alexllange's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Graphic: Child death, Death, Murder, Violence, and Blood
Moderate: Genocide and War
lydiasturges's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Violence, War, Slavery, Death, and Injury/Injury detail
Moderate: Child abuse and Child death
what_karla_reads's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
Graphic: Violence, Death, War, Torture, and Murder
bzliz's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
There’s an interesting theme of isolation between our three leads- Laia with Keenan, Elias with the Soul Catcher, and Helene’s loss- and how they face this isolation and forge ahead shows how special they are. This is also a spot I find frustrating as a reader because I’m certain these characters will all have to trust each other eventually to defeat the final evil but they don’t right now so they lack the full picture that they’d have if they worked together.
Sabaa Tahir excels in creating complex characters that thrive in murky gray morality and I absolutely love it. I was concerned about Helene’s story being consumed by lovesick feelings but I’m thrilled she’s coming in to her own. Elias’s journey is fascinating- he does everything in his power even as he’s dying to fulfill his vow to Laia (obligatory: Ladies, don’t settle. If he wanted to, he would.) and it leads to a big twist I know will be crucial and probably necessary as the series builds. And I already didn’t care for Keenan (he has big Gale energy) but there’s no way I could have predicted his deeply layered secrets.
I appreciate the well balanced push-pull between the different forces at play. It can be frustrating when you read something where the villains never slip up and are always one step ahead. Even as the Commandant builds her secret plans, Helene manages to foil some, which is a huge accomplishment when you consider the Commandant’s unearthly ally. Laia and Elias also discover a weakness in the Nightbringer despite the power imbalance between them. These successes make the world grim but not entirely bleak.
Content warnings: this world is brutal and survives on groups enacting violence upon each other. I’d recommend you stay away from the series if you can’t stand true cruelty.
Graphic: Injury/Injury detail, Murder, Blood, Torture, Violence, Body horror, Death, Gore, and Grief
Moderate: Child abuse, Fire/Fire injury, Confinement, Slavery, and Genocide
Minor: Animal death and Death of parent
bellanr34's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Murder, Violence, Genocide, and Torture
Moderate: Rape
reckless_reader's review against another edition
- Plot- or character-driven? A mix
- Strong character development? N/A
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? N/A
4.0
Graphic: Xenophobia, Child abuse, Genocide, Physical abuse, and Murder
Moderate: Violence and Sexual assault
Spoiler
There’s a lot of death and hatred in these pages. If you aren’t in a place where you can mentally deal with death/murder/torture/abuse, this is not the series for you.tsar's review
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
“Your emotions make you human. Even the unpleasant ones have a purpose. Don't lock them away. If you ignore them, they just get louder and angrier.”
If there is one thing that stopped me from being very much impressed with the first book is how it made care less about the characters when they are the key figures of the book. As I've mentioned in my review of An Ember in the Ashes, Tahir stuck in figuring out their exact roles as protagonists instead of a proper characterization since their first introduction. In return, it seems that the second book transforms all of that uncertainty in a swift motion—it revitalizes the plot and characters that they equally take off in a high note.
Chapters and chapters of violent delights might be predictable due to the brutal nature of the plot itself, yet Tahir swiftly transforms them into a character-driven tale—she takes time to elaborate on what is happening to each protagonist and how it determines their precise characterization that suits the characters. As an illustration, the written backstory of Helene adds another complex layer of an already strong established foundation of her determination as a person. On the other hand, Laia and Elias receive a peculiar settlement of their position in this convoluted war: Laia becoming the conduit between earthly beings and the paranormal realm forces her to be a more assertive individual who has to be quick in her action, while Elias has to face the haunting truth of his blood descent as he takes part as the soul catcher who gradually loses the identity of himself as a human being.
Most of all, the more character-driven story does not suffer in a drowsy pace, but it is surprisingly fast and steady in illustrating the pieces of the game. As a result, it is engaging, keeping the thrill delivered to the readers despite that the brutality of the narrative is toned down a bit for the sake of focusing on the characters' heightened journey.
However, I presume that this is where the second book falls behind in capturing a neat set of villains. Marcus comes off as a needy child, throwing tantrums along his way when he does not receive what he wants as the current emperor. Sure, his tantrums are terrifying when we look from the perspective of the characters as well as the extreme misogynistic attitude exemplified in his actions, but taking it from a reader's perspective, I'd say that his aggression is truly more of an attempt to show that he is the best choice of a ruler that would exact revenge to his bitter enemies including Helene and Elias. On the other hand, the effort to paint the Commandant as the secondary antagonist who is discreetly pulling strings also falls short. Tahir seems to try illustrating her as a redeemable, harrowingly tragic yet cruel villain, but her presence is far too middling to deliver such a message.
Overall, A Torch Against the Night does not disappoint as a second installment that heightens the narrative's rich elements beyond the realistic impression it pulls from the oppression of the old days.
Graphic: Physical abuse, Gore, Emotional abuse, Torture, and Violence
Minor: Rape
st4rchaser's review
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
Graphic: Violence, Torture, and Death
kingrain23's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Violence
Minor: Genocide
beegster16's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Violence and Death
Moderate: Gaslighting, Toxic relationship, and War
Minor: Genocide, Rape, and Panic attacks/disorders