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madamenovelist's review against another edition
adventurous
challenging
dark
emotional
mysterious
reflective
sad
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Body horror, Child abuse, Child death, Confinement, Death, Emotional abuse, Genocide, Gore, Hate crime, Physical abuse, Torture, Violence, Forced institutionalization, Blood, Police brutality, Medical content, Kidnapping, Grief, Medical trauma, Death of parent, Murder, Fire/Fire injury, Colonisation, War, and Injury/Injury detail
Moderate: Misogyny, Sexism, Xenophobia, Sexual harassment, and Classism
Minor: Alcohol
bea_reads_books's review against another edition
adventurous
emotional
mysterious
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Okay I have a lot of thoughts, mostly positive but let’s start with the negative.
This book has a lot of things that I’m realizing are common with “romantasy”, which I am learning is not my thing, so take my opinions with a grain of salt. If you love fantasy romance, these things probably won’t bother you.
First, structurally this book felt rushed. There were typos and weird run-on sentences (not a ton, but definitely enough that I noticed). There were times where the wrong word was used (i.e. “Dredges” when the author meant “Dregs”).
Second - and this is something I really disliked about the From Blood and Ash series - there is a lot of infodumping that is often, for some reason, repeated? Like we get a lot of the same information two or three times over, which made the book longer than I felt like it needed to be.
Third, it was kind of insta-love-y. I mean, the book takes place over a long enough period of time that it isn’t necessarily insta-love, but I personally felt like there were odd leaps between romantic moments, so it felt like we really rushed through the main characters bonding, which made the stronger emotions seem a little unfounded.
Fourth, and this is a very specific to myself complaint, I didn’t like Lan’s characterization very much. I’m getting really tired of every female main character being essentially a cardboard cutout of each other. She’s snarky and sassy, but has to be taught everything, but is also somehow a prodigy at everything she does, all while seeing herself as able to handle a lot, yet she’s constantly crying over something. (This isn’t to say that strength = emotionless, it’s just that her character feels set up to be more withdrawn and to keep her emotions inside, but then she’s falling over a lounge chair like a Disney Princess to sob uncontrollably.)
Lastly, I disliked the fact that Lan has no positive female relationships. Her mother is dead before the book starts; her supposed best friend is murdered like two seconds after we meet her (and Lan almost never thinks about her afterwards); her boss is a horrible person; and the only two female characters she meets for the rest of the book have instantaneous conflict with her that never gets resolved. I'm tired of reading about women and girls who only ever get along with men. Jenifer L Armentrout does this as well: Poppy and Seraphina both have exactly one positive female relationship who they are supposedly close with, but we don't see these women for practically their entire series. Every other female character is a villain or competition for her love interest, or else hates her for no apparent reason.
ON TO THE POSITIVES
I’ve been comparing this book to From Blood and Ash because they’re share a genre and I had some overlapping complaints, but all of the positives of this book are where we differ from that comparison. For instance, this book had a much more present and coherent plot, one that didn’t make me feel lost and confused every two chapters. I felt like the story was actually going somewhere. It also had a really cool magic system, which I did not feel like we got in FBaA.
Additionally, this book has actual themes about things that matter, and I thought they were handled in a much better and more responsible way. There is a recurring theme in Jenifer L Armentrout’s books of the “big bad” being a sexual predator. It happens because the love interest is just as murder-y and selfish as the bad guy, so she needed a way to differentiate so that we the readers would know why it’s okay for Sexy Lover Boy to be a heartless killer and not Evil Nasty Guy. It felt so lazy and frankly, just rancid overall, especially when it continued happening over and over again in each book of hers that I read.
On the flip side, in Song of Silver, Flame Like Night, we do see threats of sexual violence, but in the context of colonizers and invaders wielding their power over their victims, who have no leverage to say no. We also see villains who are actually just bad (greed, violence, lust for power, etc) without needing to make them rapists to show who we’re supposed to root for.
I thought the overarching points of this book were very important and relevant, especially in the context of current world events. The fact that horrific atrocities have been committed upon your people does not give you the right to turn around and do it to another people. Just because your people have hurt each other does not mean that violence against you is justified or “not that bad”.
The last thing I’ll say is that I really loved the setting and magic. It was so vibrant and I felt like I could really see and hear the places and events I was reading about. I know I’ve mentioned it at least twice now, but seriously this magic system might be one of the coolest and most unique I’ve read about recently (probably tied for first place with the magic system in Faebound).
Overall, it’s a good book, but this genre just isn’t my style. I plan to read the sequel because I’m very curious about where the story goes from here, but I don’t think I’ll be picking up more of this author’s books after that.
This book has a lot of things that I’m realizing are common with “romantasy”, which I am learning is not my thing, so take my opinions with a grain of salt. If you love fantasy romance, these things probably won’t bother you.
First, structurally this book felt rushed. There were typos and weird run-on sentences (not a ton, but definitely enough that I noticed). There were times where the wrong word was used (i.e. “Dredges” when the author meant “Dregs”).
Second - and this is something I really disliked about the From Blood and Ash series - there is a lot of infodumping that is often, for some reason, repeated? Like we get a lot of the same information two or three times over, which made the book longer than I felt like it needed to be.
Third, it was kind of insta-love-y. I mean, the book takes place over a long enough period of time that it isn’t necessarily insta-love, but I personally felt like there were odd leaps between romantic moments, so it felt like we really rushed through the main characters bonding, which made the stronger emotions seem a little unfounded.
