaugely pre-industrial vaugely British setting, like the one in this book. Does Collins ever actually explore these possibilities, well no, but the thought of it is intriguing.
A large part of the plot though that can't go ignored is the romance, which... kinda sucks. Like the 2nd part of the book is by far the most enjoyable to read, don't get me wrong, but their entire relationship is told to us while skipping through the parts we actually want to read about. Like this novel is 450 fucking pages and the author just tells us they had an affair??? She couldn't be bothered to write even one or two scenes of them just fucking talking, getting to know each other, falling in love? It's so insane, she somehow spends more time talking about the sexual assualt of minors rather than the supposedly loving, consensual intimacy between our main romantic pair! That is simply absurd, and quite frankly deeply frustrating. Much like the characters though, the plot, is just really fucking boring.
The two, reasons this aren't a 1 star: 1. It's very readable once you get through the mind numbing opening. Again the 2nd part is pretty fun to read, if rather lack luster. The author is able to spread out reveals just enough that even though they're ridiculously predictable, you still want to get there to see if maybe that's the turning point into where it gets good. 2. Just the idea of it. I really wish this concept was created by a more competent writer, especially one for adult fiction.
Later losers, gonna go write a fanfiction with this premise, but make it not suck.
EDIT: I can't stop thinking about this book, and the more I think the worse it gets. Bullet points cause I don't want to spoil or rant too much.
Looking at the back of the book, in a Q&A with the author, it's stated she has written 7 YA books before releasing this adult fantasy, and boy golly can you tell. Every time the characters swore was a mini jumpscare where in I had to remember this was not written for teenagers. Because even with the references to the darker material present in this world (see trigger warnings) it still feels totally juvenile with incredibly flat, black and white morality characterization. In the past I've disliked YA books for this quality, yet forgiven them for the fact that they are geared toward people younger than me, but this is marketed fully as an adult fantasy, giving it no excuse.
On the topic of characters, the ones portrayed in this book are both absurdly flat and painfully boring. Outside of our main duo, every single character is presented so cartoonishly it's impossible to take seriously. They are all either virtuous girls who suffer for the advancement of our male heroes' plot, or legitimately evil peverted monsters, with neither party being offered even the barest of nuance. (The big bad man who takes Emmett to the big city is named de Havilland. Really. I haven't seen anything so heavy handed since Cruella Deville.) Unfortunately, neither Emmett or Lucian are given much further development. This almost astounds me since they are both 1st person POV characters! As individuals they can be surmised easily: Emmett - farmer (it's his last name and occupation), hates monetary hand outs, righteous (except when the plot needs him to not be), Lucian - rich, hates his dad, hates bookbinding (but only kind of and only to stir up plot drama.) Could you guess that they're also incredibly inconsistent? And somehow still, the most egregious character injustice is killing off a main character and then never mentioning her again!
The plot is easily the best part of the book, and yet still so much of my enjoyment is based on it's potential for more. I think the plot twists are satisfying, though predictable, and the magic system is so cool. There are so many moments that expand the world and potential that binding memories could have on a vaugely pre-industrial vaugely British setting, like the one in this book. Does Collins ever actually explore these possibilities, well no, but the thought of it is intriguing.
A large part of the plot though that can't go ignored is the romance, which... kinda sucks. Like the 2nd part of the book is by far the most enjoyable to read, don't get me wrong, but their entire relationship is told to us while skipping through the parts we actually want to read about. Like this novel is 450 fucking pages and the author just tells us they had an affair??? She couldn't be bothered to write even one or two scenes of them just fucking talking, getting to know each other, falling in love? It's so insane, she somehow spends more time talking about the sexual assualt of minors rather than the supposedly loving, consensual intimacy between our main romantic pair! That is simply absurd, and quite frankly deeply frustrating. Much like the characters though, the plot, is just really fucking boring.
The two, reasons this aren't a 1 star: 1. It's very readable once you get through the mind numbing opening. Again the 2nd part is pretty fun to read, if rather lack luster. The author is able to spread out reveals just enough that even though they're ridiculously predictable, you still want to get there to see if maybe that's the turning point into where it gets good. 2. Just the idea of it. I really wish this concept was created by a more competent writer, especially one for adult fiction.
Later losers, gonna go write a fanfiction with this premise, but make it not suck.
EDIT: I can't stop thinking about this book, and the more I think the worse it gets. Bullet points cause I don't want to spoil or rant too much.
