Scan barcode
chococheesecake's review against another edition
dark
emotional
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.75
I thought it would go the route of two boys who are family, fighting for the girl trope. I was pleasantly surprised by the ending. It subverted my expectations. The writing style is ok.I loved that the book addressed the main character's people pleasing flaw. I hated the whole Prosper family, not a single one of them was redeemable to me except for maybe Ivo. I'm glad Mae left and learnd to be indepenent as that was what I wanted from her from the very beginning of the book. Alasdair should be kicked back into the ocean.
Content Warnings
Graphic: Bullying, Domestic abuse, Emotional abuse, Misogyny, Sexism, Slavery, Torture, Grief, Abandonment, Sexual harassment, Colonisation, and Classism
Moderate: Child abuse, Death, Physical abuse, Self harm, Toxic relationship, Murder, Gaslighting, and Toxic friendship
Minor: Cursing, Death of parent, Fire/Fire injury, Injury/Injury detail, and Deportation
beforeviolets's review against another edition
dark
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
Thank you so much to Wednesday Books for sending me a copy in exchange for an honest review!
TW: blood, blood magic, sexual harassment, sexual assault (brief, though sudden), sacrifice, gun violence, violence, death, fire, murder, self harm (for magic), magic performed on others without consent (helpful and harmful), slavery, torture, mind control, misogyny (externalized and internalized), outing, slut shaming, toxic relationship, suicide (offscreen, past, brief), substance addiction (mention), alcohol, underage drinking (brief), alcoholism (mention), vomit (mention) death of father (offscreen, past), death of mother (past, childbirth, mention), fatphobic description
This work as a whole was an interesting and entertaining fantasy story. The setting was unique, the plot twists were interesting, and as a whole it was an easy read. However, my negative thoughts outweighed my enjoyment of reading this work.
As a retelling, this book just really isn't one. I can see the connections to the Tempest (especially with some of the names) but with the way that this book veers so drastically from the original text, those connections mostly hold the story back or make it confusing (such as the fact that in the Tempest, Miranda is Prospero's daughter but in this book, her counterpart's love interests - yes, INTERESTS, and not in a polyamorous way but in a poorly written love triangle way - are his grandchildren which creates some odd circumstance of indirect incest). The names should have just been changed more and it could have just been comped as "the Tempest meets Great Gatsby" in terms of vibes instead of material.
As a fantasy story, I also think this book fails. The first person POV detracts from the story, especially since a large element is the atmosphere. It felt as though it limited the author from being able to use descriptions and atmospheric choices to the fullest. The pacing is all over the place from the very beginning of the book, making it hard to grasp onto a narrative rhythm. This book takes place over the course of a day and needed a more steady pace to make that feel like a compelling choice. There was literally a part where the characters spent THIRTY PAGES walking to lunch, yet all the climactic scenes happened so swiftly and abruptly that I barely was able to process them. Things are just introduced and then the story just moves along too swiftly, so there's no room for twists or speculation or tension.
I also felt really icky about the way this book approached the MC's character arc and development. It seemed to be revolved around the idea of the MC learning to stand up for herself or to not be so passive in her life. But a lot of the specific language around this was worded in such a way that it seemed that it was on her to learn to "not let things just happen to her/not let people take advantage of her," which I didn't like. She has literally never interacted with a single person outside of this family that manipulates and belittles and abuses her, and yet the narrative tone tells us that she is essentially failing as a person by fawning and not standing up for her self? As if she hasn't essentially been emotionally beaten into passive and silent behavior to keep herself safe? It felt very much like victim-blaming to me.
I also just felt utterly disgusted by the fact that EVERY single man in this story had to make at LEAST a pass on the MC, and at most literally sexually assault her. Her love interests were still awful and emotionally manipulative and kind of violent, yet because they weren't literally trying to SA her, they were considered good? Why is the bar this low?
And last but not least, there was ONE queer character and it seemed as though her queerness only existed so that she could be outed as a plot point. Was not a fan.
TW: blood, blood magic, sexual harassment, sexual assault (brief, though sudden), sacrifice, gun violence, violence, death, fire, murder, self harm (for magic), magic performed on others without consent (helpful and harmful), slavery, torture, mind control, misogyny (externalized and internalized), outing, slut shaming, toxic relationship, suicide (offscreen, past, brief), substance addiction (mention), alcohol, underage drinking (brief), alcoholism (mention), vomit (mention) death of father (offscreen, past), death of mother (past, childbirth, mention), fatphobic description
This work as a whole was an interesting and entertaining fantasy story. The setting was unique, the plot twists were interesting, and as a whole it was an easy read. However, my negative thoughts outweighed my enjoyment of reading this work.
As a retelling, this book just really isn't one. I can see the connections to the Tempest (especially with some of the names) but with the way that this book veers so drastically from the original text, those connections mostly hold the story back or make it confusing (such as the fact that in the Tempest, Miranda is Prospero's daughter but in this book, her counterpart's love interests - yes, INTERESTS, and not in a polyamorous way but in a poorly written love triangle way - are his grandchildren which creates some odd circumstance of indirect incest). The names should have just been changed more and it could have just been comped as "the Tempest meets Great Gatsby" in terms of vibes instead of material.
