Reviews

The Big Meow, by Diane Duane

valhecka's review

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5.0

I DON'T CARE I DOn'T CARE CAT WIZARDS VERSUS BETTER-CTHULHU IN POSTWAR HOLLYWOOD ENGRAVE EVERY WORD OF THIS ONTO THE INSIDE OF MY SKULL.

No but seriously this is among the best historical fantasy/sf adventure novels I've read. I think only about half of that is my degree of attachment to Duane's conception of wizardry and cosmogony. Yes, it's from the perspective of a cat, and that seems twee, but this cat is a cranky 30-something NASA-level project manager with coworker conflicts and adolescent trainees to jerk into shape and she's just so extremely relatable, Rhiow, to me, a tired millennial who is 32 and ill and reading about cat wizards so I can have a positive feeling.

Plus: Damon Runyon, Walter Winchell, late-Golden Age starlet/studio jockeying, absolute parades of cats, Ith the pastrami-loving not-quite-dinosaur, blending of Mayan and Aztec cosmogonies, the astounding sense of place Duane conveys, and the way her dialogue leaps right into your ears.

Masterful.

[I love cats. I love every kind of cat. I just want to hug all of them but I can't hug every cat]

mtk_reads's review

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5.0

Far and away the best of the the three - time travel! Cat magic! Soulmates! ...yes, yes, I'm predictable, we knew that already.

lleullawgyffes's review

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dark mysterious medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? No

4.0

lauravdbraak's review

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adventurous fast-paced

4.5

wetdryvac's review

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5.0

Both a lot more grim, and in some respects fluffier than the previous books. Lots of fun in new ways.

bentgaidin's review

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2.0

'The Big Meow' just didn't land for me, to my disappointment. Some of it are things I might warm up to after some reflection and on rereading; it's another time-travel story, right after the last one, and to a time period (40's Hollywood) that I don't really care one way about. It's also about defeating an entity from outside the universe that's supposed to be worse than the Lone Power, which feels kind of like a narrative cheat at first introduction. What I think will stick with me, though, is that half-way through the book I was thinking that whatever my quibbles with the plot were, at least I was getting to spend more time with Rhiow as a calm, capable leader, and enjoying her wit and detachment from the foibles of humans and the games of toms and queens alike -- and then the story introduces a romance for her, and she becomes flustered and much concerned with how a tom could love her even though she's been spayed. This is entirely my personal issue, but I _liked_ that she maintained a network of close relationships outside of the realm of sex, and indeed this is a plot point of the last book, that she would work with and appreciate and befriend a tom without desiring him, or even desiring to desire him. Here, the idea of a platonic friendship seems to disappear once one side expresses an interest, or the working-in-pride that she has with other wizards. It could be a cat cultural thing, but it's never come up this way before, it doesn't feel necessary, and I just don't like what it does to her character. ... Otherwise, it's a decent book. If Ace representation isn't a sticking point, or if you like that era of Hollywood and would recognize the characters, bump it up a star or two and you'll really enjoy it.
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