joh17's review against another edition
challenging
mysterious
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
4.0
It’s a long book, with maybe the 1st 20% or so was quite hard going, setting everything up about Knecht and his world, but at a very stately pace. After that, the conflict starts to come into focus and it becomes more compelling as it goes on. Another spirit /mind vs material/body Hesse book. Written during Nazism, a critique of the ivory tower and elitism, or a longing for it?
ein's review against another edition
4.0
Сложно, длинно (абзацы по две страницы сражают наповал), местами нудно, но умно.
marcomywords's review against another edition
1.0
This is it. The worst book ever.
Now, I have to concede that this book is uniquely brillant at what it's trying to do.
But what it's trying to do was never a good idea.
It's a book entirely devoid of stakes and action, and it is obviously the point, the mastery of its writing lies here. That's what you're supposed to enjoy, and marvel at.
One could even say it has no character, since the main character is pretty much a blank slate, if you don't coun't being a boring indecisive wuss as a character trait. The glass bead game itself, as a game and spiritual practise and supposedly the center of the non existing plot, is never described clearly to you. So you have no idea what it looks like, or what a marble really mean. You endlessly get told how subtle and complex, and refined it is though. It's the longest book about nothing you'll ever read.
If this intrigues and excites you, by all means, go ahead and read it. But don't get the mistake to think it's just "slow paced" like the Search of Lost Time, for example. I mean it when I say the Glass Bead Game is 500+ pages of nothingness. Which again, is a performance. But not one I enjoyed at all.
Now, I have to concede that this book is uniquely brillant at what it's trying to do.
But what it's trying to do was never a good idea.
It's a book entirely devoid of stakes and action, and it is obviously the point, the mastery of its writing lies here. That's what you're supposed to enjoy, and marvel at.
One could even say it has no character, since the main character is pretty much a blank slate, if you don't coun't being a boring indecisive wuss as a character trait. The glass bead game itself, as a game and spiritual practise and supposedly the center of the non existing plot, is never described clearly to you. So you have no idea what it looks like, or what a marble really mean. You endlessly get told how subtle and complex, and refined it is though. It's the longest book about nothing you'll ever read.
If this intrigues and excites you, by all means, go ahead and read it. But don't get the mistake to think it's just "slow paced" like the Search of Lost Time, for example. I mean it when I say the Glass Bead Game is 500+ pages of nothingness. Which again, is a performance. But not one I enjoyed at all.
smilja_'s review against another edition
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
kingyohaun's review against another edition
challenging
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
I did really enjoy this book even though I found it a little tedious at times.
Hesse has an effect on my brain that I always appreciate, and there are segments of this story that I will continue to cycle back to mentally for probably months (if not years)
I was shocked to discover people did not care for the end which I found incredibly meaningful in the discussions of life and service, but I can understand others reactions even if I don’t agree with them.
This will hold a place with the works of Thoreau and Dostoevsky where I have a Biblical reverence for it.
Hesse has an effect on my brain that I always appreciate, and there are segments of this story that I will continue to cycle back to mentally for probably months (if not years)
I was shocked to discover people did not care for the end which I found incredibly meaningful in the discussions of life and service, but I can understand others reactions even if I don’t agree with them.
This will hold a place with the works of Thoreau and Dostoevsky where I have a Biblical reverence for it.
josi1911's review against another edition
adventurous
challenging
dark
emotional
hopeful
inspiring
mysterious
reflective
relaxing
sad
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
ste3ve_b1rd's review against another edition
5.0
Previous to "The Glass Bead Game" -- I had only read "Siddhartha" by Hesse. Having enjoyed that book -- When a friend suggested GBG -- I didn't hesitate to start it. The principal protagonist, Joseph Knecht (German for "servant"), in attaining the position of "Magister Ludi", becomes successful with minimal effort on his part in his life in Castalia, the province of the intellectual elite in GBG. Although this novel is set in the 23rd century, there are no obvious clues in the text that render the environment of the book to be futuristic. Thus one can read this work as if it had been set in the present day. A complementary world of organized religion exists along with Castalia -- In that world, Knecht comes into contact Father Jacobus and expands his knowledge of history. Both societies appear to be monastic -- And both view one another with suspicion. The only female character I can recall is the wife of Knecht's classmate from his youth (Plinio Designori) -- She is described as being cold and lacking in compassion [Knecht has 3 major friendships in this work -- All of which are meaningful and important at various points in the novel - Though they suffer due to Knecht's inaccessibility in his role as Magister Ludi]. At one point early on in the book -- Castalia is described as being a place where women are available to young men. But this element of Castalian society is never spelled out in detail. And so the Castalians seem to live as monks. Which comes as no surprise given that the "Glass Bead Game" is an ultimate synthesis of the philosophical, the intellectual, the artistic and the spiritual -- As opposed to the physical, the carnal and anything that could qualify as a baser element of human expression. The entire concept of The Glass Bead Game is veiled in mystery -- Which makes it all the more intriguing -- As the reader can only imagine how this game ultimately manifests, in the context of a technology existing 200 or more years from the present day.
