Reviews with content warning for Grief - The God of Small Things

This was very heavy and the events were difficult to read. I have found myself thinking of this almost daily since finishing. So much of it was through the lens of children which made it both devastating and incredibly interesting. Reading afterward that there was a lawsuit against the author in her home state (now dropped) with charges of obscenity is not entirely surprising - more, it solidifies the whole point of the story that needed to be told, and the stories in real life that have been silenced.

It's hard to rate this for enjoyment...it was profoundly depressing. But it is solid in its execution and deserves a 4 at least.

The imagery was 10/10...I annotated so much but these are some of my favorites.

"So small god laughed a hollow laugh and skipped away cheerfully. Like a rich boy in shorts. He whistled, kicked stones. The source of his brittle elation was the relative smallness of his misfortune. He climbed into people's eyes and became an exasperating expression."

"Liquid ache spread under her skin, and she walked out of the world like a witch, to a better, happier place."

"Pointed in the wrong direction, trapped outside their own history and unable to retrace their steps because their footprints had been swept away."

"War has made us adore our conquerors and despise ourselves."

"Ammu flew through her dream on heavy, shuddering wings, and stopped to rest just under the skin of it."

"If you're happy in a dream Ammu, does it count?

Content Warnings

meghancolbert's review against another edition

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challenging dark emotional sad tense slow-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? No
Flaws of characters a main focus? Yes

5.0

Arundhati Roy’s writing is exquisite. She writes as if the plot is a block of marble that she is slowly chiseling away at. The story does not unfold in chronological order, and the narrative subtly switches between past and present (sometimes you have to pay attention to small details to know which decade you are in). Despite the constant shifting, I was never confused about what was happening or where the author was leading me. I could see the final masterpiece emerging from the block of marble bit by bit. Arundhati Roy paints an incredibly detailed and nuanced picture of generational trauma, family dysfunction, and the corrosive natures of jealousy, grief, and guilt. This is the story of fraternal twins Estha and Rahel, who have their childhood innocence violently stolen from them by the adults who were supposed to protect them. As adults, Estha and Rahel reunite and struggle to repair their once-inseparable bond. As they battle their demons, they make a remarkably destructive choice that endangers them both.
I appreciate that Roy refused to sugar coat the devastating effects of trauma on the human psyche, and resisted the common temptation to force happy endings on her characters. This book will disturb and sadden you, but at the same time will prompt you to reflect deeply on human nature, love, rebellion, and free will.

Content Warnings

annatan's review against another edition

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challenging dark emotional mysterious reflective sad tense slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

Content Warnings

cassreading's review against another edition

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challenging dark emotional reflective sad slow-paced

4.0

This book was an excruciatingly slow read for me. If you're looking for likeable characters or a suspenseful plot that makes the time fly by, this may not be a great pick for you.

But I really liked it. I loved it's exploration of colonialism and gender and selfhood, of Borders and Boundaries and the people who cross them. The prose is expansive, almost poetic at times. Roy plays with language, in ways that can feel aimless, driven by association, by a need to reveal the edges of letters and words and the limits of the meanings they are meant to convey.

It isn't 5 stars for arbitrary reasons, not due to any flaw in actual quality. I only rate a book 5 stars if I can't wait to re-read it, and I don't want to re-read this, maybe ever. Finishing this book feels like finishing an overly rich, Michelin star meal at a restaurant you can't afford to go to again.

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