Reviews tagging 'Vomit'

The Rachel Incident by Caroline O'Donoghue

20 reviews

shelbygibbs's review against another edition

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challenging emotional funny tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? N/A
  • Flaws of characters a main focus? Yes

4.75

So enjoyed this! I’m in love with Carey as a character and I think everyone is so well written. Each chapter I said id pause there and was forced to keep reading by how good it was…

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thecaffeinatedlibrary's review against another edition

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funny reflective

4.0

The Rachel Incident is sardonic, fresh and full to the brim with chaos energy.

Rachel herself is wry, delightfully nervous and full of relatable intrusive thoughts. I loved her relationship with James, and how it shows how vital friendship is. I adored their connection, how they were always there for one another, and their inside jokes and shared humour.

This book touches on a few very heavy, very important, topics also. I loved how the author wove these themes in organically, they never felt too sudden or too stilted.

I think my only *wish* is that I wanted more. Caroline achieves so much here, but I just wanted a little more insight into these wild things that seemed to happen around Rachel. 

For fans of the unhinged girly litfic scene 💕

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annoyedhumanoid's review against another edition

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emotional funny hopeful reflective medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.75

the bridge of "You're On Your Own, Kid" by Taylor Swift, excerpted here for your reading pleasure:
The jokes weren't funny, I took the money
My friends from home don't know what to say
I looked around in a blood-soaked gown
And I saw something they can't take away
'Cause there were pages turned with the bridges burned
Everything you lose is a step you take
So make the friendship bracelets, take the moment and taste it
You've got no reason to be afraid
[…]
You're on your own, kid
You always have been

i'm not sure if i didn't like the ending or if i just didn't want it to end.

i'm also conflicted on the narrative structure of being told through memory with reflections and commentary peppered in. it obviously allows for deeper, more mature insight, as well as effective foreshadowing, but oftentimes it was along the lines of "i was so stupid then" which like, show don't tell, and we're definitely sufficiently shown. which i don't think is a bad thing! but i know for others it is, and so this setup feels like a concession to the crowd that can't stand, for example, Sally Rooney novels because her twenty-something young women characters are annoying or self-involved or clueless (for example, from a review of Conversations with Friends: "One of the most pretentious and self absorbed gen-z/millenial 'I am a suffering artist who is better than anyone else' main characters. Something about the damaged female writer character that is really trying my patience these days"). i am a strong advocate for allowing women characters to be annoying and self-involved and clueless. that's not to say you have to enjoy reading about them, but i don't like media catered to people who believe otherwise; just count them out of your intended audience. so the narration winds up feeling to me like a lampshading cop-out.

big thought out of the way, yeah i loved this, a truly funny in-depth character study showing significant growth and change. i fell in love with Rachel and James (Devlin; Carey is fine). storygraph was spot-on with this recommendation, thanks babe <3

miscellaneous: i was happy to see Rachel become friends with other women by the end. being surrounded almost exclusively by men for that long cannot be good for one's mental health

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thespinystacks's review against another edition

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emotional funny hopeful medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.25


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gbevan's review against another edition

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challenging emotional funny reflective sad fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5


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theunfinishedbookshelf's review against another edition

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emotional hopeful reflective fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

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marpaige's review

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emotional funny hopeful tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0


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mothie_girlie's review against another edition

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emotional funny slow-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.0


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theflowergarden's review against another edition

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medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Flaws of characters a main focus? Yes

4.0


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marywahlmeierbracciano's review against another edition

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challenging funny fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

5.0

The Rachel Incident.  I rolled my eyes at the title at first, but once I’d read the climactic scene, it suddenly became a perfect fit.  This is the hilarious and heartfelt story of platonic soulmates, and the writing is so fast-paced and witty that I never wanted to put it down.  With undeniable humor leading the way, O’Donoghue joins the intricate character relationships of Sally Rooney with the harsh realities of late aughts/early 2010s Ireland—recession, barriers to reproductive care, homophobia.  This book is so good it makes me want to squeal and do a little dance and also read everything else Caroline O’Donoghue has written.

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