snowiceblackfruit77's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Graphic: Pedophilia, Bullying, Toxic relationship, Emotional abuse, Mental illness, and Child abuse
akira_outofthegravity's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Jane Eyre is the knockout star. I loved reading about her. I kind of wish I was born before it was published, so I could read it when it came out. It feels like a story that would have caused major scandal. Maybe it changed the traverse of a young woman’s life.
It drags a little at around page 300, but I enjoyed every second. Jane is such a pleasure. I loved reading about her and I loved that even in spite of her hardships she was kind, and kept true to herself. She did not let anyone dampen her flame, and I think that’s beautiful. She’s the classic strong heroine and her story was so satisfying.
Not a 5 star read for me (casual racism, antisemitism, and ableism) but a read that I found to be very wholesome and interesting. It’s absolutely worth it, I will be thinking about Jane for a while to come.
Graphic: Emotional abuse, Confinement, Adult/minor relationship, and Mental illness
Moderate: Bullying, Fire/Fire injury, Injury/injury detail, Forced institutionalization, and Child death
Minor: Suicide and Misogyny
contrapasso's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
Graphic: Ableism and Emotional abuse
Moderate: Physical abuse
recycled_personalities's review against another edition
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.25
Graphic: Confinement, Grief, Incest, Toxic relationship, Kidnapping, Pedophilia, Classism, Death, Religious bigotry, Death of parent, Physical abuse, Sexism, Emotional abuse, Abandonment, Bullying, Child abuse, Medical content, Medical trauma, Misogyny, Fire/Fire injury, and Mental illness
Spoiler
Basically Jane gets in a relationship, and engaged to be wed, with a man that’s 20+ years older than her when she is 18, leaves him for like 10 months after having found out that he had another wife literally locked in his attic, and then at the end of the book she comes back to him when she’s 19. And the ending portrays it as a happily ever after. Yeah, not my vibe.naomi_k's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Graphic: Mental illness, Classism, Death, Schizophrenia/Psychosis , Self harm, Toxic relationship, Child abuse, Child death, Gaslighting, Injury/injury detail, Chronic illness, Confinement, Domestic abuse, Emotional abuse, Physical abuse, and Suicide
Moderate: Misogyny, Adult/minor relationship, Fire/Fire injury, Infidelity, and Racism
Minor: Gore, Death of parent, Cursing, Medical content, and Blood
hanna's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Graphic: Child abuse and Emotional abuse
Moderate: Classism, Misogyny, and Mental illness
Minor: Fire/Fire injury and Death of parent
flowergirlannaaaaaaa's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.0
Spoiler
Bertha Mason, one of the characters, is handled. She is written off as unfeminine, insane, and disgusting, and is frequently juxtaposed to Jane. It seems as though Bertha's exclusive purpose within the story was to be a plot device: her agency is only relevant when it comes to developing Jane and Rochester's toxic romance. If Bronte wanted to write a trendsetting feminist novel, she should have done so by not weaponizing lack of femininity and mental illness as a means of degrading any woman close to Rochester other than her beloved protagonist. Bertha was his lawful wife, but Rochester decided she was 'too Black' and 'too unfeminine,' to be around, so he locked her in his attic and was confused when she began acting genuinely erratic and hostile. Bronte portrays her repeatedly as a monster rather than as a person. It was painfully obvious reading that book that those who hail it as iconic and inclusive refuse to acknowledge the flaws in the "happy ending." As a segway into that, Jane is seen to have no flaws throughout the book, other than her lack of ability to exit a toxic relationship, which isn't at all portrayed as a flaw in the text. On the contrary, Bronte treats Jane's return to Rochester as a 'deeply sympathetic act.' This only further promotes the widespread mentality of the time that women must give up and devote their lives to men 'out of the kindness of their hearts,' regardless of how much abuse they endured. He tried to trick her into committing bigotry when she did not consent. He held his past suicidal thoughts over her head to justify how he locked Bertha in his attic for decades (and our 'feminist' protagonist took no issue with the notion of locking 'unfeminine' women in attics). He threatened Jane. He intentionally flirted with other women just to make her jealous. And yet she still went back to him. Why? 'Because of true love?' That is not feminist by any stretch, it's just a bad romance novel. Jane also is never seen struggling to cope with her trauma or lashing out, because 'God forbid an accurate portrayal of mental illness, or just God forbid a woman being mentally ill. God forbid having a protagonist like Bertha.' The "happy ending" is a mary sue protagonist being put on a mantle with a horrible husband, and it sure as hell isn't happy for Bertha, who commits suicide towards the end of the book. And look, maybe Jane didn't know that Bertha was dead when she went back to Rochester, since the suicide happened beforehand. But Charlotte Bronte sure as hell did. She made the conscious choice to have Jane and Rochester be wed immediately after Bertha Mason kills herself. It leaves an incredibly bitter taste in my mouth to know that the female character most fucked over by the patriarchy, Bertha, was only treated as an obstacle so the male and female lead's relationship wouldn't be 'too easy.' I listened to someone suggest once that she 'killed herself so Jane and Rochester could be together' and wanted to vomit.Spoiler
is unafraid to portray Rochester's manipulative, controlling disposition from a lens that isn't rose-tinted. Bertha Mason is the main character, and it's the (different) author's take on how she came to marry Rochester, be abused by him, and go insane.All in all, I found this a highly boring and uninteresting read. Once again, the prose itself was gorgeous, but that's all I can say in its favor. I wouldn't hate this book so much if it weren't for the reputation and reception it tends to have. I had to read this for a feminist literature curriculum and was embarrassed by how terrible the feminist themes were executed. It made me sick to read what felt more like a blatant attack on feminism. Yes, it was original for its time, but that's where it ends. Stop teaching that this book is the pinnacle of feminist literature, old or new.
Spoiler
Teach about the history behind neurodivergent, 'unfeminine,' 'unruly,' and colored women (people in general, but especially women) being shoved into asylums that equated to torture facilities because they didn't fit the mold.3/5 from me exclusively on the basis of significance and prose.
Moderate: Ableism, Domestic abuse, Emotional abuse, Gaslighting, Infidelity, Racism, Suicidal thoughts, Suicide, and Toxic relationship
hot_water's review against another edition
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Graphic: Abandonment, Toxic relationship, and Emotional abuse
Moderate: Body horror, Death, and Death of parent
amarj33t_5ingh's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
5.0
Jane Eyre exhibits a disconcerting reality of the Victorian era from a feminine perspective. Hemmed in by society, orphaned and thrust to the ravages of fate but still retaining her Christian virtue and fighting for her beliefs Jane traverses a world opposed to everything she stands for.
But Jane is an epitome of religious virtue and refuses to despair ultimately traversing against all odds.
Overall, Bronte's narrative is labyrinthine. But it is also radical in how it conveys a sense of progression to the reader by the second half of the novel which reads like a Victorian thriller. With the hint of the supernatural to it, Jane Eyre is as tantalizing today as it was when it first fell upon Bronte's unsuspecting England.
Graphic: Death of parent, Domestic abuse, Emotional abuse, Panic attacks/disorders, Physical abuse, Self harm, Stalking, Torture, Abandonment, Chronic illness, Death, Grief, Mental illness, Murder, Ableism, Alcohol, Bullying, Child abuse, Classism, Toxic relationship, and Violence
bookish_readings's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
5.0
Graphic: Child abuse, Domestic abuse, Bullying, Child death, Confinement, Emotional abuse, Physical abuse, and Fire/Fire injury
Moderate: Mental illness, Infidelity, Misogyny, and Toxic relationship