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shibbie's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
Graphic: Emotional abuse, Mental illness, Misogyny, Sexism, and Violence
Moderate: Bullying and Classism
Minor: Rape and Alcohol
eve_kadou's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Graphic: Emotional abuse, Sexism, and Alcohol
hjb_128's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
Graphic: Misogyny, Sexism, Alcohol, and Classism
Moderate: Bullying and Confinement
saomah5566's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Graphic: Mental illness, Misogyny, Sexism, and Classism
Moderate: Bullying, Confinement, Alcohol, and Classism
Minor: Rape, Sexual violence, and Suicidal thoughts
i_write_on_occasion's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Graphic: Mental illness and Violence
Moderate: Misogyny
Minor: Sexual content and Alcohol
biobeetle's review
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.25
Graphic: Mental illness and Toxic friendship
Moderate: Grief
Minor: Violence and Alcohol
filipa_maia's review against another edition
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
This is a very heavy and dense book but that completely transmits to the reader the utter caos that is going on in the main character's head. His feelings of not want to belong to the society but, at the same time, being alone. He wants to be left alone but wants to be noticed. He wants to be independent from others but wants to be loved.
Confusing!
Brilliant!
Graphic: Misogyny, Sexism, Toxic relationship, Toxic friendship, Alcohol, and Classism
Moderate: Bullying, Emotional abuse, and Abandonment
nikolas_kolinski's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.5
- Notes from the Underground - review
Dostoevskij is certainly a master when he has to express the deep psychological conflicts and hidden ideas of his characters, but this doesn't mean that he is always also a good writer.
And Notes from the Underground is the perfect example of this.
In fact, I agree with most of the ideas Nabokov expressed in his short review of this literary work at the end of the book.
Notes from the Underground is truly a "concentrate of Dostoevskij", that perfectly captures his philosophical and political ideas, his opinions, his literary tendencies and hints to many leitmotifs that will be used in future books (
However, it's easy to say that the book's merits end there: the content is there, but it is too dense and the style doesn't really have any peculiarity or interesting trait, other than being somewhat chaotic and, again, very dense (in typical Dostoevskian style).
The main character is simply horrible (for no particular logical reason), most of his choices don't really make sense and the plot is basically nonexistent (
Furthermore, the book doesn't even pass the test of time: it might have made sense for a Russian citizen who had read it as soon as it was published, but the modern reader can hardly relate to the societal struggles and difficulties shown in the book, which are strongly related to everything that was happening in Russia at the time Dostoevskij wrote and published this literary work.
In the end, even the best writers can fail and, let's not kid ourselves, if anything resembling failure ever flowed from Dostoevskij's pen, this is definitely it: as beautiful or entertaining as one may find it, it is really just a complete mess.
The pleasure of despair. But then, it is in despair that we find the most acute pleasure, especially when we are aware of the hopelessness of the situation...
...everything is a mess in which it is impossible to tell what's what, but that despite this impossibility and deception it still hurts you, and the less you can understand, the more it hurts.
Graphic: Emotional abuse
Moderate: Alcohol
Minor: Rape
poubelleboi's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Minor: Bullying, Misogyny, Alcohol, and Classism
gailbird's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.5
It’s unsettling, and not always because of how bizarre and perverse it is, because there is that too, but because of how eerily familiar it is. There is something about Dostoyevsky’s writing that seems to be able to elucidate things I didn’t know I knew, or felt. Being so lonely that you impose yourself on people you know don’t care enough about you to include you in their lives, but you go anyway and pretend that you aren’t aware of how little you mean to them, just to have someone to talk to. Being at an event with other people and not being able to speak a word, because the longer you let the silence go, the harder it is to insert yourself. Finding someone you relate to unexpectedly, only to realise that you can’t let the intimacy continue because you’ll lose some critical, malignant part of yourself that you have nursed for years. Doing or saying the one thing that you know will hurt them, drive them away, because you know them… because they are you. The underground dweller finds himself in all these situations, seeing his own fraudulence and posturing even while he enacts it, commenting on it sarcastically to himself, and the reader. His self-awareness is even more disheartening because it doesn’t stop him from doing these destructive things, calling into question whether there is the possibility of change or growth at all, or if some things are just inevitable.
It’s a short book (novella actually) but it feels heavy to read, not because of the writing style, but because of the concepts about humanity, society, psychology, and sin. All things common to Dostoyevsky, and what I will be looking forward to more of when I finally read Crime and Punishment.
Minor: Bullying, Sexual content, Alcohol, and Classism