Reviews tagging 'Acephobia/Arophobia'

This Doesn't Mean Anything by Sarah Whalen

12 reviews

gbookly's review against another edition

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emotional funny hopeful lighthearted reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Flaws of characters a main focus? Yes

4.0


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rupanjali's review against another edition

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challenging emotional slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

2.5


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ismildlypoetic's review against another edition

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dark emotional funny hopeful lighthearted relaxing fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.0

Four stars = I loved the book!!! (i just haven't hyperfixated... yet)

I was initially drawn to the book because it was advertised as an asexual romance with spice level: milk. I do think this is true to its word! But that description leaves out that it's also a story foremost of friendship, found family, and the inner healing of my own (incredibly lonely) first year of college life.

Spencer's stubbornness mixed perfectly with Nick's inability to think of anything else except this girl, and Jocelyn and Hunter were such amazing characters.


The only thing I didn't love was the Sam plotline, but that's 90% because I didn't enjoy Spencer going through that, and only 10% of the violence interacting with spice level: milk was so jarring. But looking back, it very much fits within the story, and corrective rape very much is something that happens in the ace community.


Anyways, I would very much recommend. Please read. And I'll be preordering the author's next book the second it grazes upon my Insta feed <3

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a10a's review against another edition

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hopeful medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.0

ā¤ļøā€šŸ©¹

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dogoodwithbooks's review

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funny hopeful medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

3.5

3.5/5 (rounded down to 3)

CW: acephobia, attempted sexual violence, sexual harassment, abusive parent (mentioned), unplanned pregnancy (recounted), armed robbery (recounted), murder (recounted), death of both parents (recounted), ableism, emotional abuse/gaslighting, blood, alcoholism, emesis

College is going surprisingly well for Spencer so far. She has two great friends, Reese and Hunter, and she ends up with a go-to study partner, Nick, and coffee shop to hang out in. Yet, in the midst of her freshman year at Ravens College, she goes through a journey of self-discovery and possibly falling for Nick.

I had high hopes for This Doesn't Mean Anything, but I don't think my expectations for the book were fully met.

Yes, the book is long. At over 450 pages, readers find themselves going through Spencer's first year of college right to the very end. While I'm find with the length and duration of the plot (I mean Alice Osman's Loveless has a similar concept to it), the pacing felt off. While the pacing for the first half of the book felt slow and you could clearly see which part of the semester the characters were in (although I thought there were some parts that were dragged out for the sake of it, the second half of the book kind of just rushed in there. I just wished the pacing was a little bit more consistent for both halves of the book.

Additionally, I noticed Whalen does a lot of "tell, not show" in the book. For example, Spencer finding out that she's asexual is rarely touched upon in the book. All that was said is that Spencer went online and figured out she was asexual. I feel like Whalen could have had something really meaningful if we actually got to see Spencer's thought process during her search and realizing that she is asexual. I could name other examples of the "tell, not show", but this was the only one I remember vividly when reading This Doesn't Mean Anything.

That's not to say there isn't anything good about this book and that you shouldn't read it. Personally, I like the whole navigating through college setting and I think that Whalen did a great job with creating a core friend group: Spencer, Reese, Hunter, Nick, & Joselyn (even if the excessive pet names were weird). I also thought Spencer and Nick had a good relationship and you could see that Nick really cared about Spencer (in his own way).

Overall, Whalen provides an alright debut with This Doesn't Mean Anything. I think that Whalen has some potential in this title (as well as her subsequent series) and I know that with the right editor she can get there in future books.

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seilahuh's review against another edition

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challenging medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? It's complicated

2.0

if the author ever reads this, listen to me: you desperately need to know that anybody who told you during the writing process they loved the story thoroughly, and it was 5 stars and flawless and nothing else has lied to you, they are not trustworthy people and they are actively sabotaging you. they have sabotaged you dearly with this story. you needed honest beta readers, your book needed so much more love and revisions. as it is you've presented bones rather than a semblance of a meal to people like me starved for the queer representation you promised.Ā 

first, let's get technical: the story desperately needed an editor. if it had one, axe them.Ā 

so many words, phrases, sentences and scenes were terribly redundant. the length of the story is less related to the content of the story itself but more the fact that it's so long-winded because of repetition, despite having little to say. i read the word scowl and all its derivatives 86 times. for snapped it was 113 TIMES, and it was nearly on EVERY page past the 156 page mark. that should *never* happen in a story, especially when it hinders characterization. it truly spoiled the reading experience. at some point it became clear these words and phrases, misused in many scenarios, and all the redundant scowls, snapping, knuckle rapping, pillow throwing, movie watching, and take out food were meant to be characterization in themselves. and it fell flat.Ā 

every character is essentially the same and simultaneously a terrible clichƩ. they are archetypal, the pretty dolled up girl-friend, the patronizing boyfriend, the not like other girls fmc; they are not people i can care for. who were they outside of that, i don't know.

the use of third person perspective here could've elaborated on the nature of theĀ  characters, but it doesn't. again, there's just scowls, snaps, knuckle rapping, pillow throwing, movies, and take out food.Ā 


to be less formal, what i really couldn't get over is this book is not the ace rep it purports itself to be, nor is it really queer nor lgbt, which is shocking considering the author's identity. these labels have *meanings* and draw specific audiences (like me ā˜šŸ½) expecting a certain thing when it's promised. aside from the technical issues, that's what made this book so unenjoyable and hard to slug through. it delivers on none of this meaningfully.Ā 

for one, our ace fmc from the beginning of the story who is supposed to have a *disinterest in sex* manages to make every interaction awkward on the basis of adding a sexual subtext that the 3rd person perspective elucidates to us is not there (the "see something you like" comment haunts me). every interaction became weird and unbearable for me to read. you can't hug somebody without thinking about sex or romance? like everything is related back to there and it was annoying because i thought the no-sex character, ace lead would be ASIDE FROM THAT. i could understand this behavior from the allo characters, but again, they weren't the ones mostly pushing it.

as for the queer rep, nick is bi or whateva and is who the lgbt is mostly referring to as he's most prominent in the story (aside from the ace yet hetero? fmc) but he's never actually engaging with men or demonstrating why it's necessary to outline him specifically as "openly bi" when he just gave toxic straight man (contrary to the "sunshine" character he was said to be). and the nonbinary black character is just a convenient "plot" vehicle for the main character to get in a situation where the mmc could rescue her. when i say the book isn't queer, i also mean that most depressingly it defaults on all the cishetero boring and sexist tropes.

chelsea is the simple whore who only exists to drive a wedge between the main couple, nick is a #good guy despite being an ASSHOLE, and worst of all the story uses instances of near sexual assault to set up situations for the cis man to be the dazzling hero. he is always the hero and our lead the weak damsel. but she's stubborn you might say? or strong? no. she is barely characterized and nothing more than a walking profanity. she's trope-ified and marketed as a grumpy character but there's a difference between grumpy and AGGRESSIVE ankle-biter behavior. she was a caricature that snaps and scowls like a rottweiler. she is not a person on the page, but a concept. and unrefined at that. as she is now she's a mean, spiteful asshole rather than an endearing "grumpy" character. it's hard to root for either of them nor their relationship, but im supposedly meant to. yet nothing is romantic or even friendly abt them especially when most of their interactions was spencer lashing out at nick and him harshly talking down at her.Ā 

simply, every aspect the book promises is not truly delivered. and it sucks cause i had hope for this story, i didn't dnf it, i wanted it to get better. but as it dragged on, it became clear that the only thing holding the story together was the concept, the promise of more rather than a cohesive, coherent plot. it felt like the author could've done so much better. it was just not ready to be put out into the world.

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ttorisaurus's review against another edition

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emotional hopeful

4.0


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annabelle's review against another edition

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emotional lighthearted slow-paced
  • Plot- or character-driven? Character

3.5

wow a story with ace rep that I actually enjoyed!! I liked Spencerā€™s journey with her asexuality and the discussions we got about it. And iā€™mĀ  glad she had some good friends throughout the story
except I really couldā€™ve done without Reese getting drunk and saying horrible things at that partyā€¦ I donā€™t think it made sense for her character.
Ā 
It was cute and fun for the most part. And I saw parts of my younger self in Spencer šŸ„²

While I liked the story overall, it was definitely a bit too long. There were scenes couldā€™ve been condensed into one that communicated multiple ideas. With how long the book is, I expected the characters to be more fleshed out or for there to be more plot.
But tbh I really couldā€™ve done without the multiple moments of sexual assault / almost rape. I think once was enough for me personally.
Ā 

All that said, I still enjoyed the story and would recommend. this is the authorā€™s debut and I am definitely interested to read her future work and see how it improves.Ā 

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entiresunset's review against another edition

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dark emotional hopeful medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.0

This book held such a good promise. A young adult romance with ace representation? Sounds right up my alles! Sadly the book didnt live up to my expectations. While the characters of Nick and Spencer are lovable and their relationship is cute I think the book contained too much unnecessary drama. Almost a third of the story could have been cut out if the protagonists just talked with another... This was very frustratingĀ  to witness. But not in the usual sense.

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moodzie's review against another edition

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4.0


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