Reviews with content warning for Emotional abuse - The Unspoken Name

Reviews tagging 'Emotional abuse'

The Unspoken Name by A.K. Larkwood

9 reviews

talonsontypewriters's review against another edition

adventurous dark medium-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? No
Diverse cast of characters? It's complicated
Flaws of characters a main focus? It's complicated

2.0

I had to start this over from the beginning about halfway in because I realized I hadn't understood anything that had happened in the previous 5 chapters, but even paying closer attention, this is a difficult novel to follow. Despite how much is happening, it also turned out to be quite underwhelming -- even boring -- for me.

The prose itself is fine, doesn't stand out as uniquely good or bad. There's a little too much telling over showing, though, particularly when it comes to characters' feelings and opinions -- and yet too little information when it comes to general exposition. This world has a lot of cool, complex elements to it -- seemingly traditional Tolkien/D&D-inspired cultures, some sci-fi elements, various systems of magic and religion -- but little work is put into earnestly fleshing them out or truly explaining them. I think some writers hear people complain about exposition dumps and just assume all consolidated blocks of exposition are unwanted, so never actually bother to list out how their world works, which I assume to be happening here.

The magic/religious aspects are probably the only things described in detail, and even then I don't think I understand the basics of the magic. Incorporating traveling between worlds could also be interesting, but the mechanics and terminology are vague; I was never able to figure out how the gates/Maze work, or even whether the "worlds" are meant to be on different planets in some solar system/universe, or even in different parallel timelines, or just locations within the same planet you can... warp to, or something to that effect? Weirdly, the one thing that this world does have in common with ours are other animals, which I feel like is another area of missed potential, though I might just be too into fantasy biology/ecology.

The different groups (unclear, again, whether they should be treated as nationalities, ethnicities, or entire species) are probably meant to be classic fantasy species -- I say "probably" because the most done to establish this is mentioning characteristics like tusks and ear types. Only a handful of descriptions even hint at values, traditions, cuisine, and so on that exist within these cultures, let alone differ between them. I assume from character names that the Qarsazhi use the name order of last followed by first and the Oshaaru don't use surnames, but this seems to not ever be directly stated at all, so it ends up just feeling like random flavor. Having some worldbuilding elements be there just to be there/"for fun" would be fine... if there were enough other well-developed descriptions to back them up. It feels almost as if Larkwood wanted to subvert overdone sword and sorcery tropes (villainous orcs vs heroic humans and elves, for instance), but then also figured the standard reader would fill in the blanks.

I picked "a mix" for whether this is plot-/character-driven, but somehow it doesn't actually feel like it's either? There's kind of a central plot, but it's pursued in a series of weirdly paced (alternately meandering and breakneck, neither with much real sense of urgency or risk) mini-quests. Most characters don't have much agency or personality of their own, carried along by the needs of either the current or overarching plot or other, equally flat characters. A lot of important development, like Csorwe's training and changing relationships with Sethennai and Tal, happens almost completely off-page.

The character voices are not very distinct either, which especially stands out in this setting, with everyone coming from completely different social classes, locations, languages, general upbringings and worldviews, etc -- surely there could have been at least a little more variation with regards to, say, senses of humor and sentence structure. Instead, multiple times, a POV would switch and I would have lost track of who was narrating within four paragraphs.

I did think the themes of personal and systematic exploitation and manipulation were interesting, and if the characters had been stronger, Csorwe's sort of "cycle" where she does for someone else what Sethennai did for her would have been super satisfying. The main romance, as well as some other dynamics, also could have been compelling, but its development is a bit too fast and, again, the individual characters felt shallowly written.

Had so much potential, but unfortunately my expectations were far from met.

