Scan barcode
hb_bookworm's review against another edition
4.0
I feel like I'd need another good read to 100% follow everything happening here but I absolutely love how this book made me FEEL. cold and muddy and electrified, written in intriguing verse, deeply steeped in Irish politics, history, and culture. would definitely read this again and read more from the author!!
khakipantsofsex's review
challenging
dark
mysterious
fast-paced
4.25
Content Warnings
Graphic: Animal death, Death, Gore, Gun violence, Murder, and Injury/Injury detail
Moderate: Homophobia, Racism, Torture, Transphobia, and Car accident
Minor: Alcoholism
reaperreads's review against another edition
4.0
This book's cover art wins the (totally not made up) award for Is it a black metal album or is it a horror novel?
* * *
Yeah, so, this is a book. Things happen, folks get hurt, some people get angry, and others run screaming. But into battle, or away from the madness? You'll have to read to find out.
I don't think I've read another book quite like this one. It's antifascist, queer, brazenly Irish, and completely in verse. And it's occult horror. Needless to say, that checks A LOT of boxes for me.
For a new world to arrive,
the old one must first die.
The book primarily follows two ex-cops who still think they're cops, a young trans woman who is in a relationship with an occultist, and a former Franciscan monk who once was married to a pagan high priestess. They all have their own roles to play in uncovering the motive behind a recent string of murders ... wherein the dead don't stay dead. Was it the pet scapegoat (the group of occultists everyone assumes are satanists) or someone/something else entirely?
I feel like the multiple perspectives were handled very well even though they would frequently swap in the middle of chapters. The omniscient point of view was not difficult to follow for me, and in the end I actually found it to be thematically fitting for the narrative. Either way, the characters were truly the highlight of the novel for me, especially when it came to their dialogue. I went into this thinking that the dialogue might suffer due to the poetic format, but Loughcrewe balances it all very well since they chose the flexibility of free verse as their poetic form. The dialogue is some of the most organic I've read in some time, yet it was also quite funny in some places when needed to release tension. I found each character to also have a distinct voice, not only in their spoken language but also in their body language. How Loughcrewe chose to position their characters in different situations and settings added so much to my understanding of their social dynamics. Very, very well done.
As for the plot, it is (for me) harder to follow in the verse format, but I think that's simply because I'm not used to it in horror. Following background happenings while keeping track of present horrors became tougher the further I got into the book, but when I truly got something, it was always fucking awesome. This just isn't a book you can read lazily--you really have to pay attention. The core of this novel is a community on the brink of Satanic Panic, and the antifascist pagans are preparing for the worst. It's truly gripping, especially for someone like me who grew up in fear of Christians because my family was pagan. The background we get from the clippings throughout the novel is also a nice touch--it bolsters the reader's understanding of the tensions abound in the community of County Cavan. Lastly, the plot twists actually felt like knives to the gut because I really cared about the characters.
Basically, this is a jolly lil trip through the pleasant Irish countryside. Have fun!
For fans of: The Ballad of Black Tom by Victor LaValle, The Changeling by Victor LaValle, The Salt Groes Heavy by Cassandra Khaw, Ring Shout by P. Djèlí Clark, The Low Low Woods by Carmen Maria Machado, Dead & Buried (1981)
* * *
Yeah, so, this is a book. Things happen, folks get hurt, some people get angry, and others run screaming. But into battle, or away from the madness? You'll have to read to find out.
I don't think I've read another book quite like this one. It's antifascist, queer, brazenly Irish, and completely in verse. And it's occult horror. Needless to say, that checks A LOT of boxes for me.
For a new world to arrive,
the old one must first die.
The book primarily follows two ex-cops who still think they're cops, a young trans woman who is in a relationship with an occultist, and a former Franciscan monk who once was married to a pagan high priestess. They all have their own roles to play in uncovering the motive behind a recent string of murders ... wherein the dead don't stay dead. Was it the pet scapegoat (the group of occultists everyone assumes are satanists) or someone/something else entirely?
