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eliseelk's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Graphic: Infidelity, Miscarriage, Medical trauma, and Pregnancy
Moderate: Alcoholism, Drug use, Homophobia, Outing, and Classism
Minor: Body shaming and Suicide
kkozzz's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Set against the backdrop of Cork City and University College Cork, Ireland, the novel skillfully intertwines these thematic elements, inviting readers on a profound voyeuristic journey through the lives of its characters. For those familiar with Cork City, the novel offers a nostalgic journey through familiar streets, coupled with a sense of specified time and place.
The novel delves into the intricacies of sexuality in the late 2000s/early 2010s, portraying the fluidity and nuances of desire with sensitivity and insight to the social climate of the time. O'Donogue examines the intersections of identity, desire, and societal expectations, offering a heartbreaking portrayal of a LGBTQ+ sexual awakening and self-discovery. As the narrative unravels, readers are drawn into the lives of its characters with remarkable authenticity.
"The Rachel Incident" unfolds against the backdrop of the 2008 economic crash, further enriching the narrative with financial uncertainty and societal upheaval. The characters grapple with their own personal struggles and aspirations, highlighting the profound impact of external economic forces on individual lives of various socioeconomic castes.
Central to the novel's narrative are its deeply human characters, whose struggles and triumphs resonate with raw honesty. Readers are offered a glimpse into the complexities of the human condition, where moments of connection and understanding are juxtaposed with moments of poignant heartache and longing.
In essence, "The Rachel Incident" is a masterfully crafted exploration of the everyday, exemplifying how people move freely in and out of one another’s lives throughout various eras of the human experience, leaving ripple effects behind for the rest of time on those they’ve touched.
With its compelling narrative and vivid setting, this novel stands as a testament to Caroline O'Donogue's talent as a storyteller, leaving readers deeply moved and profoundly affected by the lives of its characters while weaving together themes of class, relationships, sexuality, and economic upheaval into a look at the tragedy and beauty of human experience and relationships.
Graphic: Miscarriage, Sexual content, and Abortion
Moderate: Alcoholism
sissizc's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Infidelity and Miscarriage
Minor: Alcoholism and Domestic abuse
annoyedhumanoid's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.75
The jokes weren't funny, I took the money
My friends from home don't know what to say
I looked around in a blood-soaked gown
And I saw something they can't take away
'Cause there were pages turned with the bridges burned
Everything you lose is a step you take
So make the friendship bracelets, take the moment and taste it
You've got no reason to be afraid
[…]
You're on your own, kid
You always have been
i'm not sure if i didn't like the ending or if i just didn't want it to end.
i'm also conflicted on the narrative structure of being told through memory with reflections and commentary peppered in. it obviously allows for deeper, more mature insight, as well as effective foreshadowing, but oftentimes it was along the lines of "i was so stupid then" which like, show don't tell, and we're definitely sufficiently shown. which i don't think is a bad thing! but i know for others it is, and so this setup feels like a concession to the crowd that can't stand, for example, Sally Rooney novels because her twenty-something young women characters are annoying or self-involved or clueless (for example, from a review of Conversations with Friends: "One of the most pretentious and self absorbed gen-z/millenial 'I am a suffering artist who is better than anyone else' main characters. Something about the damaged female writer character that is really trying my patience these days"). i am a strong advocate for allowing women characters to be annoying and self-involved and clueless. that's not to say you have to enjoy reading about them, but i don't like media catered to people who believe otherwise; just count them out of your intended audience. so the narration winds up feeling to me like a lampshading cop-out.
big thought out of the way, yeah i loved this, a truly funny in-depth character study showing significant growth and change. i fell in love with Rachel and James (Devlin; Carey is fine). storygraph was spot-on with this recommendation, thanks babe <3
miscellaneous: i was happy to see Rachel become friends with other women by the end. being surrounded almost exclusively by men for that long cannot be good for one's mental health
Graphic: Cursing, Infidelity, Miscarriage, Blood, Grief, Abortion, Pregnancy, Abandonment, and Alcohol
Moderate: Alcoholism, Bullying, Cancer, Chronic illness, Drug use, Infertility, Mental illness, Sexual content, Suicide, Terminal illness, Toxic relationship, Medical content, Death of parent, Gaslighting, and Classism
Minor: Body shaming, Death, Eating disorder, Fatphobia, Homophobia, Misogyny, Rape, Sexism, Excrement, Vomit, Fire/Fire injury, Sexual harassment, and Injury/Injury detail