Knecht is blessed with an easy-going, pragmatic personality and is perhaps naive in his reactions to how his success has been thrust upon him. He is a "servant" who follows the path that has been presented to him. He does not stray or rebel, he takes advantage of every opportunity along the way, he masters whatever task is presented to him that will be necessary for him to move forward to the next level. At the same time Knecht appears to be genuinely creative and enough of a people person so that he can sublimate his energies into the social realm -- Thus minimizing any major professional conflicts. He is all business, he avoids and / or manipulates those who could be a threat to his career -- While simultaneously exhibiting compassion for his fellows. Knecht seems to be the envy of his subordinates and yet all is not well within his inner paradise, where his doubts and misgivings about Castalian society continue to multiply -- Via an expansion of knowledge gained through experience. He ultimately realizes that in the philosophical-intellectual-artistic-spiritual confluence that defines life in Castalia -- Its inhabitants live an over-protected, privileged world where they will never rub up against the shoulders of the common man living "outside Castalia". Most Castalians (with the exception of Knecht, who at one point is utilized by the Castalian hierarchy as a kind of ambassador-envoy) are unlikely to visit the world beyond their borders and to know the particular suffering of the "Outsider". If the reader were to see the world of GBG in a futuristic context, it could be viewed as a kind of "Star Trek" where the Castalians, in the manner of the Vulcans, have mastered baser human emotions via "meditation" (which could also be interpreted as "mind control"). The Castalian practice of meditation has taken the place of organized religion and their society is therefore technically godless.
That being said -- Knecht is a spiritual man -- As well as one who wears masks for the sake of his career. As humble as he seems to have been portrayed in GBG -- Perhaps Knecht overreaches his grasp and ultimately tries too hard to be good. Thereby he attempts to share his goodness in situations where it is not called for or even desired. He may even be suicidal and unaware of it. He is after all a man blessed with so much good fortune that it would be easy for him to delude himself into thinking that no achievement exists that is beyond his grasp. Thus the end of the book is devastating: Although a tragedy is alluded to by the narrator, I had no idea what form it would eventually take. There are layered / multiple meanings inherent in the ending that I pondered over for days after finishing this novel -- There are so many ways that its conclusion can be interpreted. Fortunately the 3 chapters that ended the book (following a short addendum of Knecht's poetry), entitled "The Three Lives", helped me to recover from the unfortunate yet realistic conclusion of "Magister Ludi" Joseph Knecht's biography -- As well as to gain an understanding of the work in its entirety. Knecht has a lifetime of good luck behind him when he finally "disappears". Why this happens is as much of a mystery as the mystery of life and death itself. In the end the message that this book relayed to me is as follows: Even if one has everything planned out perfectly in one's life, and even if one successfully executes everything that one has planned -- All of that can be lost via the misfortune of one random event, through a thrust of fate, or by means of a miscalculation based on human error.
In closing: The character who best represents the attribute of "goodness" in this novel is actually the Music Master -- Who guides Knecht forward in life -- Beginning in Knecht's childhood and onwards to his success in Castalia. In one haunting section of the book -- The Music Master is dying and essentially transforms into a blazing sunset of serenity. In this moment -- One can see the arc of a truly fulfilled life and the effect is almost chilling. The Music Master enters into a Nirvana-like state during his last days on the planet and Knecht is a witness to this metamorphosis. It is probably in this moment that Knecht realizes that this is how he would have wanted to be himself. But at this point it is too late -- Knecht has virtually been locked into his position as Magister Ludi -- A position he will be expected by the Castalian hierarchy to retain and maintain until the end of his days. Knecht, whether inadvertently or not, has chased power and fame, has been granted the gifts of its privileges, and will ultimately pay a price for having made that decision. His life becomes both a blessing and a curse. Though he becomes a master of "The Glass Bead Game" -- The game that he does not master, and that no man can master, is "The Game of Life".
