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hjb_128's review against another edition
challenging
relaxing
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Content Warnings
Graphic: Child death, Infidelity, Sexual content, Antisemitism, Grief, and Alcohol
Moderate: Death
Minor: Racial slurs and Violence
qstew's review against another edition
adventurous
challenging
dark
emotional
funny
informative
mysterious
reflective
sad
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
if beckett's "three novels" is like having a stroke over 400pgs, this is like a mushroom trip that won't end while a drunk cuckold tells you about their day. respect for the innovation and the effort put on to compose it; did it pay off thought? my answer will differ depending on the day i've had.
Content Warnings
Graphic: Infidelity, Misogyny, Sexism, Sexual content, Antisemitism, and Religious bigotry
Moderate: Alcoholism, Child death, Cursing, Death, Racial slurs, Racism, Suicidal thoughts, Suicide, Medical content, Grief, Death of parent, Alcohol, and Classism
Minor: Ableism, Eating disorder, Violence, Murder, and Injury/Injury detail
seventhswan's review against another edition
challenging
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Extremely difficult to know how to rate or review this but let the record show that I finished it! Understanding it all a slightly different matter!
On the whole I did genuinely enjoy this story and its characters, even if the vast majority of the wordplay, allusions, and references were lost on me. It was just about possible to parse out a narrative (with the help of Wikipedia!) and knowing in advance some basic Irish history and the general structure of the book did help me have a vague idea of what was going on. I would say that anyone with a decent grasp of English *can* read Ulysses - there are only very small sections in other languages or nonsense-speak - but there were certainly times where I was mechanically reading one word after the other just to get through it, and not properly digesting the meaning of what I was reading.
I've tried to organise my thoughts by section, as this is possibly the longest book I've ever read?
Telemachus: entirely understandable, gave me a false sense of security. Not dissimilar to the opening of any other well-written literary fiction.
Nestor: also fairly understandable, some weird sentiments about Jewish people that were uncomfortable to read.
Proteus: the point at which things first started to get difficult. I don't remember much about what happened but I remember being confused a lot. Think I got Wikipedia out at this point.
Calypso: a bit of a vibe shift but I enjoyed this section, other than the lengthy description of going to the toilet. There are women characters! And a coherent narrative again!
Lotus Eaters, Hades: both intriguing and really got into the descriptions of Dublin as a place. Despite not being entirely flattering, it made me want to go and see it for myself. Also mostly straightforward written English and interesting character backstories.
Aeolus: probably one of my favourite sections - different enough to be interesting without feeling like total nonsense.
Lestrygonians: more descriptions of Dublin as a living city! I liked this part! Also lots of food.
Scylla and Charybdis: not going to lie, I really struggled to follow this. I don't know enough about Shakespeare or his wife to understand it.
Wandering Rocks: not especially interesting to me, but understandable enough.
Sirens, Cyclops: struggled again with both of these, they were just extremely dense and yet somehow devoid of much happening that you could latch onto.
Nausicaa: *weird* in subject matter but I strangely enjoyed the way it was written? Perhaps I was just relieved to actually have characters and events I recognised again
Oxen of the Sun, Circe: the worst parts of the whole book to wade through in my opinion, I was just reading words to get closer to the end. I'm sure some very clever things were going on but they flew directly over my head
Eumaeus: back to prose I could actually read properly! Again, I enjoyed this section, but more from relief at understanding it than anything else.
Ithaca: I liked the question-and-answer layout of this section, less keen on more toilet talk and mathematics.
Penelope: 1000 pages in, we finally get to hear from Molly herself! Although written as extremely (think 20 pages each) long run-on sentences I found this not too bad to read and process, and the ending was satisfying. I don't think I could have dealt with a total non-ending after three months of reading.
Am I glad I read this book? I think I am! The parts that I was able to enjoy really were engaging, interesting, even funny in places. Would I recommend it? Only if you want to say you've read it - read Dubliners instead if you want stories set in Joyce's Ireland, and Didn't Nobody Give A Shit What Happened To Carlotta if you want chaotic travels across a city and that iconic ending line. Will I read it again? Honestly, probably yes, I think I could work a lot harder on understanding it - but not for several years, I'm back to strictly no-thoughts-head-empty reading for now.
