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kloughlin's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.0
Graphic: Suicide and Murder
Moderate: Infidelity and Blood
Minor: Animal death
jennifersmind's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.75
Moderate: Infidelity, Suicidal thoughts, Suicide, and Religious bigotry
Minor: Animal death
adelita18's review against another edition
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.75
- Although this is ostensibly a Poirot story, there are multiple chapters in which he does not appear in the middle of the book - you just follow Edward Catchpool and his bumbling investigation away from Poirot.
- The general plot itself was intriguing and had the flavor of an Agatha Christie mystery at the outset. Then about a third of the way through the book, it seemed like the options for resolution became unwieldy and got out of hand for Ms. Hannah. The plot really slowed down and became convoluted. By the time I got to the denouement, I felt overwhelmed by the presentation of the evidence. I kept wondering "Is this over yet?"
- There were too many minor witnesses and junk evidence they brought in to the story. Not only did it unnecessarily muddy the waters, it led to a very unsatisfying epilogue to resolve why that was junk evidence.
- Catchpool is a hard character to walk with through the story. He has a very difficult personality - self-critical, snippy, easily manipulated, jealous, and whiny. It is no wonder why Ms. Hannah wrote Poirot as barky toward Catchpool throughout the story. I mentally shouted at him myself.
That being said - I did enjoy the narration by Julian Rhind-Tutt. Honestly, that's the reason I stuck with the audiobook - I found his vocal acting very engaging. His Poirot sounded a lot like David Suchet and I loved that.
Graphic: Suicide and Murder
Moderate: Infidelity
norwegianforestreader's review against another edition
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Graphic: Alcoholism, Animal death, Death, Infidelity, Suicide, Violence, Blood, Grief, Murder, and Alcohol
questingnotcoasting's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.0
The plot felt very convoluted and it was the type of mystery where as a reader you aren't really given enough clues to formulate any of your own theories. I also prefer a mystery where there's a clear circle of suspects to consider but that wasn't the case here.
Another flaw for me was Catchpool, Poirot's bumbling detective sidekick, who seemed so clueless that it just became a little irritating. I imagine Hannah intended him to play the Hastings role but I didn't find it that effective.
I don't think I'll be going out of my way to read the rest of Hannah's Poirot stories but I still have about 40 of Christie's books to read anyway.
Graphic: Death, Suicide, and Murder
Moderate: Infidelity
readerette's review against another edition
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
Christie has a flair for the dramatic but I think is story went just a tad overboard.
She also often has a standout or surprising character involved in the crime and none of these characters really surprised me. The character development was typical of a Christie mystery but lacked a bit of punch.
Moderate: Death, Infidelity, Suicidal thoughts, and Murder
Minor: Animal death, Violence, and Blood
iffygeneia's review against another edition
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.25
Hannah's novel, and her version of Poirot, lacks all of the subtlety Christie had. Christie's novels generally have very clear and straightforward motives, making for a big 'aha'-moment as everything clicks into place during the big reveal.
Hannah's Poirot has all of his peculiarities enhanced up to 11, making him unlikeable at times. He lacks the magnanimous gallantry of Christie's version.
Detective Catchpool, the main character, is a likeable if somewhat generic detective. None of the other characters really became clear to me, partly because of the convoluted plot.
All that said, I did like it. It had the feel of a good Midsomer Murders episode, which I liked. It just didn't quite work as a Poirot novel.
Graphic: Suicide
Moderate: Death, Gore, Infidelity, Suicidal thoughts, Blood, Grief, Murder, and Toxic friendship
Minor: Animal cruelty, Animal death, and Alcohol