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sheryl_macca's review against another edition
dark
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I'm always going to enjoy a book written by Stephen King, his books are deep in my comfort zone, and this one was no different. I must admit that the premise didn't fully entice me from the blurb. I read this one initially with a note of caution but I quickly let that go and was fully absorbed.
Rose Madder is a combination of a quintessential King thriller and Greek mythology. The story is told from the 2 main characters points of view in alternate chapters which very slowly reduce in length. It's barely noticeable until the final third of the book where you are being swept into the faster pace this trick creates, like a whirlpool.
Rose Madder is brutal, tense, thrilling, violent and supernatural but it's also moving, emotional and hopeful. For me, the mirror world/largest metaphor ever used was almost too much. It takes a significant suspension in disbelief but I learned to appreciate it.
I also found it difficult to believe that a woman traumatised by domestic abuse would so easily enter into a new relationship and so smoothly. I was rooting for them though.
My final criticism is in the very end of the book. It's hard to describe it without giving any spoilers so I'll just say that I found 'remember the tree' unnecessary.
Rose Madder is a combination of a quintessential King thriller and Greek mythology. The story is told from the 2 main characters points of view in alternate chapters which very slowly reduce in length. It's barely noticeable until the final third of the book where you are being swept into the faster pace this trick creates, like a whirlpool.
Rose Madder is brutal, tense, thrilling, violent and supernatural but it's also moving, emotional and hopeful. For me, the mirror world/largest metaphor ever used was almost too much. It takes a significant suspension in disbelief but I learned to appreciate it.
I also found it difficult to believe that a woman traumatised by domestic abuse would so easily enter into a new relationship and so smoothly. I was rooting for them though.
My final criticism is in the very end of the book. It's hard to describe it without giving any spoilers so I'll just say that I found 'remember the tree' unnecessary.
Content Warnings
Graphic: Ableism, Adult/minor relationship, Body horror, Body shaming, Child abuse, Death, Domestic abuse, Emotional abuse, Fatphobia, Gore, Gun violence, Homophobia, Miscarriage, Pedophilia, Physical abuse, Racial slurs, Racism, Rape, Sexism, Sexual assault, Sexual violence, Torture, Toxic relationship, Violence, Blood, Antisemitism, Grief, Cannibalism, Stalking, and Murder
podanotherjessi's review against another edition
dark
medium-paced
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.25
Interestingly, my normal complaints for King novels weren't a problem with this one. The language and swearing used felt appropriate, the sex content seemed to fit, and the ending was actually pretty good. The main issue I had was the inclusion of the husband's perspective. In thrillers and horrors, I just don't like hearing the bad guy's thoughts. For one thing, they are super uncomfortable and gross to read, but for the other they take some of the suspense away. I think I would have been more scared if I were as uncertain as Rose was about what he was doing.
The other thing I had an issue with was the racism, homophobia, and fatphobia. The first two mostly came from the villain of the novel, so it's unclear if it was meant to be just a bad thing the bad guy thinks or if the narrative was supporting those ideas. The fatphobia was clearly coming from the narrative itself, not just the villain's perspective.
The other thing I had an issue with was the racism, homophobia, and fatphobia. The first two mostly came from the villain of the novel, so it's unclear if it was meant to be just a bad thing the bad guy thinks or if the narrative was supporting those ideas. The fatphobia was clearly coming from the narrative itself, not just the villain's perspective.
Content Warnings
Graphic: Death, Domestic abuse, Emotional abuse, Miscarriage, Misogyny, Physical abuse, and Violence
Moderate: Ableism, Body shaming, Fatphobia, and Homophobia
Minor: Sexual content