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lesemaus2303's review against another edition
adventurous
dark
emotional
mysterious
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
I loved every bit of it!
Almost didn't want to finish it because i didn't want the story to end. Emotional and so thrilling.
Almost didn't want to finish it because i didn't want the story to end. Emotional and so thrilling.
Content Warnings
Graphic: Child death, Death, Genocide, Gore, Misogyny, Physical abuse, Rape, Sexual assault, Sexual violence, Slavery, Violence, Blood, Grief, Death of parent, Murder, Abandonment, Alcohol, and Injury/Injury detail
pau0704's review against another edition
adventurous
lighthearted
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
1.0
This book is like dumpster on fire. Very entertaining to watch at first because of the chaos, then it's just meh.
Fist of all there's absolutely nothing about Greek mythology on this book, just the false advertising claiming it to be a retelling of the Odyssey (which is absolutely not). I came across it after I read song of Achilles and was looking for something similar, I may add, nothing similar to it.
Overall, the book makes no sense, the plot makes no sense, the "curse" makes no sense, the solution makes no sense. It's very frustrating to see the whole thing developing under no foundations for anything.
Also, the main character's very infuriating, she's an assh*le to both secondary characters, idk if the author was trying to make her morally grey, but God, I hated her and how she used the two people who cared about her because she could control her hormones. Ver very bad LGBTQ representation (or bi representation). Felt like I wasted my time reading this, also, the book is not hard to read but took me so long to get through it.
Fist of all there's absolutely nothing about Greek mythology on this book, just the false advertising claiming it to be a retelling of the Odyssey (which is absolutely not). I came across it after I read song of Achilles and was looking for something similar, I may add, nothing similar to it.
Overall, the book makes no sense, the plot makes no sense, the "curse" makes no sense, the solution makes no sense. It's very frustrating to see the whole thing developing under no foundations for anything.
Also, the main character's very infuriating, she's an assh*le to both secondary characters, idk if the author was trying to make her morally grey, but God, I hated her and how she used the two people who cared about her because she could control her hormones. Ver very bad LGBTQ representation (or bi representation). Felt like I wasted my time reading this, also, the book is not hard to read but took me so long to get through it.
Content Warnings
Graphic: Death, Blood, and Death of parent
Moderate: Infidelity, Sexual assault, Toxic relationship, Grief, and Murder
melist6's review against another edition
adventurous
dark
emotional
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.5
Content Warnings
Graphic: Confinement, Death, Violence, and Murder
Moderate: Sexual assault and Suicide
Minor: Adult/minor relationship
bo0ks_are_cool91's review against another edition
emotional
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.25
I loved the beginning and I loved the ending even more, but the middle just felt kinda eh to me. I don’t rly remember it, but it mostly set up the characters’ personalities so that the ending hits so much harder.
Content Warnings
Graphic: Death
Moderate: Sexual assault
chase0w0's review against another edition
miiiid
Content Warnings
Graphic: Child death, Death, and Murder
thebookishbugg's review against another edition
adventurous
dark
emotional
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
I couldn't put this book down. It swept me in from page one and next thing I know it's 11:00 p.m., I've read 200 pages in one sitting, and my heart aches.
The ending made me bawl my eyes out.
Don't know how I'm going to find something to read after this, it's going to pale in comparison.
Don't know how I'm going to find something to read after this, it's going to pale in comparison.
Content Warnings
Graphic: Death and Grief
Moderate: Child death, Rape, Sexual assault, Sexual content, and Suicide attempt
aelis_'s review against another edition
adventurous
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.5
Content Warnings
Graphic: Death
Moderate: Sexual assault and Murder
dejahentendu's review against another edition
hopeful
3.0
It was an interesting extension of the Odyssey, focused on the fall out of his punishment of the serving women he murdered after retuning home.
Content Warnings
Graphic: Death and Death of parent
Moderate: Rape
lyall_reads's review against another edition
sad
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
1.5
1.5/5, rounding up because it’s objectively better quality than most things I rate 1 star.
Because I love reading about vicious, complicated sapphics and I hate review-bombing, I gave this book the benefit of the doubt only to end up angrier at it than I have been at any book for a while. I was with it for about the first third, but when they got to Ithaca, everything imploded.
I won’t blame the book for the poor marketing- I knew going in it was not an Odyssey retelling, despite the marketing. I also knew it wasn’t going to be well-researched going in but was fully ready to just treat it as a Greek-inspired fantasy world; as long as the world feels cohesive and fantastical, I can let go of a lot. Underwood, however, made the baffling choice to both under-research AND tie the story to a clear time period. There’s reference to the Peloponnesian war and I am no scholar of Ancient Greece (I was more of a Rome-obsessed kid) but even I remember from seventh grade history that Athens was a democracy at that time. There’s so many weird little things like that which add up. I don’t think it was a good move to tie the world of the story to actual history; it would have been much better to have had less time have passed since the Odyssey and tie it more closely to the mythic world.