Fourth, and this is a very specific to myself complaint, I didn’t like Lan’s characterization very much. I’m getting really tired of every female main character being essentially a cardboard cutout of each other. She’s snarky and sassy, but has to be taught everything, but is also somehow a prodigy at everything she does, all while seeing herself as able to handle a lot, yet she’s constantly crying over something. (This isn’t to say that strength = emotionless, it’s just that her character feels set up to be more withdrawn and to keep her emotions inside, but then she’s falling over a lounge chair like a Disney Princess to sob uncontrollably.)
Lastly, I disliked the fact that Lan has no positive female relationships. Her mother is dead before the book starts; her supposed best friend is murdered like two seconds after we meet her (and Lan almost never thinks about her afterwards); her boss is a horrible person; and the only two female characters she meets for the rest of the book have instantaneous conflict with her that never gets resolved. I'm tired of reading about women and girls who only ever get along with men. Jenifer L Armentrout does this as well: Poppy and Seraphina both have exactly one positive female relationship who they are supposedly close with, but we don't see these women for practically their entire series. Every other female character is a villain or competition for her love interest, or else hates her for no apparent reason.
ON TO THE POSITIVES
I’ve been comparing this book to From Blood and Ash because they’re share a genre and I had some overlapping complaints, but all of the positives of this book are where we differ from that comparison. For instance, this book had a much more present and coherent plot, one that didn’t make me feel lost and confused every two chapters. I felt like the story was actually going somewhere. It also had a really cool magic system, which I did not feel like we got in FBaA.
Additionally, this book has actual themes about things that matter, and I thought they were handled in a much better and more responsible way. There is a recurring theme in Jenifer L Armentrout’s books of the “big bad” being a sexual predator. It happens because the love interest is just as murder-y and selfish as the bad guy, so she needed a way to differentiate so that we the readers would know why it’s okay for Sexy Lover Boy to be a heartless killer and not Evil Nasty Guy. It felt so lazy and frankly, just rancid overall, especially when it continued happening over and over again in each book of hers that I read.
On the flip side, in Song of Silver, Flame Like Night, we do see threats of sexual violence, but in the context of colonizers and invaders wielding their power over their victims, who have no leverage to say no. We also see villains who are actually just bad (greed, violence, lust for power, etc) without needing to make them rapists to show who we’re supposed to root for.
I thought the overarching points of this book were very important and relevant, especially in the context of current world events. The fact that horrific atrocities have been committed upon your people does not give you the right to turn around and do it to another people. Just because your people have hurt each other does not mean that violence against you is justified or “not that bad”.
The last thing I’ll say is that I really loved the setting and magic. It was so vibrant and I felt like I could really see and hear the places and events I was reading about. I know I’ve mentioned it at least twice now, but seriously this magic system might be one of the coolest and most unique I’ve read about recently (probably tied for first place with the magic system in Faebound).
Overall, it’s a good book, but this genre just isn’t my style. I plan to read the sequel because I’m very curious about where the story goes from here, but I don’t think I’ll be picking up more of this author’s books after that.
Content Warnings
Moderate: Genocide, Racism, Sexual violence, Violence, Xenophobia, Blood, Police brutality, Death of parent, Colonisation, War, Injury/Injury detail, and Classism
bittennailbooks's review against another edition
adventurous
dark
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
A breakneck, high stakes tale about the true cost of power.
Fast-paced, lyrical, heart pounding, Zhao delivers on one of the most anticipated YA fantasies of the year. I was lucky enough to get an early release of this beautiful hardcover and it shot up my TBR very quickly.
Thumbs up: The Qi magic system is outstanding and does not leave a reader behind when explaining how it works and it's limitations. The characters were delightfully flawed, more diverse than I was expecting, and felt fully formed. A fascinating take on colonization and the power struggles and intergenerational impacts of having history wiped because of it. The story had me completely hooked and was so full of rage and adventure, I finished it very quickly. This is my first read by Zhao but I will definitely be coming back for more.
Thumbs down: If I am being picky, the pacing could have used a little tweaking. It was a full lung-burning sprint for the first half of the book and came to a sudden halt halfway in.
Was it a nail biter? My hands are gone. This may be one of my favorite reads of this year and I cannot wait for the second installment. You'll catch me camped out launch day at the doors for sure.
Fast-paced, lyrical, heart pounding, Zhao delivers on one of the most anticipated YA fantasies of the year. I was lucky enough to get an early release of this beautiful hardcover and it shot up my TBR very quickly.
Thumbs up: The Qi magic system is outstanding and does not leave a reader behind when explaining how it works and it's limitations. The characters were delightfully flawed, more diverse than I was expecting, and felt fully formed. A fascinating take on colonization and the power struggles and intergenerational impacts of having history wiped because of it. The story had me completely hooked and was so full of rage and adventure, I finished it very quickly. This is my first read by Zhao but I will definitely be coming back for more.
Thumbs down: If I am being picky, the pacing could have used a little tweaking. It was a full lung-burning sprint for the first half of the book and came to a sudden halt halfway in.
Was it a nail biter? My hands are gone. This may be one of my favorite reads of this year and I cannot wait for the second installment. You'll catch me camped out launch day at the doors for sure.
Content Warnings
Graphic: Blood, Grief, Sexual harassment, Colonisation, Injury/Injury detail, and Classism
Moderate: Confinement, Death of parent, Cultural appropriation, and War
Threats of sexual violence
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