Reviews tagging 'Sexual assault'

Skönhetens väg by Thomas Andersson, Martha Hall Kelly

15 reviews

uselesspirateraven's review against another edition

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challenging dark emotional reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.75


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pawtuckawaykrm's review against another edition

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violence, sexual assault

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kelly_jeanne's review against another edition

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challenging emotional informative tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

3.5


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kaylaannsreads's review against another edition

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challenging emotional informative sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

5.0


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emeister3's review against another edition

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dark informative inspiring sad tense slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

If you watched “The Boy in the Striped Pajamas” and you still want to cry over true-story-inspired WWII trauma, then this book is for you. I can’t say that it’s for me, per se - it was my book club’s pick this month. I can say the following:

The second half of the book is much better than the first. The first 50% of the book alternates between 3 different female POVs and, as a result, I kept pinging between 3 different feelings - boredom, sadness, and shock. It had me feeling so downtrodden that I didn’t want to finish it. However…these atrocities are a part of history. They happened to real humans and, tragically, were committed by real humans. And their stories deserve to be heard, then to never happen again. As Norman Cousins wrote, “…what is told here is not a glimpse into the bowels of an imaginary hell but part of our world.”

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jdonner's review against another edition

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dark emotional sad slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

2.0


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meg_elyse's review against another edition

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challenging dark emotional informative inspiring reflective sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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saliwali's review against another edition

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adventurous challenging emotional informative inspiring reflective sad tense slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0


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ireri's review against another edition

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challenging dark emotional hopeful informative reflective sad tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

4.5


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nicole1832's review against another edition

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emotional reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

2.5

I'm having a hard time understanding why this book is so popular. It is simply not well-written. 

The three point of views interested me at first, but by the end of the book, I was only interested in one of them. Caroline's socialite life felt vapid compared to the hardships Kasia went through, and reading about Herta became uncomfortable by the latter part of the book. I had a hard time understanding how Caroline's and Herta's POVs justified their presence in the context of the overall story, which was at its heart really about Kasia.  (Side note: the cover of this book is *very* misleading. It implies that the three POV characters eventually become friends. That is very much not the case.) 

The book seems to want to be an examination of the emotions of these three women, but it always seemed to back away when things got most interesting. This was clearest in Herta's POV - she went from being horrified at what was happening at the camps to being complicit in it at what felt like breakneck speed. I understand not wanting to delve into a Nazi's POV, but if you're not going to fully explore it, why bother giving her a POV at all? 

Meanwhile, Caroline's behavior and attitudes toward her romance arc were hard to understand. Her arc became frustrating to read toward the end and ultimately felt unnecessary. And Kasia had problems with PTSD and anger later in life that were glossed over and ultimately resolved in a way that felt insultingly simplified.

On top of all that, the writing felt trite and amateurish, easy to read but ultimately failing to create any kind of mood. (And this book had some of the dullest hetero romances possible.) 

I was interested in the first half, simply because WWII stories, and stories about the horrors of the concentration camps, will always be powerful. But the importance of the historical subject matter is really all the book has going for it, in my opinion.

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