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breakfastgrey's review against another edition
3.0
The Redwall books are all essentially the same really enjoyable book again and again. This one does less than others to stand out, though there were some interesting character fates (Felldoh and Clogg) and fun moments to be found. Still, at its core it's yet another woodland creatures sieging a fortress and going on a quest book. I knew that going in, though, so I still enjoyed my annual visit to the series.
isaacmcintyre's review against another edition
5.0
As epic, heartbreaking, and full of charm and adventure as it's ever been. Martin the Warrior played a huge role in getting me into fantasy and therefore reading in general when I was young so it holds a special place in my heart, but even without that the journey this fantastical and rich story takes you on is just simply incredible. Every character springs larger than life off every page and the Brian Jacques-led audio production makes it even better again. Fantasy masterpiece.
alexandrabree's review against another edition
4.0
The layers hidden within the pages of these books, the writing leaves me in amazement every time. I read this series for the first time 20 years ago now.
Badrang and his castle are one kind of tyrant. Captain Clogg and his crew are an adjacent, very similar kind of tyrant. You have the savage banal evil of the lizards and the wild malace of the squirrels. The inflexible warden (who is in the vein of institutional evils, think of Dolores Umbridge in Harry Potter)
You have the horrors of being a slave, and the complexity of those who have escaped risking recapture to free the others. It is a kind of heroism that can easily be overlooked, I think people like to say and would like to think they would go back and save others, however it is far more likely 9/10 would have just run off to save themselves. The Troup who could have simply packed up and left but chose to help.
We have the hero figure of Martin and the tortured revenge figure of Feldo. They are two sides of the same coin. We always have that glimpse of it being better to be a warrior in a garden than a gardener in a war in Redwall novels, and I love that.
We have redemption arcs in the shrews who keep slaves but treat them better than the vermin, and allow not just Martin and his traveling companions but also Pal his freedom when earned. They also later come to help in the final battle.
The characters are all so fully developed and complex, and dynamic. These characters feel real, which is something sorely lacking in a lot of more modern fiction. Everything feels much more movie ready, crowd palletable, clichéd, troped, and structured in the past 5-10 years. Hunger games, divergent, lunar chronicles, all good, but it's the difference between a store bought cake and cake at a bakery/Cafe in Paris.
Badrang and his castle are one kind of tyrant. Captain Clogg and his crew are an adjacent, very similar kind of tyrant. You have the savage banal evil of the lizards and the wild malace of the squirrels. The inflexible warden (who is in the vein of institutional evils, think of Dolores Umbridge in Harry Potter)
You have the horrors of being a slave, and the complexity of those who have escaped risking recapture to free the others. It is a kind of heroism that can easily be overlooked, I think people like to say and would like to think they would go back and save others, however it is far more likely 9/10 would have just run off to save themselves. The Troup who could have simply packed up and left but chose to help.
We have the hero figure of Martin and the tortured revenge figure of Feldo. They are two sides of the same coin. We always have that glimpse of it being better to be a warrior in a garden than a gardener in a war in Redwall novels, and I love that.
We have redemption arcs in the shrews who keep slaves but treat them better than the vermin, and allow not just Martin and his traveling companions but also Pal his freedom when earned. They also later come to help in the final battle.
The characters are all so fully developed and complex, and dynamic. These characters feel real, which is something sorely lacking in a lot of more modern fiction. Everything feels much more movie ready, crowd palletable, clichéd, troped, and structured in the past 5-10 years. Hunger games, divergent, lunar chronicles, all good, but it's the difference between a store bought cake and cake at a bakery/Cafe in Paris.
cchipman's review against another edition
adventurous
inspiring
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.75
One of the best Redwall books. I’m rereading the entire series, for this one I listened to the audiobook narrated by the author and a full cast—it was delightful.
ljeckard's review against another edition
adventurous
emotional
hopeful
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
shivary's review against another edition
slow-paced
- Plot- or character-driven? Plot
- Loveable characters? No
2.0
The beginning was exciting but the rest was boring.
thepancreas11's review against another edition
5.0
This is how you do a prequel. I know what happens to Martin. I've read "Mossflower". I know he escapes Marshank, that he takes back his father's sword, and that he ultimately founds Redwall Abbey with the help of Abbess Germaine. For all intents and purposes, this story should already be spoiled, and thus, a little boring, if not downright predictable.
But there is so much distance between the Martin at the beginning of this book and the Martin in "Mossflower". There are so many unsettled questions--half of which come up in the first thirty pages, and in particular, there are the relationships with Rose, Felldoh, and Brome that need to be fractured in some way for continuity's sake. How does Martin ultimately walk away from these people that mean so much to him? How does Martin go from the defiant, heroic slave strapped atop the parapet to the solitary vagabond with the rusty sword? Martin has to somehow lose his defining quality by the end of this book in order to find it again in the other. And if nothing else, that's enough to keep me interested.
Of course, there are plenty of interesting supporting characters, not the least of which are Laterose and Tramun Clogg. They both feel like rodent versions of Shakespeare characters: Rose for tragedy and Clogg for comedy. And both of them have such satisfying endings--from a story standpoint, at least. I've read plenty of Literary Fiction novels that don't have the guts to give their characters such poignant conclusions.
In the end, this is an exercise in letting characters develop a story. Jacques has truly gotten ahold of Martin, Rose, and Felldoh, and he's written them to perfection. He understands them well enough to know where to start them and where to leave them. If "Martin the Warrior" is not my favorite, it certainly has my favorite ending, as bittersweet as it may be.
But there is so much distance between the Martin at the beginning of this book and the Martin in "Mossflower". There are so many unsettled questions--half of which come up in the first thirty pages, and in particular, there are the relationships with Rose, Felldoh, and Brome that need to be fractured in some way for continuity's sake. How does Martin ultimately walk away from these people that mean so much to him? How does Martin go from the defiant, heroic slave strapped atop the parapet to the solitary vagabond with the rusty sword? Martin has to somehow lose his defining quality by the end of this book in order to find it again in the other. And if nothing else, that's enough to keep me interested.
Of course, there are plenty of interesting supporting characters, not the least of which are Laterose and Tramun Clogg. They both feel like rodent versions of Shakespeare characters: Rose for tragedy and Clogg for comedy. And both of them have such satisfying endings--from a story standpoint, at least. I've read plenty of Literary Fiction novels that don't have the guts to give their characters such poignant conclusions.
In the end, this is an exercise in letting characters develop a story. Jacques has truly gotten ahold of Martin, Rose, and Felldoh, and he's written them to perfection. He understands them well enough to know where to start them and where to leave them. If "Martin the Warrior" is not my favorite, it certainly has my favorite ending, as bittersweet as it may be.