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sofipitch's review against another edition

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adventurous medium-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

4.75

I ended up liking this a lot more than I thought I would given it is "high fantasy" (which I normally don't like). But I think that is because of how much it challenges high fantasy conventions. My favorite being instead of a good benevolent wizard (Merlin/Gandalf/Dumbledore) saving and training the young hero, what if they only had their own goals in mind, what if they were only investing in a weapon for later? What if being saved from a cult only meant you were willing to put up with shit bc at least it's better than the alternative? (I could chew on the Sethanai and Csorwe relationship dynamic forever, it's so good). Also instead of the "dying for a noble cause" BS it challenges the idea bc how can you be <I>sure</I> it's a noble cause? How do you know you weren't groomed into thinking this way so you can be used and discarded *cough cough every military ever cough*. I could go on and on. This book pisses on the "importance of the magic quest" as a story format. Another thing I liked is the world building is only given as it is relevant instead of hitting you with a firehose of facts no one will remember. So yeah, high fantasy that challenges everything I don't like about high fantasy. Also on top of a good story with interesting themes I found myself genuinely invested in the characters in a way I didn't think I would be. I normally put on audiobooks to fall asleep but this one kept me up wondering what would happen to Csorwe and Shuthmili

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strwpup's review against another edition

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adventurous emotional funny medium-paced

Plot- or character-driven? Character
Strong character development? It's complicated
Loveable characters? Yes
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

5.0

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starccato's review against another edition

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adventurous challenging dark emotional funny hopeful mysterious reflective sad tense slow-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? Yes
Diverse cast of characters? It's complicated
Flaws of characters a main focus? Yes

4.25

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bluejayreads's review against another edition

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4.75

There seems to be a theme lately of me picking up long books with low expectations and actually enjoying them a lot. I was intrigued by the protagonist raised to be a human sacrifice and then deciding not to die, but that back cover didn't seem like it would be worth a whole 18 hours of audiobook.

In a way, I was right. The entire plot on the back cover is done 65 minutes into the book - I actually looked at the timestamp because I couldn't believe it was so fast. The beginning skims though Csorwe's time at the temple of the Unspoken one, blazes though her choice, and covers two years in a matter of minutes (literally 2% of the book, I checked the timestamp). It was moving too fast for me to really care about much that was going on, interesting ideas be damned, and the only reason I didn't stop there was because I didn't want to get in trouble if I got caught having my phone out long enough to queue up another book.

But by the time I went on break and could have dropped this book and started a new one, I didn't want to. Nearly an hour and a half in, the meat of the story finally started.

This is the book I switched out with The Body Keeps the Score (since I could only read that one two hours at a time and I needed something to fill the other six hours of a workday), and alternating the two makes for a heck of a reading experience. It's never explicitly mentioned and I don't even know if the author intended it, but Csorwe displays so many characteristics of an abused child. And none of the abuse is physical. Growing up as a destined sacrifice, it was lack of caring and connection and being told since she was old enough to understand that it was her duty to die and that's what all the adults in her life wanted for her. After her escape, it was psychological and emotional (unless you count putting her in dangerous situations as physical abuse) from Belthandros Sethennai, the wizard who rescued her and who hits 8 of the 9 diagnostic criteria for Narcissistic Personality Disorder. And she genuinely loves him because she believes him convincing her not to become a human sacrifice means she owes him her life.

For something that seems like it should be a rollicking fantasy adventure and has so many wizard duels, creepy cultists, and fantasy settings, it is surprisingly character-driven. In fact, it is almost entirely character-driven. The only thing that could really be called a plot is that Belthandros wants a phylactery and uses Csorwe as one of his tools to get it. That doesn't really sound like enough to fill 18 hours, but it's also full of dead worlds, ancient crypts, snake goddesses, prison fortresses, reluctant allies, and a very sweet romance between Csorwe and an adorable research nerd in a similar situation to Csorwe before she met Belthandros. It was quite enough to keep me interested and engaged.

I have a ton of things I want to say, but considering that the entire back cover plot wraps up 5% of the way through the book, saying much more is probably a spoiler. The beginning was very rough, but after that I enjoyed it thoroughly. I didn't know there was a sequel going in, and I don't even know what it's going to be about, but I love Csorwe, I enjoy her love interest, I thoroughly enjoy exploring all the weird and wonderful and eerie places that exist in this world, and I bet I will enjoy book two.

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