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clarabooksit's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.75
Graphic: Addiction, Child abuse, Child death, Death, Slavery, Toxic relationship, Violence, Trafficking, Murder, and Alcohol
Moderate: Drug use, Gun violence, Sexism, Terminal illness, Blood, Vomit, Grief, Injury/Injury detail, and Pandemic/Epidemic
Minor: Suicide
lastblossom's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
Knife girl and disaster boy find themselves at odds in a beautifully described oceanic setting with some thoughtful LGBT+ rep. Plot loses its way a bit with a lack of distinct villains.
About
Amaya has been living on a debtor's ship for the last seven years, paying off a debt that she's certain her family never owed. When she pulls a stranger aboard, he offers her the chance to enact revenge on the people who put her there. The job seems easy - pose as a fabulously wealthy countess, and lie and cheat her way through town until she finally brings down the family that destroyed hers. But revenge is never so simple.
Thoughts
This is a loose retelling of The Count of Monte Cristo, a book I read so long ago that I remember nothing, so I came into this book largely without any expectations. And honestly, the plot did its work. Tasty plot twists, well-timed reveals, and vivid world-building. The two leads were fully fleshed out characters. Amaya is determined, hard-working, but somewhat conflicted. Cayo is a former spoiled child coming to terms with the fallout of his bad decisions, and aiming to be a better person. Their personalities don't exactly blend, but they do complement each other very well. The moment when they go swimming together and manage to be honest and vulnerable is especially well-written, and made me feel for them. The rest, however, didn't land as well for me. There are multiple villains in this book, and none of them get enough page time to be distinct from each other. Boon, in particular, feels somewhat underdeveloped, which dampens his actions in the back end of the book, and makes the climax fall a little flat. In general, it feels more like reading the first half of a book, instead of the first book in a duology. A good read for anyone who likes girls with daggers or starcrossed lovers.
Graphic: Alcoholism, Gore, and Murder
Moderate: Child death, Death, Slavery, Blood, Grief, and Death of parent
arminam's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Addiction, Child death, and Murder
Moderate: Child abuse, Slavery, and Medical content
Minor: Kidnapping and Death of parent
booksthatburn's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
There are two main characters, Amaya (known early on as Silverfish), and Cayo (son of a nobleman who wronged her). Amaya is working with a man named Boon, who helped her find a fortune and offered it for her use as long as she helped him with his aims. Cayo is a recovering gambler who is trying to get back in his father's good graces after losing a large portion of the family fortune to games of chance.
Amaya and Cayo's sections have distinct narrative voices and it was pretty easy to track what was going on. There are some well-laid surprises in the structure of the chapters, especially for someone like myself who has read The Count of Monte Cristo (or someone who has seen one of the movie versions).
The repeated missteps as Cayo and the Countess kept assuming things about each other's actions worked well and made a lot of sense in context. They never built enough to be extremely stressful for me when reading, but they were a completely understandable level of small but well-intentioned miscommunications which would result from these characters getting to know each other when they haven't yet put all their cards on the table.
The worldbuilding is pretty good, it feels like there's a lot of political ground laid that will pay off in the sequel. At times the asides discussing politics with other countries felt a bit distracting because they mostly didn't go anywhere until the very end. None of the characters (so far) were at a level to affect international politics, and while their actions gradually built so it might be possible in RAVAGE THE DARK, it made it harder to know what details mattered to the main plot. I like the handling of the quarantine and plague, there's an excellent payoff for it, as well as ongoing impacts to the main characters.
This was good overall and I'm looking forward to reading RAVAGE THE DARK. I'm happy to read a retelling which had room to surprise me with its plot, using the bones of one of my favorite books in a new way.
Graphic: Addiction, Child death, Death, Violence, Blood, Kidnapping, Murder, and Alcohol
Moderate: Child abuse, Drug use, Gun violence, Slavery, Terminal illness, Excrement, Vomit, Medical content, Grief, and Death of parent
Minor: Ableism
brookey8888's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Graphic: Addiction, Alcoholism, Child abuse, Child death, Death, Drug use, Emotional abuse, Slavery, Suicide, Violence, Blood, Vomit, Kidnapping, Grief, Death of parent, Murder, and Alcohol