I feel like the multiple perspectives were handled very well even though they would frequently swap in the middle of chapters. The omniscient point of view was not difficult to follow for me, and in the end I actually found it to be thematically fitting for the narrative. Either way, the characters were truly the highlight of the novel for me, especially when it came to their dialogue. I went into this thinking that the dialogue might suffer due to the poetic format, but Loughcrewe balances it all very well since they chose the flexibility of free verse as their poetic form. The dialogue is some of the most organic I've read in some time, yet it was also quite funny in some places when needed to release tension. I found each character to also have a distinct voice, not only in their spoken language but also in their body language. How Loughcrewe chose to position their characters in different situations and settings added so much to my understanding of their social dynamics. Very, very well done.
As for the plot, it is (for me) harder to follow in the verse format, but I think that's simply because I'm not used to it in horror. Following background happenings while keeping track of present horrors became tougher the further I got into the book, but when I truly got something, it was always fucking awesome. This just isn't a book you can read lazily--you really have to pay attention. The core of this novel is a community on the brink of Satanic Panic, and the antifascist pagans are preparing for the worst. It's truly gripping, especially for someone like me who grew up in fear of Christians because my family was pagan. The background we get from the clippings throughout the novel is also a nice touch--it bolsters the reader's understanding of the tensions abound in the community of County Cavan. Lastly, the plot twists actually felt like knives to the gut because I really cared about the characters.
Basically, this is a jolly lil trip through the pleasant Irish countryside. Have fun!
For fans of: The Ballad of Black Tom by Victor LaValle, The Changeling by Victor LaValle, The Salt Groes Heavy by Cassandra Khaw, Ring Shout by P. Djèlí Clark, The Low Low Woods by Carmen Maria Machado, Dead & Buried (1981)
shawcrit's review
challenging
dark
emotional
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.5
keegan_leech's review
challenging
dark
emotional
hopeful
mysterious
reflective
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
This book was so good. Right off the top, if you like weird horror and experimental, boundary-pushing fiction then you should just go read this right now. I guarantee that Crom Cruach can offer you something unusual, thought-provoking, and worthwhile. But I've already read this twice, and I've had a lot of time to think about it since, so here comes a longer review.
---
This novella reads very quickly. It's short to begin with, and the verse form makes it fly past. Not only are there fewer words on a page than there might be if it were written in prose, but I found the flow of the prose really pulled me along. The writing is fluid and engrossing. The result being that Crom Cruach can essentially be read in a single sitting—for maximum thrilling effect I recommend reading it overnight in the dark. Even if you don't read it in one go though, the novella's divided into three parts (as well as a short interlude) which offer nice natural breaks.
The verse form also makes for a very affecting tone. Throughout, the writing is evocative and portentous, and complements the horror of the story well. Like many of the best horror stories, Crom Cruach blends supernatural horror with the everyday horrors of (in this case) colonialism, bigotry, religious persecution, fascism, and more. Prose can have a tendency to make the metaphorical renderings of these real social horrors seem especially clumsy. There's a tendency to draw connections too explicitly, resulting in the novel equivalent of a movie monster that is very obviously a person in a rubber suit. Not necessarily a terrible thing, but sometimes a little damaging to the overall experience. Verse, however, excels where metaphor is involved. The structure of the novella makes it feel absolutely uncomfortably natural thatneo-nazi cults and avenging archangels could be stalking the night together, bringing violence and persecution, death and undeath. If anything, this tone sells the themes of the novella better than anything else. It might be easy to trivialise atrocities like colonialism and religious persecution by lining them up them alongside hauntings and the living dead, but Loughcrewe wields metaphor well. The ultimate effect is a strengthening of the novella's themes, and a more powerful impact to its most important moments.
I won't post any details, even behind a spoiler warning—just go read it, it's very short—but the final scene of the novella is especially powerful. Moving, tense, unpleasant, cathartic, the kind of thing that makes you want to jump up and yell and shout at the sky and shake the world by the shoulders! A real triumph of horror writing.
