Reviews with content warning for Child abuse - Seven Days in June

I loved this story. If you enjoy second-chance romances, breaking generational cycles of trauma, and healing this is a great book. I recommend checking the trigger warnings.

Content Warnings

rebelsroar's review against another edition

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dark emotional funny hopeful inspiring reflective sad medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? It's complicated
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

4.75

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kays_reading_journal's review against another edition

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5.0

On the fence of giving this five stars so that may change. I LOVED this so much. It was such a rollercoaster in the best way possible. Perfect comedic timing. Such strong characters. And oh my god I loved the flashbacks/ multiple timeline that was going on. And the epilogue ✨

The only thing that was a bit confusing at times was the pov. It’s third person omniscient but like- switching between characters in the middle of a chapter. (I’m used to reading books where each chapter is dedicated to a characters thoughts). It was a fun style choice tho and I liked it once I got used to it.

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not_another_ana's review against another edition

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challenging funny lighthearted sad medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

1.5

And maybe that was what real, adult love was. Being fearless enough to hold each other close no matter how catastrophic the world became. Loving each other with enough ferocity to quell the fears of the past. Just fucking being there.

When Eva was a teenager, she had a wild and passionate week with Shane. It was wild, drug fueled, and life changing. But that's all in the past, and she is now the successful author of an erotic book series and the mother of a precocious daughter. However, when Shane returns, now also a famous award winning author, and they cross paths for another seven days Eva will have to reckon with her past and consider if maybe this time is the right time for the two of them.

I knew I was doomed to dislike this from the moment I read the opening lines, but I persevered since this was a book club read. There's just something about the way this is written that never clicked with me. The writing is too reference heavy in a way that already makes it dated and lackluster. Tia Williams has this odd habit of describing everything with brand names that was distracting and embarrassing. Here's an example: "... when his phone vibrated on his arm (where it was slotted in his Nathan iPhone armband, rated Best Accessory of 2019 by RunnersWorld.com).", like am I reading a novel or is this Vogue magazine trying to sell me overpriced shit I don't need.

Then there's the characters. Eva and Shane are the only ones who seem realistic, and sure they're the protagonists and we get to see their pasts and inhabit their minds, so the contrast with everybody else in this book is huge. Everyone else was caricaturesque, the closet to a stereotype the author could get her hands on. You have these two broken people trying to reconnect and be emotionally honest only for a side character to pop and talk about wacky shit regarding vaginas or something else wildly out of place. And what was up with the mega cringe fans and NPCs being full on tiktok braindead? Excruciating to read. Speaking of which... AUDRE. I have a personal beef with that fictional child. She was supposedly twelve years old but read like a much younger kid, she was not funny nor endearing but closer to a conservative parody of gen z kids. In fact I was CONVINCED that the author was childless and had never interacted with a small human being and was flabbergasted when I read her thank you at the end to her actual in real life daughter.

That's what haunted me while reading this book, the tone. It swung wildly like a turnstile, and the discrepancy soured me on the whole matter. The opening lines have a funny jokey tone, they're light and cheeky, only to grow dark when we revisit the past and then back to the jokes and the caricatures and raunchyness. I wish the author had just focused on the main couple and deleted all the extra povs from side characters, the brand mentions, the annoying child, because the core relationship could have been good. Then there's the seven days gimmick that didn't come across all that well to me, I feel like it was a mistake to gloss over the seven days in the past even if you can excuse the narration growing hazy due to the drug use and trauma.

And my last big complaint has to do with the ending.

There was no need to kill Ty off, we didn't know him well enough for his death to be devastating (plus he was getting mentioned a bit too much for my drama senses not to tingle) and had no time to really sit with the grief his death cause Shane considering it happens when there's only 10% of the book left. It also leaves a bit of a sour taste in my mouth after the author has a scene explicitly calling out publishers for only wanting books that exploit black characters' situations.

It wasn't really satisfactory to me.

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alexasolis98's review against another edition

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challenging emotional funny hopeful inspiring reflective relaxing sad medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

2.5

Eva and Shane. What to say? They have a beautiful, complicated, heartbreaking love story. Audre was adorable and wise for her age. I loved Audre's and Shane's relationship.
My issues were the number of pop culture references. I also felt that Eva and Shane's relationship should have been shown a bit more after the epilogue. Both of them have traumas and issues of their own that I don't feel like were fully resolved. But I guess the author implies that they will be doing it together?
-----------------------------
9.1.24
I can't stop thinking about this book. I cannot definitely say that Shane and Eva loved each other. They spent a week together while teenagers and during that time they were drinking/using drugs. Can you truly say you loved that person, if you never spent enough time with them outside the influence? ...brb

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saranevada's review against another edition

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challenging dark emotional hopeful fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

4.75

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stellahadz's review against another edition

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dark emotional hopeful medium-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.75

I really liked the premise of this book, but I went in expecting a much lighter romance than what it actually was. The characters' backstories are VERY dark (check trigger warnings), and the tonal shifts between the romance and the flashbacks to their traumatic teenage years were extremely jarring. In some parts of the book, I felt like I was getting whiplash every time I started a new chapter. It felt like there was so much going on all the time - from Eva's disability to her family issues to Shane's mental health to his desire to mentor kids from underserved communities to the upsetting connection that the two of them shared, it felt like we didn't get to know the characters nearly well enough, and as a result I didn't totally buy their love story. I wish the tone and pacing had been more consistent, that the characters had been a little more fleshed-out, and that

Eva's book about her family in Louisiana

was a bigger part of the story.

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hannahelaine's review against another edition

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DNF @ 36%. I honestly am just getting a lot of cognitive dissonance from this book? It literally has a “The State of the Black Author” panel in the book that condemns blaxploitation in media, and how there needs to be more black joy and showing black people as literally just any other person instead of deeply and always traumatized. And then it seems (to me, who is a white person) to do exactly the opposite and be the paragon of blaxploitation. Maybe I’m missing something since this book isn’t written for me specifically and I don’t have the cultural context for it. I don’t know. But it seems very dissonant in what it’s saying and doing. It feels icky. I may be misinterpreting the author— I certainly haven’t stumbled on any black reviewers saying the same thing, so I may be totally getting it wrong. But it feels icky for me, so I’m just going to leave it.

I honestly don’t even have thoughts on the romance or even the plot because that has overshadowed everything else for me. I feel weird about it and I’m just not going to continue.

Finally, this is a little more a nitpick than criticism on the book, but some content warnings would be good to put in this one. There’s a lot of extremely dangerous self-harming situations. I didn’t know this going in, and recently have been having pretty bad mental health issues requiring partial hospitalization. Luckily It didn’t throw my mood or thoughts in a bad direction, but it could have. A little warning ahead of time would have been nice.

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