ejopet's review against another edition
CW: Discussion of sexual assault
I don't know how to feel about this book.
I read it avidly (sorry Alicia!), but I didn't necessarily enjoy myself. I don't plan to read the sequels, but I'll admit that I checked out their summaries to see if they sounded interesting.
I'll say up front that a lot of my problems with it are specific to me. I don't usually like grimdark/grimdark adjacent fantasy, and some of the things I didn't like are features of the genre.
Some disconnected thoughts/rambling:
The background of the Warden is actually really interesting. He grew up as a street kid in Low Town, before eventually becoming what is basically a policeman, but now he's back in Low Town, a drug addict and drug dealer. I liked the perspective this gives him into class in his city--it's clear that even when he had his prestigious job, he never really fit in. And because of his glance into another world, he is deeply skeptical of wealth and power. To be honest, I read Low Town around the same time as I read this article about how invisible social structures keep people from working-class backgrounds from succeeding at prestigious blue collar jobs, and anyway, maybe read the article instead of this book? But yes, I liked the class elements/commentary.
The plot "hook", the thing that kicks off the events of the book, is the Warden discovering the body of a young girl who has been raped and murdered. I just...am so over sexual violence against women used to motivate men's stories. I'm sure it can be done well, but it's not easy, and it requires a careful tone. Low Town doesn't do a terrible job--trust me, I've read plenty worse--but in the end, the book is going for a jaded, cynical, black humor-ish vibe, and it doesn't mesh with the serious subject perfectly.
I felt like the plot could have done with some finessing. The actual stakes for the Warden aren't put in place until maybe a third of the way through the book, and until then it feels like he wanders around investigating just so the plot can happen. Also, looking back, so many of the major plot points are just...coincidences. It just happens that he stumbles on the body. It just happens that the first agent responding to the scene is his old partner. It just happens that ten years he was one of a few soldiers to see the monsters from the war. It just happens that. None of those things are related--he didn't find the body because of his experience in the war, or anything like that.
I personally just don't like books where the main character is cynical and misanthropic and very clever. I'm not into the whole shtick. I just don't like reading insulting/dismissive descriptions of people the main character has just met.
Okay, the resolution to the central mystery was incredibly obvious. It was so obvious because the main character developed an inexplicable blind spot around any clues that would have pointed to the solution. Paradoxically, this improved the book for me. Alfred Hitchcock had a theory, that, paraphrased, says that suspense comes when the audience knows more than the characters. Put a bomb under the table, and tell the audience but not the characters that it's going to explode, and you have suspense. That was how I felt reading the end of Low Town. There's a brilliant scene near the end where I thought I was going to scream. It was so so good.
To sum up, Low Town wasn't for me, but there were aspects of it that I liked. It made me think a lot about suspense, and using narrative conventions to increase it. If someone already can stomach the conventions of dark noir-ish books, Low Town is a fine choice.
I don't know how to feel about this book.
I read it avidly (sorry Alicia!), but I didn't necessarily enjoy myself. I don't plan to read the sequels, but I'll admit that I checked out their summaries to see if they sounded interesting.
I'll say up front that a lot of my problems with it are specific to me. I don't usually like grimdark/grimdark adjacent fantasy, and some of the things I didn't like are features of the genre.
Some disconnected thoughts/rambling:
The background of the Warden is actually really interesting. He grew up as a street kid in Low Town, before eventually becoming what is basically a policeman, but now he's back in Low Town, a drug addict and drug dealer. I liked the perspective this gives him into class in his city--it's clear that even when he had his prestigious job, he never really fit in. And because of his glance into another world, he is deeply skeptical of wealth and power. To be honest, I read Low Town around the same time as I read this article about how invisible social structures keep people from working-class backgrounds from succeeding at prestigious blue collar jobs, and anyway, maybe read the article instead of this book? But yes, I liked the class elements/commentary.
The plot "hook", the thing that kicks off the events of the book, is the Warden discovering the body of a young girl who has been raped and murdered. I just...am so over sexual violence against women used to motivate men's stories. I'm sure it can be done well, but it's not easy, and it requires a careful tone. Low Town doesn't do a terrible job--trust me, I've read plenty worse--but in the end, the book is going for a jaded, cynical, black humor-ish vibe, and it doesn't mesh with the serious subject perfectly.