- Women are treated horribly no matter what. Either sidelined as enforcers of the homophobic realities of the time period keeping our main characters from living freely or literally killed off and never brought up again.
- Part 1 is rendered completely useless by the end of the book, except basically to stall so the reveal in part 2 is more impactful.
- Zero moral nuance or complexity.
- Completely dropped plot threads and/ or thematic ideas that would have made the 450 pages feel less bloated and actually given some depth to the world.
So yeah this is a pretty bad book, but it was more enjoyable to read than what I would deem 1 star level atrocity.
Content Warnings
Moderate: Adult/minor relationship, Rape, Suicide, Homophobia, and Sexual assault
Minor: Outing and Classism
marleywrites's review against another edition
emotional
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? No
3.75
This book took awhile to grow on me, but by the end of part one I was very invested. Seeing all the pieces fall together was extremely satisfying. I loved the angst and the intense emotions. This is one I would consider rereading, especially in the fall/winter.
Content Warnings
Graphic: Alcoholism, Emotional abuse, Animal death, Suicide, Death, Alcohol, Homophobia, and Fire/Fire injury
Moderate: Violence, Infidelity, Kidnapping, Grief, Gaslighting, Classism, Vomit, Murder, Injury/Injury detail, Sexual assault, and Rape
Minor: Cursing
hawkelf's review against another edition
dark
emotional
hopeful
mysterious
reflective
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
This book was a slow start for me, due to the amount of characters very loudly Not Saying Something to the main. But the descriptions of bookbinding (both familiar and magical) were beautiful and compelling, and the goodreads reviews were questionable, so I carried on.
This book unwinds melancholic through three parts, with the middle at the beginning, the beginning in the middle, and a POV change for the end, but I think it works. If you're fond of the backstory sections of Black Sails, you'll like this too. It takes place at the beginning of the machination of industry in England, though that has little to do with it. It's a love story, and a story about how power can be - and would be, was, and is - abused by the powerful and money hungry. It has a quiet sense of strength and preservation, and hope. It has its heavy moments, and for sure period typical homophobia, though, so check the cw.
This book unwinds melancholic through three parts, with the middle at the beginning, the beginning in the middle, and a POV change for the end, but I think it works. If you're fond of the backstory sections of Black Sails, you'll like this too. It takes place at the beginning of the machination of industry in England, though that has little to do with it. It's a love story, and a story about how power can be - and would be, was, and is - abused by the powerful and money hungry. It has a quiet sense of strength and preservation, and hope. It has its heavy moments, and for sure period typical homophobia, though, so check the cw.
Content Warnings
Graphic: Animal death
Moderate: Homophobia, Domestic abuse, Classism, and Rape
Minor: Sexual assault, Emotional abuse, and Physical abuse
kaiiyo's review against another edition
emotional
hopeful
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.25
A joy to read that left me quietly weeping in the bath
Wonderful characters and beautifully evocative writing
Wonderful characters and beautifully evocative writing
Content Warnings
Graphic: Animal death, Child abuse, Emotional abuse, Fire/Fire injury, Gaslighting, Physical abuse, Rape, Sexual assault, and Sexual violence
Moderate: Alcoholism, Death, Misogyny, and Murder
Minor: Classism
prettycloud's review against another edition
adventurous
dark
emotional
hopeful
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
This book has a lot going on. It's got the good historical fiction atmospherics—scenic rural landscape, old bookbinder's workshop—but it's grounded in real human interactions, with flawed characters making difficult choices. It deals with some really heavy topics—trauma, homophobia, assault, to name a few—but it's not relentlessly gloomy. It's a weird hybrid of coming of age, mystery, and romance. The first part feels like a quest for truth, like how Chasing Vermeer felt when I was a kid. There's a sense of wonder even among the awful things people do to one another, and there is beauty and hope. The latter part becomes darker and romancier: if you've read or watched Fingersmith or The Handmaiden, there's some of that energy, though without the masterminding. Would recommend if you like that sort of thing, or time loop or memory loss stories. I think part of the polarization of reviews is because this is such a teenage story even if it has more adult themes. Another reviewer here described it as a Drarry fic with the serial numbers filed off—I don't know whether that's true, but describes the vibe very well and could be useful in deciding whether to check it out.
