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maximum_swagfish's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Animal cruelty
errie's review
- Strong character development? It's complicated
4.25
Graphic: Animal cruelty and Emotional abuse
scmiller's review against another edition
- Diverse cast of characters? Yes
5.0
Moderate: Animal cruelty, Child abuse, Violence, Toxic friendship, and Colonisation
Minor: Addiction, Death, Drug abuse, Misogyny, Sexism, Grief, Death of parent, Murder, and Abandonment
kylieqrada's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Addiction, Domestic abuse, and Gun violence
Moderate: Death, Grief, and Murder
Minor: Animal cruelty, Drug abuse, and Car accident
pansypantaloons's review against another edition
Minor: Animal cruelty and Xenophobia
guivx5's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
This book is made of short stories, mainly with aspects of speculative fiction, that dive into the complexity of what it means to be human. With a hint of Black Mirror attached to its lines, Ted Chiang's ideas are mind-bobbling futuristic "what ifs?" that don't stop at just the fun of speculating whether it'd be cool to have giant robots living amongst society or if it would be nice to be able to see your past through a toilet's reflection. It takes everything a step further, making a run for it directly into the human's psyche. To me, there were two fundamental aspects of this collection.
The first one is lined by Chiang's amazing ability to submerge himself into the ocean of possibilities that could've been our past (and could be our future), a sea widely explored by previous authors and Twitter conspirators, and be able to bring us original visions. Even when there's clear reference to old tropes, they're explored in refreshing and unique ways. We're talking about alien robot races that can dissect their own brains, devices that can prove the inevitability of actions, future days where we can communicate to and impact alternate versions of our lives, the list goes on. You'd have to read these stories to understand that none of them are simply recycled sci-fi ideas, but actually quite unique spins with creative details that showcases the amount of thought put into them. They are mainly tales about possible future technologies and the many ways they integrate into society, and this brings me to the second fundamental aspect of them.
Chiang's universes are capable of, in a short amount of pages, exploring many sideways and alleys of the human experience. In other words, it's a very human book. He brilliantly narrates the dilemmas and complex chains of feelings of his characters, navigating through different points of view and times during all stories. There' so much to uncover here, I'd hardly be able to mention all of the insights these dramas are able to give you: thoughts on what it is to be human, on the possibilities of free will and inevitable fatalism, on the ways we consider ourselves the center of, well, everything. These dilemmas are of times that never existed, yet they are incredibly real and plausible. It really comes to show that, while we've had major changes in the ways we live as humans in the past, the human experience is an ever-present factor, and its doubts are as ever-present as its dubious answers.
Chiang brings our old needs to new times. We can see a part of ourselves in a world where religion and science are intrinsically mixed, in a world where digital forms of life walk among us, in a world where prisms can give us access to ourselves in a different timeline. Chiang's translation of our major doubts and questions into future times prepares us for the inevitable change, and it does it with a somewhat soothing writing style. If anything, I felt more human while connecting with these stories.
There's a phrase said in the last short story I think encapsulates well what this is all about: "I want to know whether my decisions matter!". While you may think that many of the plots here brings the characters onto dead-ends, this collection is, ironically, a clear message that life is anything but a dead-end.
Graphic: Addiction
Moderate: Gun violence and Murder
Minor: Animal cruelty
fox_at_the_circus's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
4.5
The stories cover all the big sci-fi themes: time travel, free will, AI, etc. and they add interesting new nuances or takes to them. The stories range from newspaper article like to fable to general prose, it is really amazing seeing one author nail all of them.
It's really hard to pick my favourite story, I think it comes down to either the Parrot's story or the Archeologist's story.
The book also comes with some explanations/notes on the stories by the author. It's interesting to see, where he got his inspiration from and his reasoning for some of his choices.
Minor: Addiction, Animal cruelty, Gun violence, and Colonisation
talonsontypewriters's review against another edition
4.0
Moderate: Addiction, Body horror, Gore, Gun violence, Medical content, Grief, Murder, and Colonisation
Minor: Ableism, Animal cruelty, Animal death, Cancer, Child abuse, Child death, Drug abuse, Drug use, Misogyny, Sexism, Sexual content, Slavery, Terminal illness, Torture, Violence, Forced institutionalization, Xenophobia, Kidnapping, Religious bigotry, Car accident, Pregnancy, Alcohol, and Classism
Extinction and apocalyptic events in multiple stories. Dissection, though with visuals of machinery rather than flesh ("Exhalation"). Mentions of bestiality, discussion of sentient sex dolls, cruelty to and dehumanization of AIs/robots, emotional infidelity ("The Lifecycle of Software Objects"). Mentions of natural disasters, manipulation/extortion ("Anxiety is the Dizziness of Freedom").rnbhargava's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Moderate: Alcoholism, Animal cruelty, Body horror, Bullying, Cancer, Confinement, Drug abuse, Emotional abuse, Gore, Gun violence, Infidelity, Misogyny, Sexism, Slavery, Terminal illness, Violence, Forced institutionalization, Medical content, Grief, Medical trauma, Stalking, Car accident, Murder, Schizophrenia/Psychosis , Cultural appropriation, Gaslighting, Sexual harassment, Colonisation, Injury/Injury detail, and Classism
The triggers above are all treated as extremes, they’re not confined, those showing preference for those are all ultimately less than savoury even if they’re our point of view character. Most of the tales have a good amount of intellectual curiosity and whimsy in at least a portion of them