Reviews tagging 'Homophobia'

In Cold Blood by Truman Capote

23 reviews

madeline_p4's review against another edition

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dark informative medium-paced

4.5


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awalsh1212001's review against another edition

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challenging dark mysterious sad medium-paced

4.25


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tamarant4's review against another edition

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dark informative tense medium-paced

3.25

“Am I sorry? If that’s what you mean—I’m not. I don’t feel anything about it. I wish I did. But nothing about it bothers me a bit. Half an hour after it happened, Dick was making jokes and I was laughing at them. Maybe we’re not human." [loc. 4734]
Capote claimed to have invented the 'non-fiction novel' with In Cold Blood. Serialised in the New Yorker in 1965, the decades since its initial publication have cast considerable doubt on Capote's 'immaculately factual' account of the Clutter family murders. Still, this work provides a thorough, if dramatised, summary of the case.
Capote's prose reads like fiction, with metaphors aplenty (the stray cats gleaning roadkill from radiator grills, for instance) and explorations of character. His study of Perry Smith (who may have committed all four murders, or just two of them) is sympathetic, and reads as a depiction of a closeted gay man at a time when homosexuality was illegal. The album of bodybuilder pictures; the protests such as 'Some queers I’ve really liked. As long as they didn’t try anything'; the way that Dick, his co-defendant, calls him 'honey'. Perry's own letters show that he's articulate and ambitious ('I happen to have a brilliant mind. In case you don’t know. A brilliant mind and talent plus. But no education...'). Capote makes it clear that Smith was psychologically damaged by a rough childhood. Dick, on the other hand, is a rapist, a paedophile and a man who enjoys running over stray dogs. (Perry, by way of contrast, tames a squirrel after he's imprisoned for the murders.)
The Clutter murders were opportunist, difficult to tie to the culprits because so random: Smith and Hickock drove hundreds of miles to rob a man they'd never met, a man who a fellow prisoner told them had a safe full of money. (He didn't.) Capote writes 'The crime was a psychological accident, virtually an impersonal act; the victims might as well have been killed by lightning.' And though his depiction of the victims is sympathetic and touching, he never met them: it was the murderers, and especially Perry Smith, who held his attention.
Read for a 'true crime' reading challenge on StoryGraph, and because it's a classic work. I liked the prose more than the subject matter.


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ibby2's review against another edition

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dark emotional informative reflective sad tense slow-paced

5.0


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emadisonc's review

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dark informative sad tense slow-paced

5.0

Imagination, of course, can open any door—turn the key and let terror walk right in.

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emy_clemy's review against another edition

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dark emotional inspiring mysterious reflective sad tense medium-paced

5.0


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katadamz's review against another edition

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challenging dark sad tense medium-paced
Coming out of this novel, I respect Truman Capote as a storyteller and master of the English language even more than I did before. However, he did lose any credibility as a journalist or as someone with reasonable taste in men (
allegedly, he was in love with the murderer Perry Smith
). 

I am glad I finally finished the novel. My initial impression trying to read it over a decade ago was that I would happily read a book about small town American life written by Capote, but that the brutality of these murders was hard to stomach. I stand by that assessment, especially as it crawled to the conclusion, with Capote's focus narrowing onto
Leavenworth's death row
to an almost disturbing focus. The prose though, is beautiful and sparse, in a beautiful mid-20th century style. 

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soswiin's review against another edition

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dark informative tense medium-paced

4.0

definitely a unique format that grabbed my attention more than i thought it would've. yes, inventing dialogue and scenes made it read more like a novel than an informative essay as capote intended but it just didn't feel morally right. which is a dilemma that encompasses 90% of this book's controversies anyway. capote was brave for humanizing the clutter family's killers and i appreciate it to an extent — it elevated the pair from stereotypical jailhouse grunts to fleshed-out individuals with individual wounds and faults. while it added depth it still felt weird to ready about!! bad childhood ≠ the right to blow the brains out of an entire family. lot of repeated information which was quite helpful given the attention span i'd allotted for this.

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jbrown1120's review against another edition

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dark fast-paced

5.0


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tlaynejones's review against another edition

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dark informative reflective sad medium-paced

4.0


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