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spookfish's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
3.0
Found myself asking "why?" a lot of the time, without answer from Gaiman. There are parts of this book where it doesn't feel sure of where it is trying to head itself. It makes sense knowing this was supposed to be a short story that was extended into a novel. Not a bad book by all means, just... lacking something for me.
Graphic: Body horror, Child abuse, and Confinement
Moderate: Infidelity, Suicide, and Injury/Injury detail
Minor: Animal death, Death, Sexual content, and Blood
readermann's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Moderate: Child abuse and Violence
Minor: Death, Sexual content, Suicide, and Blood
cmbrown4's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
4.0
Graphic: Child abuse and Death
Minor: Sexual content
naolin's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.75
Moderate: Sexual content
thatsgreatalex's review against another edition
- Plot- or character-driven? A mix
- Strong character development? N/A
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.75
Graphic: Child abuse
Minor: Sexual content
navyblu's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Moderate: Body horror, Sexual content, and Violence
samchase112's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
Graphic: Child abuse, Death, and Torture
Moderate: Animal death and Suicide
Minor: Sexual content
literatureleaf's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
5.0
Reading time: 3 days
Difficulty level: 2/5
Rating: 5/5
After attending a relative’s funeral, an unnamed man returns to his childhood home in search of comfort and relief from his grief. When he chooses to visit an old neighbor, he finds himself drawn into the web of his childhood memories, struggling to reconcile what he remembers as magic and monsters against the complexities and inhibitions of an aged mind.
Reading like a fever dream, The Ocean at the End of the Lane combines simple, yet elegant prose with magical realism and a sense of whimsy that seamlessly blurs the lines between the fantastical and the real. Capitalizing on the fragility and uncertainty of our own memories, Gaiman makes us ask ourselves if we can ever be truly certain that what we remember, was our reality.
Nostalgic and emotional, Gaiman’s writing feels like glancing into the glimmering waters of the fountain of youth. With an ethereal, fuzzy quality that permeates throughout the story, The Ocean at the End of the Lane is reminiscent of the feelings that you get when you remember your first kiss, the car you got at 16, the first dog that you ever called your own, or any of the hundreds of experiences that you can never return to, no matter how significantly they shaped who you became.
Because The Ocean at the End of the Lane leans heavily on nostalgia, with the goal of permeating each reader’s own childhood, the characters are the weakest aspect of the book. The protagonist is unnamed, likely with the hope that the reader will put themselves in his shoes, and while the other characters do have more substance, there is not as much there to work with as those who prefer character-driven stories may like. However, many readers may find that the minimalized characterizations work with the book rather than against it.
With the emphasis on emotional impact and gorgeous writing being so pervasive, the pacing struggles at times, particularly towards the middle of the book. Much of the actual plot advancement takes place towards the beginning and towards the end, and for such a short read, this lends to the feeling of the story “dragging” a bit. Nevertheless, this is more than compensated for with the rich imagery and stylistic prose that fills those middle pages.
A beautiful journey into the eye of the storm that is childhood, Neil Gaiman paints an endearing and lyrical portrait of what it’s like to be young and still believe in magic. Like drinking a steaming cup of hot cocoa from the mug you used every Christmas morning as a kid, or driving past the house you grew up in, The Ocean at the End of the Lane will leave you with an irrevocable need to go back home again, even if that home doesn’t exist anymore.
Graphic: Animal death, Body horror, Child abuse, Death, Physical abuse, and Suicide
Moderate: Child death, Emotional abuse, Infidelity, and Violence
Minor: Domestic abuse, Sexual content, Gaslighting, and Injury/Injury detail
feainnewedd's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Moderate: Child abuse and Violence
Minor: Sexual content
rachelunabridged's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Graphic: Child abuse
Moderate: Animal death and Body horror
Minor: Infidelity and Sexual content