I felt like the plot could have done with some finessing. The actual stakes for the Warden aren't put in place until maybe a third of the way through the book, and until then it feels like he wanders around investigating just so the plot can happen. Also, looking back, so many of the major plot points are just...coincidences. It just happens that he stumbles on the body. It just happens that the first agent responding to the scene is his old partner. It just happens that ten years he was one of a few soldiers to see the monsters from the war. It just happens that
Spoiler
he was one of maybe TWO people in the city who actually knew the person behind the murdersI personally just don't like books where the main character is cynical and misanthropic and very clever. I'm not into the whole shtick. I just don't like reading insulting/dismissive descriptions of people the main character has just met.
Okay, the resolution to the central mystery was incredibly obvious. It was so obvious because the main character developed an inexplicable blind spot around any clues that would have pointed to the solution.
Spoiler
For example, the Warden fears that the murders are related to the Red Plague, a terrifying possibility. But then he ignores that line of inquiry entirely.Spoiler
the Warden receives a package that a reader who has been paying attention knows will resolve the mystery and stop him from confronting the wrong person. And then he DOESN'T OPEN IT.To sum up, Low Town wasn't for me, but there were aspects of it that I liked. It made me think a lot about suspense, and using narrative conventions to increase it. If someone already can stomach the conventions of dark noir-ish books, Low Town is a fine choice.
marklpotter's review against another edition
4.0
Polansky proves himself a weaver of intricate tales with this first shot across the bow of the fantasy genre. In the same bleeding vein as Abercrombie Low Town pulls no punches in the grit department. The story feels real and the despair is palpable. While the filth and blood are present neither comes across as an attempt to shock but rather just how things are.
I like the idea of a crime procedural in a fantasy setting. There's nothing epic about the murders, there's nothing epic about our protagonist, and there's nothing epic about the bad guy. Rather what we get is the broken pieces, society's cast offs, and their lackluster existence. The violence is because that's what needs to happen and the filth is because that's how people live when they've nothing left.
Although I saw the plot twist, the betrayal, before the reveal, Polansky didn't try to hide it. With thr rest of the setting it wasn't a shock and I don't think it was intended to be.
Make no mistake, this is a bleak story for people who don't have much to live for. There's no love story here. And there's no redemption in the resolution. However you end up caring about the cast and not being able to not turn the page. Not a fun romp but a damn good read.
I like the idea of a crime procedural in a fantasy setting. There's nothing epic about the murders, there's nothing epic about our protagonist, and there's nothing epic about the bad guy. Rather what we get is the broken pieces, society's cast offs, and their lackluster existence. The violence is because that's what needs to happen and the filth is because that's how people live when they've nothing left.
Although I saw the plot twist, the betrayal, before the reveal, Polansky didn't try to hide it. With thr rest of the setting it wasn't a shock and I don't think it was intended to be.
Make no mistake, this is a bleak story for people who don't have much to live for. There's no love story here. And there's no redemption in the resolution. However you end up caring about the cast and not being able to not turn the page. Not a fun romp but a damn good read.
alwroteabook's review against another edition
5.0
Check out my latest review - https://www.alwroteabook.com/2019/04/22/review-low-town-by-daniel-polansky/
leitnerkev's review against another edition
adventurous
challenging
dark
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
A fun, accessible romp. It's slick and interesting and moves quickly. I do think it didn't quite live up to its potential but I appreciate the commitment to writing a slight thriller rather than getting bogged down in an epic fantasy or expansive character study.
crippygirl's review against another edition
5.0
excellent. strange mixture of fantasy and pulp noir. loved it!
toupseric's review against another edition
It is a very well-written book with an interesting main character. Noir fantasy if that makes sense. The author has a race of people called the Kiren that the main character describes in very essentializing and unpleasant terms, particularly striking because they are obviously just Chinese. The racism was off-putting and maybe he pulls a “the character is racist, not the story,” but I’m not sticking around to find out.
eliendriel's review against another edition
dark
emotional
mysterious
sad
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.5
perch15's review against another edition
4.0
An excellent start to what I hope is a long-running series. Equal parts grit, heart and black humor. Fantastical, but grounded. A very worthwhile read.
antonism's review against another edition
5.0
5 / 5
Low Town, by Daniel Polansky, is the first book of a trilogy that can be characterized as adult slightly-urban fantasy. Trying to write a synopsis in a few sentences will do this book no justice so if you’re curious just find and read the official one. It is dark, it is gritty and violent and raw. It is tense and exciting. But most of all it is amazing. Did I like this book? I loved it! It succeeded in checking almost every point that I want from such a book and left me wanting for more! Read below to find out why and how.
