Reviews tagging Sexual harassment

Malibu Rising, by Taylor Jenkins Reid

124 reviews

hannahbailey's review against another edition

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challenging dark emotional mysterious reflective sad tense medium-paced
  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5

TW: alcoholism, abandonment, death (of parent), drug use, cheating, addiction, sexual harassment, divorce, violence, fire, injury, sexism, parentified child, childhood trauma

Oh to be a Riva! On the surface, the four Riva siblings seem to have it all: fame, fortune and each other. But by the end of the night, everything's changed. This is what drew me in, that the whole book was set over the course of one night. The character analysis started off well and I enjoyed the switch between flashbacks and present day as we learned more and more about the Rivas.

I was expecting 80s beach-babe Malibu vibes, but I wasn't expecting this book to approach and handle some heavier topics like death, grief, divorce, betrayal, alcoholism and family issues. Although it is a TJR book, so actually that's on me for not thinking this would pack an emotional punch. I thought these topics were handled well, and the characters struggles felt realistic. I was able to empathise with them despite their sickening level of wealth (rich kids 😔🥲).

The first part was setting up for something massive—secrets revealed and people exposed. I was excited to watch it all unravel over the course of a night. However, what followed was an underwhelming and understated second half. New characters were introduced too frequently to fully care (which I admit is truthful of large parties) and so much more could've been done when a certain character arrived. I was left disappointed and sad. The ending was emotional but not in a cathartic way–although I guess life is often like that. These characters deserved better endings!

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juvonh's review against another edition

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emotional hopeful inspiring fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5


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afion's review against another edition

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2.75


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katekatiekait's review

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emotional hopeful reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5


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guivx5's review against another edition

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emotional reflective tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.25



I find interesting that every Jenkins book I've read so far differs quite a bit in their formats. "The Seven Husbands of Evelyn Hugo" bases itself in an interview recording scenario; "Daisy Jones & The Six" is centered around an actual interview transcript. "Malibu Rising", on the other hand, is centered around what happens when the cameras are turned off. 

The book is divided in two very defined parts, a very bold move. It was, together with her cutting-edge writing style, risky: if the story was not well supported, it would fall upon itself. But it didn't, because it is a hell of a story. Maybe missing some bits here and there, but very consistent. The consistency between her books is a prime indicator of the care and passion put in these stories. You can feel, with every line, Jenkin's efforts to honor these characters. 

About the inconsistencies, they're truly not the biggest deal. Not even that big of a deal.
Spoiler I personally feel she should've developed more on all siblings other than Nina. Of course, Nina is the center, but Jay's disease plot felt a bit... flat, the treatment it got in the storyline didn't match it's importance. And the same goes for Kit's sexuality (that got a mere two pages worth of development) and Hud's relationship with Ashley (This is the one lacking the most. Jay's beef with Hud for their relationship is so <i>dull</i>, so unexplained. Jenkins has a very straightforward writing style: she tells you what is going on, what that means and how the characters involved feel. If she simply addressed the sexist and idiotic nature of this conflict, it would be enough. But she chose to use it as a narrative point for forgiveness). But, after all, this is a story about an absent father, so I feel like she could've also left these side plots out of the story.


The book's two parts are very different, with the first one focusing on the past and the second one truly devoting itself to express the wild nature of an out-of-control party. Again, risky. But I like it.
Spoiler Although I felt like a couple of side stories in the second half of the book were kinda useless.
In the end, the story handles well pretty much every aspect it proposes to elaborate on: parenting, abandonment, sexist men and their never-ending urge to fuck everything up... The list goes on, for the nuances Jenkins shows in her stories are many. I surely didn't expect it would be such a good reading experience, and I'm proud to announce that Taylor Jenkins still is one of my favorite authors of all time!

The most heartbreaking thing for Jenkins's fans after reading "Malibu Rising" is realizing that Mick Riva appeared in almost every recent book of hers. He was everywhere, but never where he was needed: with his children.

...

I swear to God, this woman puts crack between the lines of her books.

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nickdebucci's review against another edition

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emotional reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.75

men are terrible lol.
i most enjoyed the plots concerning the core four siblings and, later, their plus-one. you'd think they be the majority of the plot, but there are a lot of subplots that have little-to-no bearing on the main storyline, and i understand wanting to make this gigantic party with all these interesting people feel more alive, but after a while i stopped caring and just wanted to skip to the Rivas. it was overall pretty good though
book cover discussion: the British one is so much better than that of the United States, like the pretty sunset/fire (👀) colors, the serif font. unfortunately it doesn't carry over perfectly to the square aspect ratio for the audiobook.

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elizabeth_lepore's review

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emotional hopeful reflective fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5


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emlo's review

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sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0

I didn't really enjoy reading this book. It's well written and the characters are all good in their own way but I just found it a bit depressing. I enjoyed the first half of the book with the flashbacks to June and Mick's early relationship. The second part of the book was a party that seemed like watching a car crash in slow motion. 

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lotus440's review

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adventurous challenging dark emotional hopeful inspiring reflective sad fast-paced

4.75


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writingcaia's review against another edition

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adventurous emotional mysterious medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

4.75

I’m finding that all Reid’s latest books are true masterpieces, the perfect example of the craftsmanship of a writer. Her characters are so alive, her narrative and plot becomes a living thing, so much so that in every book I keep feeling that what she’s telling actually happened, that it is a true story, and with this one, like with Daisy and Evelyn, the same happened.
I loved this tale of the Rivas, these four Malibu born siblings with surf, sand and love in their hearts, their beautiful relationship with each other, their care and protectiveness, but also how each of them was impacted by the trauma of abandonment and how that reflects in their current lives. 
The narrative takes place in only a day, 24h, in the present, where Nina, the eldest, a model who has just been cheated on and left by her husband, is preparing to host the Riva’s anual party event at her mansion in Malibu, but while we see each hour go by we are brought back to the past, to their parents relationship, to their father’s fame, to their abandonment and poverty, and to the sad fact that Nina ends up carrying so much of the family’s responsibilities on her shoulders.
I know some people felt that there were too many POV, not only did that not bother me at all, I actually felt it was quite impressive that we could glimpse so much of what was happening through those many eyes, and I was also amazed by the ability of the author to create such different characters, with such specific characteristics, backgrounds and idiosyncrasies,some of them in only one or two chapters. It made the tale come alive and, again, feel so freaking real.
I also really loved that Portugal was mentioned a couple of times 😉
It didn’t supplant my fave, Daisy Jones & The Six, but I got the same connection to the characters that I did on that one.

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