Knecht is blessed with an easy-going, pragmatic personality and is perhaps naive in his reactions to how his success has been thrust upon him. He is a "servant" who follows the path that has been presented to him. He does not stray or rebel, he takes advantage of every opportunity along the way, he masters whatever task is presented to him that will be necessary for him to move forward to the next level. At the same time Knecht appears to be genuinely creative and enough of a people person so that he can sublimate his energies into the social realm -- Thus minimizing any major professional conflicts. He is all business, he avoids and / or manipulates those who could be a threat to his career -- While simultaneously exhibiting compassion for his fellows. Knecht seems to be the envy of his subordinates and yet all is not well within his inner paradise, where his doubts and misgivings about Castalian society continue to multiply -- Via an expansion of knowledge gained through experience. He ultimately realizes that in the philosophical-intellectual-artistic-spiritual confluence that defines life in Castalia -- Its inhabitants live an over-protected, privileged world where they will never rub up against the shoulders of the common man living "outside Castalia". Most Castalians (with the exception of Knecht, who at one point is utilized by the Castalian hierarchy as a kind of ambassador-envoy) are unlikely to visit the world beyond their borders and to know the particular suffering of the "Outsider". If the reader were to see the world of GBG in a futuristic context, it could be viewed as a kind of "Star Trek" where the Castalians, in the manner of the Vulcans, have mastered baser human emotions via "meditation" (which could also be interpreted as "mind control"). The Castalian practice of meditation has taken the place of organized religion and their society is therefore technically godless.
That being said -- Knecht is a spiritual man -- As well as one who wears masks for the sake of his career. As humble as he seems to have been portrayed in GBG -- Perhaps Knecht overreaches his grasp and ultimately tries too hard to be good. Thereby he attempts to share his goodness in situations where it is not called for or even desired. He may even be suicidal and unaware of it. He is after all a man blessed with so much good fortune that it would be easy for him to delude himself into thinking that no achievement exists that is beyond his grasp. Thus the end of the book is devastating: Although a tragedy is alluded to by the narrator, I had no idea what form it would eventually take. There are layered / multiple meanings inherent in the ending that I pondered over for days after finishing this novel -- There are so many ways that its conclusion can be interpreted. Fortunately the 3 chapters that ended the book (following a short addendum of Knecht's poetry), entitled "The Three Lives", helped me to recover from the unfortunate yet realistic conclusion of "Magister Ludi" Joseph Knecht's biography -- As well as to gain an understanding of the work in its entirety. Knecht has a lifetime of good luck behind him when he finally "disappears". Why this happens is as much of a mystery as the mystery of life and death itself. In the end the message that this book relayed to me is as follows: Even if one has everything planned out perfectly in one's life, and even if one successfully executes everything that one has planned -- All of that can be lost via the misfortune of one random event, through a thrust of fate, or by means of a miscalculation based on human error.
In closing: The character who best represents the attribute of "goodness" in this novel is actually the Music Master -- Who guides Knecht forward in life -- Beginning in Knecht's childhood and onwards to his success in Castalia. In one haunting section of the book -- The Music Master is dying and essentially transforms into a blazing sunset of serenity. In this moment -- One can see the arc of a truly fulfilled life and the effect is almost chilling. The Music Master enters into a Nirvana-like state during his last days on the planet and Knecht is a witness to this metamorphosis. It is probably in this moment that Knecht realizes that this is how he would have wanted to be himself. But at this point it is too late -- Knecht has virtually been locked into his position as Magister Ludi -- A position he will be expected by the Castalian hierarchy to retain and maintain until the end of his days. Knecht, whether inadvertently or not, has chased power and fame, has been granted the gifts of its privileges, and will ultimately pay a price for having made that decision. His life becomes both a blessing and a curse. Though he becomes a master of "The Glass Bead Game" -- The game that he does not master, and that no man can master, is "The Game of Life".
antoine_tarrou's review against another edition
adventurous
dark
hopeful
inspiring
mysterious
reflective
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0