Reviews with content warning for Grief - The Witch's Heart

For fans of Circe; a modern retelling of Norse mythology. The author does a great job showing the quick passing of time while also making it feel natural.

Tragedy with a satisfying conclusion.

I don’t love the pregnancy trope usually, but this was done in a way that didn’t feel odd or uncomfortable.

Gotta love the LGBTQ+ representation. And a strong female main character with a found family.

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possiblyamyrie's review against another edition

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adventurous dark emotional hopeful sad medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

5.0

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savshanae's review against another edition

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challenging dark emotional hopeful informative inspiring reflective sad medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

5.0

This book is an absolute MASTERPIECE. Hands down one of my favorite standalone books. I tore through it and nearly started it over again as soon as I finished!
As the story continued I felt more and more attached to Angrboda and invested in her story, whatever form she took. The way Gornichec weaves together so many myths (and has notes to back it up at the end!) and draws the characters in a new light is nothing short of stunning. The portrayal of motherhood is raw and heartfelt, all while subtly highlighting the strengths (and weaknesses) of women.
10/10, no notes, just praise for this book!

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proudtobeabookaholic's review against another edition

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adventurous dark emotional hopeful inspiring sad tense medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

After being burnt at the stake, not once, but three times, the witch Angrboda is injured and without her powers. She escapes to Ironwood, a forest on the outskirts of Jotunheim, where she decides to stay. There Loki, the trickster god, finds her and declares they should be friends. Angrboda doesn't trust him at first, but soon they’re in a relationship that will change the world.

I do love Norse (and Greek) mythology, so it wasn't really a surprise that this would be a book to my liking. But we all know that high hopes can go wrong, so I'm very pleased that I thoroughly enjoyed it!

Angrboda is a character I really love. She's set on her own path, while at the same time she's willing to sacrifice everything to save those she loves. Loki's always been a favorite of mine. Despite his selfishness and quirks he still seems to have his heart in the right place. I also have to mention Skadi, Angrboda's friend, who's always there for her. All the characters in this book feel so alive, as if I actually got to know them throughout the pages. Physically I'm done with The Witch's Heart, but emotionally it will stay with me for a while longer...

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misty_kb's review against another edition

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adventurous emotional hopeful mysterious medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

3.75

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elizabeth_lepore's review against another edition

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dark emotional medium-paced

Plot- or character-driven? Character
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

4.5

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singalana's review against another edition

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adventurous dark sad medium-paced

Plot- or character-driven? Plot
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

2.5

I got very strong fanfiction-vibes from the start of this book, but in my opinion, this story lacks the best aspects of a good fanfiction: deep understanding of the characters and compelling interaction between them.

The Witch’s Heart is based on Norse mythology, perhaps a little bit too faithfully, because the different elements in this book create a jarring dichotomy. For example, the banter in this book feels modern and clashes with the mythological aspects of the story. No matter how horrific or bizarre the events get, the characters shrug them off without feeling any deeper emotions. (But Loki wearing a dress, that’s considered weird.)

I found the writing to be average, and at times I disagreed with the word choices the author chose to use. For example the word ‘snivel’ was used in many cases, for example: “(daughter) snivelled, sensing his (her father’s) distress”. And "she chewed dismally". Sometimes the words used paint a different picture than the author had perhaps intended.

The characters don’t feel well-rounded. And the interactions between the characters feel juvenile, especially since the world appears black and white in this book. Angrboda (the main character) is depicted by an innocent and peaceful woman, who is wrongfully persecuted by the evil Aesir. Her relationship with Loki lacks attraction, and because of the fanfiction-vibes, I was expecting there to be more steamy scenes in this book, but the relationship between Loki and Angrboda is lukewarm at best. (Warning, mild spoilers ahead!)

Instead we get a sapphic romance that feels forced with zero attraction between the characters until they suddenly realise that they’ve been in love with each other all this time.

In the back cover it says that “Angrboda is an unforgettable heroine”, and I must say that I disagree with this completely. In the beginning of the book she is extremely passive, things just happen to her without much reaction from her. Around the middle of the book she has an overscaled and unjust (in my opinion) reaction and sets in motion a chain of events. If there is an unforgettable heroine in this story, it should have been Sigyn. What she endured was just as bad, and in fact, even worse than what Angrboda did.

The ending, which was meant to be profound and emotional achieved some of what it was trying to do, but still felt somewhat clichéd and so did parts of the dialogue.

And finally, things that I liked about this book (warning, spoilers ahead):

The banter in the beginning of the book.
The reunion of Loki, Angrboda, Fenrir and Jormungand.
Baldur
Some scenes with Loki.

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tifftastic87's review against another edition

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emotional sad slow-paced

Plot- or character-driven? Plot
Strong character development? No
Loveable characters? No
Diverse cast of characters? No
Flaws of characters a main focus? Yes

1.25

The main character of this story is as close to wet cardboard as a main character in any book I've ever read. She has just about as much agency too. I'm extremely disappointed because I was so hyped for it.

The book has this premise of "everyone always forgets that Angrboda wasn't just a monster mommy and Loki's wife" and then went the extra mile to make her nothing but a monster mommy who pines for Loki. She is described as this badass witch, but acts like a naive woman who can't do anything on her own. Loki is very much an angsty teen emo kid from 2008. This is supposed to be more based on the poems (Poetic Edda and Prose Edda) but you cannot convince me this isn't a fanfic of "what if MCU Loki was dropped into the actual myths?"

There is literally no reason given why Loki and Angrboda end up together or why she "loves" him before they hookup. He only comes to complain to her and get her help and then she's like "omg he smiled crooked and his hair is so curly" and marries him. She forgives him living a double life with a whole ass other family, which again I understand is the myth, but she could have had emotions over it other than the brief flashes of jealousy that she then feels guilty for. When Loki is present in her life he has the energy of a 90s sitcom dad. He brags about how much more the kids like him, gets them riled up before bed and then complains to "Boda" about things. So, then she feels like she's not good enough.

It isn't until Loki calls the children monsters that she is ever outwardly angry at him. This kind of kicks off everything, but then after she bans him she lets him back! So the kids get taken and then she vows to not forgive him... and then forgives him!

She works forever to be able to contact Hel and when she finally does Hel rejects her. Which is fair honestly, but not done in a way that makes sense. However, when she can finally contact Fenrir and Jornumgand they are excited to see her, because "boy mom." She then convinces them not to eat Loki. For some reason, she just keeps forgiving him. They could have finished the myth out with each of them playing their parts without her forgiving him and having an emotional goodbye with him.

I will give it that the end wasn't predictable until at least the last 30 pages-ish. But that could also be that I wasn't paying much attention because I was so irritated.

I wasn't a fan of the writing style it was overly narrative with no prose. To the point it felt like reading the poems sometimes instead of a novel. So many sections (there are no chapters) started with "then one day" or a variation of and it was grating to me. A lot of the world building was done in weird asides. Example being when the raven's of Odin are introduced it says:

"I didn't know that Odin sent his ravens out to disperse information," Angrboda said to the birds, who were named Hugin and Munin, Thought and Memory. They flew around the Nine Worlds each day before returning to tell their master all they'd seen.

Most world building was done in this way, a lot of telling and little showing.

Things I liked, Thor is played as dumb and angry and reactive and that kind of feels on brand with the poems I am most familiar with.

I gave it a couple of points for making me laugh at a couple of places, but I took a lot away for the disturbing (bigoted) way that it talked about Loki's gender fluidity.

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