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hatterxerxes's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Moderate: Rape and Xenophobia
marinaxanna's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
1.0
Well, so did I—Almost dnf. Reading this was just not enjoyable for me at all. I forced myself to finish it since its the last part. Skipped the entirety of chapter 7 when it was clear it was another senseless subplot with Men Being Men TM with a bunch of characters i would never read about again. Seriously, who needs so many detours and timejumps to shape a plot????
Graphic: Body horror, Emotional abuse, Misogyny, Physical abuse, Rape, Sexual assault, War, and Injury/Injury detail
Moderate: Incest
starsfall's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Graphic: Gore, Misogyny, Racism, Rape, Self harm, Sexism, Sexual assault, Sexual content, Sexual violence, Torture, Violence, Xenophobia, Suicide attempt, Death of parent, Murder, Alcohol, Sexual harassment, Colonisation, War, and Injury/Injury detail
Moderate: Pedophilia
Okay wow this book was a lot. There were many plottwist that left me quite confused. I really loved how there were so mant different povs, so many characters. Although sometimes I was a bit lost with so many names and places.camoo3032's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.0
Graphic: Confinement, Death, Gore, Racism, Rape, Sexism, Sexual assault, Sexual violence, Slavery, Torture, Violence, Xenophobia, Blood, Medical trauma, Suicide attempt, Murder, Fire/Fire injury, and War
Moderate: Animal death, Drug use, Incest, Infidelity, Misogyny, Physical abuse, Sexual content, Suicide, Vomit, Abortion, Pregnancy, Alcohol, Sexual harassment, and Classism
Minor: Alcoholism, Bullying, Child abuse, Child death, Cursing, Homophobia, Infertility, Slavery, Excrement, Kidnapping, Death of parent, and Colonisation
geordirr's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
0.25
Graphic: Adult/minor relationship, Rape, Sexual assault, Sexual violence, Blood, and War
Moderate: Misogyny
Minor: Incest and Antisemitism
karenbo's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
2.75
Graphic: War
Moderate: Incest and Rape
efsimpkin's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
I do need to say though that as a Merlin fan I really enjoyed all the Camelot references, lol.
In the middle of the book is where the plot starts to pick up and Sapkowski’s writing shines once more. There’s a chapter that uses multiple POVs to describe a battle scene and it’s masterful. Throughout, we get thrown between times and places with only scraps of information to tell us where we are but it is perfectly executed. The use of a recurring motif (I won’t spoil what it is) hit me like a tonne of bricks when I worked out what it was doing. The use of sometimes very simple dialogue or clever word games is brilliant and even more brilliant when you consider that it survived translation, so well done to French as well for his work there.
This is by far the darkest and saddest book in the series, I feel, and I think that’s what makes it beautiful in its own way. I spent the whole book wondering how it would align with the characters I know from TW3, and I only got that answer right at the end, which was excellent. I had been lightly spoiled for the ending previously which is a shame but I still deeply enjoyed the book.
I’m going to wait a good long while, until I’m feeling nostalgic, to read Season of Storms.
Graphic: Death, Rape, Sexual assault, and War
Moderate: Incest
Minor: Pregnancy
sabrinabean's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.0
The Good:
Shifting Perspectives:
I did grow to like how some distant and close POVs gave the reader a broader sense of the world. There were clever moments of karmic justice or just plain sad moments built up off of these short segments. The reason I think these sections are great is because Sapkowski excels at writing short stories. Long overarching fantasy narratives? Not so much.
Time Jumping:
I may be in the minority here, but I did like the time jumping aspect of this novel. It gave some relief during tense moments, gave great "ah-a!" moments, and made me work to puzzle together events. While this technique isn't for every story, or every reader, I thought it made sense here.
The Medics:
Literally the only chapter I distinctly care about. Those medics are badasses, and what a cool way to show a battle.
The Parallels to Arthurian Legends:
The interpretation of Ciri as the Holy Grail (or, really, a False Grail), the ending, Avalon, etc all make really cool references which help soften the blow of the ending.
The Bad:
The Rape & Sexual Harassment:
Ciri cannot catch a break. Everyone (minus Geralt and party) she encounters in this book wants to beat her, rape her, inseminate her, and force a baby on her. The gratuitous amounts of rape, attempted rape, threats of rape, and rape as a plot point are too much.
Out of Character Moments:
It often felt like all (or what little character development there was) just flew out the window. I did not understand some character's decisions at all.
You're telling me Geralt and Yen finally find Ciri then just agree to commit suicide?? What the actual hell.
And then Emphyr just... sees Ciri cry and decides NOT to steal, rape, and impregnate his own daughter???
I just... what??
The Lodge of Sorceresses:
I was so hoping for some badass ladies to show men how to run the world properly. But they did nothing. And the few things they did do were worse than how other characters acted??
Women Hating Women:
Are there any decent women in this series? More specifically, are there any women who don't fall in love with Geralt and have sex with him? And are there any women with genuine connections other than mother/daughter or aunt/cousin?? Asking because I'm sick of this.
Would I recommend this series? Ehhhhhh. For high fantasy lovers, sure. I personally struggled with it through.
I would recommend the short stories, but the actual series was a bust for me. Somehow the Netflix show is turning out worse though, so there's that. I guess the games are where its at.
Graphic: Rape
Moderate: Rape
Minor: Rape
saltylane's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.0
I didn’t necessarily expect a happy ending for everyone… But at least an ending that actually had conclusions that really mattered or that made sense would’ve been nice.
Overall, I rather enjoyed the series, despite its many flaws. With the switching perspectives, it did get confusing as to what was going on and what character was doing what. It often went to characters that I wasn’t really sure why they were even included… Unless they were just trying to close up plot lines? I don’t know; they didn’t really matter. It didn’t really seem very important that So-and-So died in such a way or succeeded in XYZ. Sure, sometimes it was nice to see what older characters that we hadn’t seen in a while were doing… But overall it wasn’t really important to the plot what was going on in their lives.
The reader for this audiobook is very talented! He really knows how to manipulate his voice to the different characters and stick with it consistently. The voice acting was also very good with emphasized emotions relevant to the scenes.
I’m really interested in seeing how the series on Netflix adapts all of the storylines. Hopefully it’s a little bit less convoluted…
Graphic: Body horror, Child death, Death, Gore, Sexual content, Violence, Blood, and War
Moderate: Confinement, Drug abuse, Drug use, Genocide, Misogyny, Physical abuse, Racism, Rape, Sexual violence, Torture, Xenophobia, Grief, Medical trauma, Fire/Fire injury, and Alcohol
Minor: Adult/minor relationship, Animal death, Homophobia, Incest, Infidelity, Panic attacks/disorders, Pedophilia, Self harm, Sexism, Excrement, Vomit, Medical content, Pregnancy, Fire/Fire injury, Colonisation, and Classism
hellbender's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? N/A
4.0
Graphic: Rape and War