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jacss's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
4.0
Although it was easy to hop back into the story, intriguing as it is, the writing needed some getting used to again. For some reason my brain wants to skip passages when quotation marks are left out. So that took some discipline.
The story itself is a dystopian war that unfolds slowly in Ireland and follows a normal family. Starting off with "that is impossible, they wouldn't let they happen would they?" and finishing with absolute horrors. I had to put the book down near the end, but picking it back up is worth it.
Graphic: Blood and War
Moderate: Murder
jesstaurant's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.75
Graphic: Child death, Death, Torture, Violence, Blood, Murder, and War
nialiversuch's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
Graphic: Confinement, Grief, Abandonment, and War
Moderate: Child death, Cursing, Death, Gun violence, Violence, Blood, Police brutality, Medical content, Dementia, and Injury/Injury detail
Minor: Eating disorder and Vomit
edward_eb's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Moderate: Child abuse, Child death, Confinement, Cursing, Death, Torture, Police brutality, Dementia, and War
Minor: Gun violence, Suicidal thoughts, Violence, Blood, Trafficking, Grief, Medical trauma, Death of parent, and Murder
l1ndz7's review against another edition
5.0
Normally, a book with huge paragraphs and no quotation marks would have been a DNF immediately (sorry not sorry Sally Rooney) but the writing was so poetic and urgent, I couldn’t stop reading. Yes, this took me months to read but it shook me and I had to put it down and read something else at times because it was so intense.
I listened to an interview of Paul Lynch shortly after writing this and watching that solidified Paul as an auto-buy author. He said that the writing structure was intentional and was meant to keep you in the moment and not just sympathize but empathize with Eilish. He also said that this novel explores the complexity of situations like this and make you realize how hard it is to leave everything you know. Once you read this, you will no longer say when asked questions like, “would you have left immediately when the Holocaust happened?” that you would. It’s never as easy it seems trying to escape something that you’re blind to and have very little knowledge about. Paul intended this novel to “decondition” us and I think he did so brilliantly. In addition, it also explores the problem with denial and how it’s useful to have until it’s not and if you deny long enough it ends up making everything worse.
What a fantastic novel. Well done, Paul Lynch 👏🏼👏🏼👏🏼👏🏼👏🏼
Graphic: Death, Violence, Grief, Murder, Dysphoria, and War
Moderate: Child death, Genocide, Blood, Police brutality, Dementia, and Injury/Injury detail
jayhall's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.0
...the song of the prophets is but the same song sung across time, the coming of the sword, the world devoured by fire, the sun gone down into the earth at noon and the world cast in darkness, the fury of some god incarnate in the mouth of the prophet raging at the wickedness that will be cast out of sight, and the prophet sings not of the end of the world but of what has been done and what will be done and what is being done to some but not others, that the world is always ending over and over again in one place but not another and that the end of the world is always a local event, it comes comes to your country and visits your town and knocks on the door of your house and becomes to others but some distant warning, a brief report on the news, an echo of events that has passed into folklore...
A masterful and meaningful story that encapsulates the feelings of futility and desperation present in the plights of refugees and migrants the world over, but does so in a way that touches very close to home for Western readers, making the news stories feel as though they could be the life story of a neighbour or colleague, at least to this reader.
The only reason this isn't a 5 for me is the writing style. Lynch foregoes the use of paragraph breaks and punctuation, cultivating rambling, stream-of-consciousness sentences as Eilish jumps from thought to thought. While this effectively conveys the panic and claustrophobia of the narrator to the reader, it made this story slower paced than a feel it could have been, as I often had to re-read and go back to understand what was actually said. I would have preferred something similar that moved the reader along quicker, to really hammer home the panic.
While several plot points were left unresolved,
Overall, an incredible and important novel, fully deserving of the accolades that have come in Paul Lynch's direction!
Graphic: Child death, Death, Torture, Police brutality, and Murder
Moderate: Confinement, Genocide, Blood, Gaslighting, and Abandonment
cibani's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? N/A
5.0
Minor: Animal death, Bullying, Child death, Confinement, Death, Violence, Forced institutionalization, Blood, Police brutality, Dementia, Murder, Gaslighting, and War
rheagoveas's review against another edition
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
5.0
Graphic: Child death, Violence, Blood, Police brutality, and War
steveatwaywords's review against another edition
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
To begin, I too, was off-put by the novel's style, at first: massive single-paragraph blocks with dialogue mashed in, the craftings of image or moment buried in unlooked-for details somewhere inside them. What was Lynch thinking? Shouldn't this be a gripping story of terror as a family falls victim to a growing autocracy and war?
Yes, it is. Claustrophobic, even suffocating, experiences a monumental blur, every event of life piled on top of another demanding our attention with equal fervor, who are we to understand and sort it out? This sense of overwhelm, as so many of us experienced during the politics of the pandemic, is tripled here. In brief, this is as much a reading experience as it is a literary novel of plot and theme.
Little need to detail the events of this woman whose men (father, husband, sons) are swept away by various circumstances to places dark and uncertain. Desperately she accepts her role of holding her family together, and at some point (you decide when but we will all disagree) her noble strength becomes ignorant folly. As the country and family slip apart, as the four children each suffer their trauma in unique ways, as tightly as the narrative camera focuses in on her, we see how easily--how anonymously--she might become a statistic of war, her story lost, disappeared.
And this growing tension is absolutely relentless. We might argue how many choices were actually available, about what sacrifices would "reasonably" be made when all is unreasonable. We might even argue responsibility for the suffering. But we will agree: the events are entirely too plausible, too hyperreal, too close to our fears and too (f)actual for communities who do suffer (and against whom we build walls).
Build what you want. Lynch takes these walls apart, and some of us will still not believe.
Graphic: Child death, Death, Hate crime, Torture, Violence, Blood, Police brutality, Medical content, Grief, War, and Injury/Injury detail
Moderate: Dementia
adamtjeerdsma's review against another edition
- Plot- or character-driven? Plot
- Loveable characters? It's complicated
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Child death, Death, Gun violence, Violence, Blood, Police brutality, Murder, War, and Injury/Injury detail