Content Warnings
Graphic: Animal cruelty, Gaslighting, Outing, Fire/Fire injury, Suicide, Violence, Alcoholism, Domestic abuse, Homophobia, Blood, Emotional abuse, Physical abuse, and Animal death
Moderate: Death, Suicidal thoughts, Vomit, Rape, Alcohol, Forced institutionalization, Grief, Sexism, Kidnapping, Classism, Sexual content, Murder, and Body shaming
There are some really awful and messed-up characters in this book who have a lot of power in their classist, sexist society. The main protags make mistakes and are really angry and traumatized through a lot of this, but aren't doing any of the really awful stuff. They experience homophobia, emotional abuse/gaslighting, and physical abusemaeverose's review against another edition
dark
mysterious
reflective
medium-paced
Edit: I just found out the author is a terf, so I removed my rating. But I’ll leave the review for now. :/
TL;DR: I love the concept of this book so much, I really liked the romance, the writing style is hit and miss for me, why does everyone have to interrupt each other in every conversati—
TL;DR: I love the concept of this book so much, I really liked the romance, the writing style is hit and miss for me, why does everyone have to interrupt each other in every conversati—
The Concept
I love the idea of binding people’s memories into a book to remove them from their mind. I love how this book explores that. It’s just so cool to me. As disturbing as it is to read, I like that it explores the horrible ways people could take advantage of that system.
The Romance
The Romance
I liked it a lot. I tend to prefer books without romance side plots because they often feel tacked on and underdeveloped, but the romance in this one is a crucial part in the overall story, and I really liked how it was done. I liked the progression of Emmett’s feelings for Lucian. The way it was written I genuinely wasn’t sure how that was gonna go at first. The slow progression of hate to attraction without Emmett even seeming to recognize it as attraction at first. Idk I just liked that. And the dance scene !! I almost wish they explored how Emmett being a binder effects their relationship being as Lucian hates binders, but also I don’t like relationship angst so I don’t entirely mind that it was kinda just dropped.
Writing
Writing
The prose worked for me sometimes, not other times. I generally like pretty prose if it’s done well, and for the most part this was. It had a very gothic atmosphere, which I always love. But I felt it was a little over written here and there, and that both took me out of the scene sometimes and slowed the pacing at times where it seemed like it should’ve been a more fast paced scene (namely, the very end). The last 30% was pretty slow. And a more subjective dislike: It focuses a lot on the unattractive things in a scene, and for some reason that often meant lots of bodily fluids… It was mentioned excessively and unnecessarily and I just don’t like that writing choice.
Plot Structure
I really like how we start out following Emmett after he’s been bound, then the way he eventually finds out, immediately leading into part two which is entirely just his memory. I definitely liked part three the least, but I think part three had to have been from Lucian’s pov or it wouldn’t’ve worked. And I definitely didn’t mind it. I think it could grow on me after a re read. Overall I just think the way the plot was structured was really smart.
Dislikes
Plot Structure
Dislikes
My number one pet peeve was that in almost every. single. conversation. someone had to interrupt someone else mid sentence. It happened so often and half the time it made no sense why they interrupted the other person. I counted 22 times in the first chapter alone… I don’t know how the editors didn’t suggest changing that. It was so annoying.
It wouldn’t be a review from me if I didn’t point out the ableism! This one was just little comments here and there (e.g: a comment about becoming a ‘drooling lunatic’, calling someone ‘simple’, calling a disabled person useless), always from the main Characters’ pov (mostly Emmett’s, I think), always uncorrected. I know it’s probably supposed to be ‘fitting of the time period’ but leaving those out literally would’ve changed nothing. I’m tired of reading historical fiction/fantasy and always seeing shit like that. Those comments are still harmful.
There was also a plot point that was just dropped that I felt needed more explanation.When Emmett used that weird voice to tell off the people who wanted to burn Seredith’s house down, it was only brought up again once. When Emmett brought it up to Seredith she basically told him ‘that was nothing’. But it definitely seemed like something..? He seemed almost possessed to me.
Alta annoyed me a bit but maybe that’s a me problem…
There was also a plot point that was just dropped that I felt needed more explanation.
Alta annoyed me a bit but maybe that’s a me problem…
Content Warnings
Graphic: Alcohol, Pedophilia, Rape, Suicide, Animal cruelty, Child death, Death, Excrement, Fire/Fire injury, Animal death, Homophobia, Murder, and Vomit
Moderate: Child abuse, Classism, Alcoholism, Misogyny, Emotional abuse, Gaslighting, Mental illness, Racial slurs, Suicidal thoughts, Domestic abuse, Injury/Injury detail, Physical abuse, Sexual content, Ableism, Blood, and Incest
Minor: Fatphobia, Slavery, Abandonment, and Cursing
There is one use of the slur for Romani people. Does the dog die: