Reviews

British Weird by James Machin

acorn_soup's review

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adventurous dark informative mysterious reflective fast-paced
  • Plot- or character-driven? N/A
  • Strong character development? N/A
  • Loveable characters? N/A
  • Diverse cast of characters? No
  • Flaws of characters a main focus? N/A

2.5

bennyowenmc's review

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4.0

Personal Note:

For Christmas 2020, Nan gave me a little booklet and told me to circle the book I'd like for Christmas. This was the one I chose.

It took a long while to finally finish this book. It started off strong, then slowly became a chore to read. Many stories made no sense until the end, but by that time it was too late and no use. Mappa Mundi, for example, made no sense at all - long sentences, descriptions and interactions that meant nothing to me and by the end when I figured they must've both been visiting Purgatory in their sleep, it was over and I no longer cared.

The Willows, however, was one story that really stood out. Chilling and humorous and intriguing. It was to me the strongest of the bunch. Man-Size in Marble, No-Man's Land, Caterpillars and Lost Keep also made a lasting impression.

It may be because I felt I *had* to finish quickly that I didn't enjoy them all as much, which is why I gave it 4 stars instead of 3. It's definitely something I will come back to in the future.

jayrothermel's review

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4.0

Many oft reprinted tales, but a few surprises. The Mary Butts material is worth the price alone!

amortristis's review

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adventurous dark mysterious tense medium-paced

3.5

My views on each individual story, in the order in which British Weird presents them:

Man-size in Marble by Edith Nesbit (1893) – 3.0☆ 
A neat concept which could have been fleshed out a little more.

No-Man’s-Land by John Buchan (1900) – 4.0☆
Starts off as an intriguing mix of anthropology and cryptozoology, but ends up leaning into the former (with all the racist undertones you’d expect from a story of this era). It is well written, though.

The Willows by Algernon Blackwood (1907) – 5.0☆
Spectacular. I honestly do not understand how Blackwood pulled it off (a horror story which closes with the words “like an otter” ???) A fascinating exploration of subjectivity and objectivity, truth, ignorance, and the unknowable.

Caterpillars by E F Benson (1912) – 3.5☆
The constant second-guessing and use of disclaimers undercut it a bit, but the concept was solid enough and the payoff was satisfying.

The Bad Lands by John Metcalfe (1920) – 2.5☆
Not for me. I’m not entirely sure what the author was going for or what the point of the story was.

Randalls Round by Eleanor Scott (1927) – 2.5☆
The “spooky folk traditions” trope doesn’t really do anything for me. Also, I found it odd that the author chose to write in the third person rather than the first.

Lost Keep by L A Lewis (1934) – 4.5☆
Kind of silly but well executed. The twists and turns and time skips make for an engaging story.

N by Arthur Machen (1934) – 2.0☆
Incredibly dry. I feel bad giving it such a low rating but it legitimately bored me to tears. I could not tell you what it’s about.

Mappa Mundi by Mary Butts (1937) – 3.0☆ 
I really don’t know what to make of this one. While the atmosphere is certainly otherworldly and ethereal, it lacks the horror element and instead feels kind of... wistful? It also gives off extremely queer vibes but maybe that’s just me.

The collection ends with an essay (also by Mary Butts) called “Ghosties and Ghoulies: Uses of the Supernatural in English Fiction.” It wasn’t great. I won’t give it a rating, though, because I read this book for the short stories, not this essay. 

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