Lastly, while it's not necessary for an enjoyment of or understanding of (much of) the story, I'd recommend pairing Crom Cruach with some general reading. The Crom Cruach Wikipedia page[^1] is some convenient background if you've never heard of the deity before, but I found a study linked there called "The Plain of Blood"[^2] to be especially interesting reading and a lot more in-depth background. I read these, and several other articles on the history of Ireland and the various religious figures mentioned, in-between my two reads of Crom Cruach. As someone without much more than a surface-level understanding of the history here, it really enriched my second read through.
---
This novella reads very quickly. It's short to begin with, and the verse form makes it fly past. Not only are there fewer words on a page than there might be if it were written in prose, but I found the flow of the prose really pulled me along. The writing is fluid and engrossing. The result being that Crom Cruach can essentially be read in a single sitting—for maximum thrilling effect I recommend reading it overnight in the dark. Even if you don't read it in one go though, the novella's divided into three parts (as well as a short interlude) which offer nice natural breaks.
The verse form also makes for a very affecting tone. Throughout, the writing is evocative and portentous, and complements the horror of the story well. Like many of the best horror stories, Crom Cruach blends supernatural horror with the everyday horrors of (in this case) colonialism, bigotry, religious persecution, fascism, and more. Prose can have a tendency to make the metaphorical renderings of these real social horrors seem especially clumsy. There's a tendency to draw connections too explicitly, resulting in the novel equivalent of a movie monster that is very obviously a person in a rubber suit. Not necessarily a terrible thing, but sometimes a little damaging to the overall experience. Verse, however, excels where metaphor is involved. The structure of the novella makes it feel absolutely uncomfortably natural that
I won't post any details, even behind a spoiler warning—just go read it, it's very short—but the final scene of the novella is especially powerful. Moving, tense, unpleasant, cathartic, the kind of thing that makes you want to jump up and yell and shout at the sky and shake the world by the shoulders! A real triumph of horror writing.
Lastly, while it's not necessary for an enjoyment of or understanding of (much of) the story, I'd recommend pairing Crom Cruach with some general reading. The Crom Cruach Wikipedia page[^1] is some convenient background if you've never heard of the deity before, but I found a study linked there called "The Plain of Blood"[^2] to be especially interesting reading and a lot more in-depth background. I read these, and several other articles on the history of Ireland and the various religious figures mentioned, in-between my two reads of Crom Cruach. As someone without much more than a surface-level understanding of the history here, it really enriched my second read through.
Now go out and read this book!
[^1]: https://en.wikipedia.org/wiki/Crom_Cruach
[^2]: http://www.templeport.ie/magh-slecht-dara-fort/plain-of-blood.pdf
Content Warnings
Graphic: Animal cruelty, Body horror, Hate crime, Torture, Violence, Blood, Religious bigotry, Murder, and Injury/Injury detail
Moderate: Child death, Racism, Transphobia, Vomit, Car accident, Schizophrenia/Psychosis , and Colonisation
It's pretty graphic horror.ab_yards's review
dark
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
Imagine a Dario Argento plot mixed with black metal, which is the closest I can get to relaying what this book is above. A religious/folk/conspiracy/political horror novella with wonderful art that helps build the world of the narrative.
caracabe's review against another edition
dark
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.5
A gripping story generally well-told. The documents collaged in between sections are effective in establishing background and atmosphere. Some superfluous commas. The occasional cliche, which poetry can’t absorb as easily as prose. Worth your time.
hotj1llypepper's review
dark
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
monsterofidaho's review against another edition
challenging
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.5
I can't tell if it was me or the book but I had a hard time getting through about the first third of the book. However, things immediately start running full tilt right after that. Crom Cruach is written in verse, theoretically, but it doesn't really feel like it needs to be -- except there are a couple of cases where Loughcrewe does actually play with form and you realize how powerful verse makes this story. And for sure, calling Crom Cruach a 'distinctly Irish anxiety piece' sums it up pretty well. While it turns out that there really are supernatural forces at play, Crom Cruach is so much more about people and the divisions created in a country that has been systematically oppressed from the start. The last third of the story is where it really gets good and the very last line at the end keeps rattling around my brain.
Content Warnings
Graphic: Animal cruelty, Violence, and Murder
Moderate: Transphobia
Minor: Torture