On the whole I did genuinely enjoy this story and its characters, even if the vast majority of the wordplay, allusions, and references were lost on me. It was just about possible to parse out a narrative (with the help of Wikipedia!) and knowing in advance some basic Irish history and the general structure of the book did help me have a vague idea of what was going on. I would say that anyone with a decent grasp of English *can* read Ulysses - there are only very small sections in other languages or nonsense-speak - but there were certainly times where I was mechanically reading one word after the other just to get through it, and not properly digesting the meaning of what I was reading.
I've tried to organise my thoughts by section, as this is possibly the longest book I've ever read?
Telemachus: entirely understandable, gave me a false sense of security. Not dissimilar to the opening of any other well-written literary fiction.
Nestor: also fairly understandable, some weird sentiments about Jewish people that were uncomfortable to read.
Proteus: the point at which things first started to get difficult. I don't remember much about what happened but I remember being confused a lot. Think I got Wikipedia out at this point.
Calypso: a bit of a vibe shift but I enjoyed this section, other than the lengthy description of going to the toilet. There are women characters! And a coherent narrative again!
Lotus Eaters, Hades: both intriguing and really got into the descriptions of Dublin as a place. Despite not being entirely flattering, it made me want to go and see it for myself. Also mostly straightforward written English and interesting character backstories.
Aeolus: probably one of my favourite sections - different enough to be interesting without feeling like total nonsense.
Lestrygonians: more descriptions of Dublin as a living city! I liked this part! Also lots of food.
Scylla and Charybdis: not going to lie, I really struggled to follow this. I don't know enough about Shakespeare or his wife to understand it.
Wandering Rocks: not especially interesting to me, but understandable enough.
Sirens, Cyclops: struggled again with both of these, they were just extremely dense and yet somehow devoid of much happening that you could latch onto.
Nausicaa: *weird* in subject matter but I strangely enjoyed the way it was written? Perhaps I was just relieved to actually have characters and events I recognised again
Oxen of the Sun, Circe: the worst parts of the whole book to wade through in my opinion, I was just reading words to get closer to the end. I'm sure some very clever things were going on but they flew directly over my head
Eumaeus: back to prose I could actually read properly! Again, I enjoyed this section, but more from relief at understanding it than anything else.
Ithaca: I liked the question-and-answer layout of this section, less keen on more toilet talk and mathematics.
Penelope: 1000 pages in, we finally get to hear from Molly herself! Although written as extremely (think 20 pages each) long run-on sentences I found this not too bad to read and process, and the ending was satisfying. I don't think I could have dealt with a total non-ending after three months of reading.
Am I glad I read this book? I think I am! The parts that I was able to enjoy really were engaging, interesting, even funny in places. Would I recommend it? Only if you want to say you've read it - read Dubliners instead if you want stories set in Joyce's Ireland, and Didn't Nobody Give A Shit What Happened To Carlotta if you want chaotic travels across a city and that iconic ending line. Will I read it again? Honestly, probably yes, I think I could work a lot harder on understanding it - but not for several years, I'm back to strictly no-thoughts-head-empty reading for now.
Content Warnings
Moderate: Death, Misogyny, Sexual content, Excrement, Antisemitism, and Alcohol
Minor: Pregnancy
marthadude's review against another edition
challenging
emotional
funny
mysterious
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Alcoholism, Child death, Cursing, Death, Infidelity, Misogyny, Racial slurs, Racism, Sexism, Sexual content, Toxic relationship, Xenophobia, Antisemitism, Grief, Death of parent, Cultural appropriation, Toxic friendship, Alcohol, Colonisation, and Classism
emmi_lee's review against another edition
challenging
lighthearted
reflective
relaxing
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.5
Content Warnings
Graphic: Cursing, Infidelity, Misogyny, Racial slurs, Sexism, Sexual content, and Alcohol
Moderate: Body shaming, Death, Racism, Antisemitism, Medical content, and Sexual harassment