If you have an idea of what a flawed main character is, then square that and you might still not have enough to Polansky’s one! The Warden is a fucked up individual, but in a very down to earth and realistic way. A way that it could just as well be us or everybody in his position, if only we’ve been through what he has. I loved and hated him at the same time. I disliked his actions and liked his justifications of them. How weird is that? Polansky’s characterization is in general amazing and top-notch. There was not a single character that felt unrealistic, not a single moment that I felt one’s actions unjustified.
Before I move one to other aspects of the novel, I want to mention two things that enhanced characterization so much. One is the first person view, which when done correctly, gives such a personal point of view and creates amazing tension. I loved this too much and I found it a joy to read. The second is the expertly created “flashbacks” that were there not only to give background info on the story but also to flesh out the characters involved. I felt they were very well balanced, inset at the proper moments and with just the right amount of length so that they never felt tiring or boring.
Plot-wise, the story feels actually very much like a detective story but with a very different tone. This is in essence a who-done-it but the stakes are high and there’s tension and urgency from the get-go. The atmosphere at times is so thick that you need to chew some passages! The pace is amazing; this book is a true page-turner and it’s hard to just stop at the end of a chapter without wanting to continue.
To top all that, Polansky’s writing is excellent and matches the setting and his main character perfectly! Reading it was a pure joy and I was hard pressed not to underline quotes every second page. Dialogues are witty and clever and the descriptions are sharp and eloquent without being too verbose.
I’ve been wanting to write a really thorough and detailed review about this one but such is the nature of this book that I feel that it would be no good. For me and according to my very personal preferences, this book came close to perfect, and try as I might I can find absolutely no wrong or nothing to complain about. Simply put, if you like fantasy with a twist, if you like some grittiness and you’re not squeamish, if you enjoy a heavy and thick atmosphere, a well-crafted setting and expert writing, then I fully recommend this book without a doubt! I’m sure you will love it as much as I did! Well done Daniel Polansky, you got yourself another fan!
5 / 5
Low Town, by Daniel Polansky, is the first book of a trilogy that can be characterized as adult slightly-urban fantasy. Trying to write a synopsis in a few sentences will do this book no justice so if you’re curious just find and read the official one. It is dark, it is gritty and violent and raw. It is tense and exciting. But most of all it is amazing. Did I like this book? I loved it! It succeeded in checking almost every point that I want from such a book and left me wanting for more! Read below to find out why and how.
If you have an idea of what a flawed main character is, then square that and you might still not have enough to Polansky’s one! The Warden is a fucked up individual, but in a very down to earth and realistic way. A way that it could just as well be us or everybody in his position, if only we’ve been through what he has. I loved and hated him at the same time. I disliked his actions and liked his justifications of them. How weird is that? Polansky’s characterization is in general amazing and top-notch. There was not a single character that felt unrealistic, not a single moment that I felt one’s actions unjustified.
Before I move one to other aspects of the novel, I want to mention two things that enhanced characterization so much. One is the first person view, which when done correctly, gives such a personal point of view and creates amazing tension. I loved this too much and I found it a joy to read. The second is the expertly created “flashbacks” that were there not only to give background info on the story but also to flesh out the characters involved. I felt they were very well balanced, inset at the proper moments and with just the right amount of length so that they never felt tiring or boring.
Plot-wise, the story feels actually very much like a detective story but with a very different tone. This is in essence a who-done-it but the stakes are high and there’s tension and urgency from the get-go. The atmosphere at times is so thick that you need to chew some passages! The pace is amazing; this book is a true page-turner and it’s hard to just stop at the end of a chapter without wanting to continue.
To top all that, Polansky’s writing is excellent and matches the setting and his main character perfectly! Reading it was a pure joy and I was hard pressed not to underline quotes every second page. Dialogues are witty and clever and the descriptions are sharp and eloquent without being too verbose.
I’ve been wanting to write a really thorough and detailed review about this one but such is the nature of this book that I feel that it would be no good. For me and according to my very personal preferences, this book came close to perfect, and try as I might I can find absolutely no wrong or nothing to complain about. Simply put, if you like fantasy with a twist, if you like some grittiness and you’re not squeamish, if you enjoy a heavy and thick atmosphere, a well-crafted setting and expert writing, then I fully recommend this book without a doubt! I’m sure you will love it as much as I did! Well done Daniel Polansky, you got yourself another fan!
5 / 5