The biggest problem: I didn’t like Leto. It’s okay to not like every character in a book, but I felt like I was meant to like her and I just didn’t get it. She’s impulsive, bloodthirsty at strange moments while refusing violence in others when peoples’ lives depend on her, and she’s a cheater. I grew to hate her as I saw how she treated Melantho. There’s a world where she talks things through with her and there’s some ethical non-monogamy or more run-of-the-mill love triangle stuff where she’s not with either of them, but nope. No communication allowed! There are people like Leto out there, who act selfishly and chose to view actions taken with men as not cheating on the femmes they’ve made a commitment to- I’ve even been in a relationship with one of them!- but they are not fun to read about as what I think was meant to be a likeable main character. I’m all for letting queer character be messy (that was my favorite part of Love Lies Bleeding!) but there wasn’t a strong enough bedrock of character underneath Leto’s off-putting decisions. She ended up feeling more like the ‘cheating bisexual’ archetype than a fleshed-out flawed person, and I hate that.
I did like Melantho, but as soon as she meets Matthias, she becomes off-puttingly jealous and possessive. We, the readers, know Leto is thinking about cheating on her constantly, but Melantho doesn’t yet. Without the insight we have into Leto’s thoughts, it doesn’t make sense for her to immediately view the man she and Leto ARE PLOTTING TO MURDER primarily as a romantic rival. She’s right, but she couldn’t know that yet so her actions felt out of character and like a writing mistake more than anything else.
This book also hits my pet-peeve- all women besides the main character (and in this case, the love interest) are either dead or evil. We have the dead, good women who shaped Melantho, Matthias, and Leto: Ophelia, Thalia, Selene, Timo; and we have the evil women: the queen, Olympia, the romantic rival. We also get some child girl characters, but it seems if they’re not Melantho or Leto and reach adulthood, a woman becomes either evil or dead and I HATE that.
Pros: the audiobook narrators were great! I liked Underwood’s writing style quite a bit and found it to be very readable. There’s a few fun, claws-out, wlw moments. Melantho and Mathias have a nice bonding moment I appreciated.
TLDR; don’t read this. Read the Penelopiad for a feminist angle on the Odyssey and the story of the maids’ murder. Read The Midnight Girls or An Education in Malice for YA/NA fantasy with feral sapphics.
Because I love reading about vicious, complicated sapphics and I hate review-bombing, I gave this book the benefit of the doubt only to end up angrier at it than I have been at any book for a while. I was with it for about the first third, but when they got to Ithaca, everything imploded.
I won’t blame the book for the poor marketing- I knew going in it was not an Odyssey retelling, despite the marketing. I also knew it wasn’t going to be well-researched going in but was fully ready to just treat it as a Greek-inspired fantasy world; as long as the world feels cohesive and fantastical, I can let go of a lot. Underwood, however, made the baffling choice to both under-research AND tie the story to a clear time period. There’s reference to the Peloponnesian war and I am no scholar of Ancient Greece (I was more of a Rome-obsessed kid) but even I remember from seventh grade history that Athens was a democracy at that time. There’s so many weird little things like that which add up. I don’t think it was a good move to tie the world of the story to actual history; it would have been much better to have had less time have passed since the Odyssey and tie it more closely to the mythic world.
The biggest problem: I didn’t like Leto. It’s okay to not like every character in a book, but I felt like I was meant to like her and I just didn’t get it. She’s impulsive, bloodthirsty at strange moments while refusing violence in others when peoples’ lives depend on her, and she’s a cheater. I grew to hate her as I saw how she treated Melantho. There’s a world where she talks things through with her and there’s some ethical non-monogamy or more run-of-the-mill love triangle stuff where she’s not with either of them, but nope. No communication allowed! There are people like Leto out there, who act selfishly and chose to view actions taken with men as not cheating on the femmes they’ve made a commitment to- I’ve even been in a relationship with one of them!- but they are not fun to read about as what I think was meant to be a likeable main character. I’m all for letting queer character be messy (that was my favorite part of Love Lies Bleeding!) but there wasn’t a strong enough bedrock of character underneath Leto’s off-putting decisions. She ended up feeling more like the ‘cheating bisexual’ archetype than a fleshed-out flawed person, and I hate that.
I did like Melantho, but as soon as she meets Matthias, she becomes off-puttingly jealous and possessive. We, the readers, know Leto is thinking about cheating on her constantly, but Melantho doesn’t yet. Without the insight we have into Leto’s thoughts, it doesn’t make sense for her to immediately view the man she and Leto ARE PLOTTING TO MURDER primarily as a romantic rival. She’s right, but she couldn’t know that yet so her actions felt out of character and like a writing mistake more than anything else.
This book also hits my pet-peeve- all women besides the main character (and in this case, the love interest) are either dead or evil. We have the dead, good women who shaped Melantho, Matthias, and Leto: Ophelia, Thalia, Selene, Timo; and we have the evil women: the queen, Olympia, the romantic rival. We also get some child girl characters, but it seems if they’re not Melantho or Leto and reach adulthood, a woman becomes either evil or dead and I HATE that.
Pros: the audiobook narrators were great! I liked Underwood’s writing style quite a bit and found it to be very readable. There’s a few fun, claws-out, wlw moments. Melantho and Mathias have a nice bonding moment I appreciated.
TLDR; don’t read this. Read the Penelopiad for a feminist angle on the Odyssey and the story of the maids’ murder. Read The Midnight Girls or An Education in Malice for YA/NA fantasy with feral sapphics.
Content Warnings
Moderate: Death, Rape, and Death of parent
clemireads's review against another edition
adventurous
emotional
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Content Warnings
Moderate: Death, Violence, and Blood