As a fantasy story, I also think this book fails. The first person POV detracts from the story, especially since a large element is the atmosphere. It felt as though it limited the author from being able to use descriptions and atmospheric choices to the fullest. The pacing is all over the place from the very beginning of the book, making it hard to grasp onto a narrative rhythm. This book takes place over the course of a day and needed a more steady pace to make that feel like a compelling choice. There was literally a part where the characters spent THIRTY PAGES walking to lunch, yet all the climactic scenes happened so swiftly and abruptly that I barely was able to process them. Things are just introduced and then the story just moves along too swiftly, so there's no room for twists or speculation or tension.
I also felt really icky about the way this book approached the MC's character arc and development. It seemed to be revolved around the idea of the MC learning to stand up for herself or to not be so passive in her life. But a lot of the specific language around this was worded in such a way that it seemed that it was on her to learn to "not let things just happen to her/not let people take advantage of her," which I didn't like. She has literally never interacted with a single person outside of this family that manipulates and belittles and abuses her, and yet the narrative tone tells us that she is essentially failing as a person by fawning and not standing up for her self? As if she hasn't essentially been emotionally beaten into passive and silent behavior to keep herself safe? It felt very much like victim-blaming to me.
I also just felt utterly disgusted by the fact that EVERY single man in this story had to make at LEAST a pass on the MC, and at most literally sexually assault her. Her love interests were still awful and emotionally manipulative and kind of violent, yet because they weren't literally trying to SA her, they were considered good? Why is the bar this low?
And last but not least, there was ONE queer character and it seemed as though her queerness only existed so that she could be outed as a plot point. Was not a fan.
Content Warnings
Graphic: Misogyny, Slavery, Torture, Violence, and Blood
Moderate: Death, Gun violence, Sexual assault, Toxic relationship, Death of parent, Murder, Fire/Fire injury, Outing, and Sexual harassment
Minor: Addiction, Alcoholism, Fatphobia, Self harm, Suicidal thoughts, Suicide, Vomit, Suicide attempt, and Alcohol
girlonbooks's review against another edition
dark
emotional
mysterious
sad
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
I was given a free Advanced Reader Copy of Bright Ruined Things by the publisher via Netgalley in exchange for an honest review.
🎆🎆🎆🎆 Four Stars (as rated in the fireworks at midnight)
On an island where the magical family Prosper rules supreme, “mousy” Mae is regarded as an outcast and even a nuisance. Known for her meek and eagerly obliging nature, all Mae has ever truly wanted is to be accepted by the family she depends on and to learn the magical skills for which they’re known the world over. On the eve of the summer solstice, Mae stumbles on something that could very well be her ticket into the world that’s always shut her out. With her days on the island numbered and her options limited, Mae is determined to finally take what she’s always wanted. But this magic comes with a price that Mae isn’t exactly in a position to pay. At least, not without a little help…
🎆🎆🎆🎆 Four Stars (as rated in the fireworks at midnight)
On an island where the magical family Prosper rules supreme, “mousy” Mae is regarded as an outcast and even a nuisance. Known for her meek and eagerly obliging nature, all Mae has ever truly wanted is to be accepted by the family she depends on and to learn the magical skills for which they’re known the world over. On the eve of the summer solstice, Mae stumbles on something that could very well be her ticket into the world that’s always shut her out. With her days on the island numbered and her options limited, Mae is determined to finally take what she’s always wanted. But this magic comes with a price that Mae isn’t exactly in a position to pay. At least, not without a little help…
“I had finally realized how little I could wring from the Prospers by trying to please them. If I wanted more, I would have to take it.”
Real Talk: Shakespeare’s The Tempest is just not that great of a story. The thing drags, the characters are tiresome and forgettable and I always leave it wondering what the actual point of it was. Understandably, I went into Bright Ruined Things (being a retelling of the former) with very low expectations. Its predecessor just doesn’t have that much for one to work with. So you can imagine my utter delight at what this turned out to be. Cohoe has taken one of Shakespeare’s most lackluster comedies and exponentially improved it by –*gasp*– turning the thing into a tragedy! What island magic is this!? BRT is the ultimate glow up for what is an otherwise pretty uninteresting story. So here I say, “Samantha Cohoe, if you’re reading this, what are the chances of us being gifted another Shakespeare retelling by you one day? And would you consider doing The Comedy of Errors next?”
✨ Read this book because: you’re into books set in the 1920’s, flawed characters, complicated friendships and love stories that aren’t at all what they seem – or even what you wanted them to be.
✨ Content warnings for this book: bullying, neglect, threats of sexual violence, adultery, abuse, imprisonment, kidnapping, trauma, fire, death, enslavement, gaslighting, toxic relationships
Follow me on: Blog | Twitter | Instagram | Tumblr | Pinterest | Goodreads
Content Warnings
Graphic: Bullying, Confinement, Death, Gore, Gun violence, Mental illness, Slavery, Kidnapping, Grief, Death of parent, Murder, Fire/Fire injury, Gaslighting, Toxic friendship, Colonisation, and Injury/Injury detail
More...