linnylionheart's review against another edition
dark
sad
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Content Warnings
Graphic: Body shaming, Stalking, Emotional abuse, Torture, Confinement, Kidnapping, Death, Gaslighting, and Murder
Moderate: Bullying, Mental illness, Classism, Suicide attempt, and Suicide
Minor: Child abuse, Misogyny, Blood, and Death of parent
mengzhenreads's review against another edition
dark
emotional
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
You can feel the emotion pouring from every crevice of this book. Definitely different from the musical, but just as original, moving, and dramatic.
Content Warnings
Graphic: Kidnapping, Murder, and Toxic relationship
Moderate: Torture, Death, and Emotional abuse
Minor: Death of parent, Suicide, and Suicide attempt
charity_ix's review against another edition
dark
mysterious
tense
slow-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
4.0
My first classic! I was intrigued by the first chapter alone and knew I was going to love this book. The penguin classics edition was also super easy to read and the notes gave me so much insight into the world this book takes place in. I was very invested throughout the book and it was so intense at times. Some parts did feel very long and at times I felt like the pacing was slightly odd, but in the end, it was fine. The epilogue tied everything together for me and it just felt perfect. Erik as a character was written so well and even the descriptions of him gave me chills. Overall, this is the perfect book if you want to start reading classics or if you just want to read a whimsical story of The Paris Opera in the 1800s.
Content Warnings
Graphic: Toxic relationship, Emotional abuse, and Gaslighting
Moderate: Violence and Kidnapping
smithreads's review against another edition
adventurous
dark
emotional
funny
informative
reflective
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Content Warnings
Graphic: Body shaming, Confinement, Emotional abuse, Murder, Stalking, Violence, Death of parent, Body horror, Classism, Grief, Kidnapping, Torture, and Toxic relationship
Moderate: Xenophobia, Islamophobia, Panic attacks/disorders, Suicide attempt, Gun violence, and Racism
maeverose's review against another edition
dark
mysterious
slow-paced
- Plot- or character-driven? A mix
- Diverse cast of characters? No
3.0
Whelp. That sure was a book.
My rating is mostly for the unintentional comedy of how ridiculous the book is. I know some parts are supposed to be funny but I think I was laughing at the wrong parts. I also just love the idea of some guy secretly living in an opera house and messing with people. Sadly though I was bored most of the time while reading this. I liked Raoul and Christine well enough (though they were both extremely naive), Erik was very different than I thought he would be (I didn’t know anything about his backstory and I had no idea he’d be so talkative and weird. I thought he’d be more brooding lol). I found it hard to imagine the descriptions of the opera house, especially when they went underground, though that’s likely a fault of the translation.
Speaking of the translation, I don’t know if my edition (paper mill press) is just a bad edition but there were quite a few typos and a lot of things were worded awkwardly, and I don’t think it was just the writing style, it seemed like a bad translation. Maybe I’ll have to do some research and see if there’s a better one.
I really wanted to like this but I think I might just not get along with classics that well. Every time I read a classic I feel like I would like it better if it had been written today. Same time period, story and characters, just a more modern writing style (and less misogyny, racism and ableism… although this story relies so heavily on the ableism I’m not sure how you’d write it without it…). I don’t mind the old language so much but I don’t like the overly dramatic repetitive dialogue that classics often have (this one had a lot of that). I don’t like how repetitive in general classics tend to be. Which is sad because I want to like classics. The stories themselves are sometimes interesting but then the writing and dialogue ruin it for me :/
Also, I can’t imagine a room of mirrors being that convincing that you’d have to have prior knowledge of what it is to know it’s not actually a forest. YOU’D SEE YOUR OWN REFLECTION. COME ON.
I think this is probably much better experienced via the actual musical rather than the book. I’ve never seen the musical but now I want to.
My rating is mostly for the unintentional comedy of how ridiculous the book is. I know some parts are supposed to be funny but I think I was laughing at the wrong parts. I also just love the idea of some guy secretly living in an opera house and messing with people. Sadly though I was bored most of the time while reading this. I liked Raoul and Christine well enough (though they were both extremely naive), Erik was very different than I thought he would be (I didn’t know anything about his backstory and I had no idea he’d be so talkative and weird. I thought he’d be more brooding lol). I found it hard to imagine the descriptions of the opera house, especially when they went underground, though that’s likely a fault of the translation.
Speaking of the translation, I don’t know if my edition (paper mill press) is just a bad edition but there were quite a few typos and a lot of things were worded awkwardly, and I don’t think it was just the writing style, it seemed like a bad translation. Maybe I’ll have to do some research and see if there’s a better one.
I really wanted to like this but I think I might just not get along with classics that well. Every time I read a classic I feel like I would like it better if it had been written today. Same time period, story and characters, just a more modern writing style (and less misogyny, racism and ableism… although this story relies so heavily on the ableism I’m not sure how you’d write it without it…). I don’t mind the old language so much but I don’t like the overly dramatic repetitive dialogue that classics often have (this one had a lot of that). I don’t like how repetitive in general classics tend to be. Which is sad because I want to like classics. The stories themselves are sometimes interesting but then the writing and dialogue ruin it for me :/
Spoiler
That ending though… Erik really went to all that trouble… just to break down over a forehead kiss and decide to let Christine marry Raoul after all. THEN DIE. OVER SAID KISS. Dude..Also, I can’t imagine a room of mirrors being that convincing that you’d have to have prior knowledge of what it is to know it’s not actually a forest. YOU’D SEE YOUR OWN REFLECTION. COME ON.
I think this is probably much better experienced via the actual musical rather than the book. I’ve never seen the musical but now I want to.
Content Warnings
Graphic: Body shaming, Confinement, Ableism, Emotional abuse, Kidnapping, Toxic relationship, and Religious bigotry
Moderate: Animal death, Misogyny, Death, Torture, Murder, Racial slurs, and Racism
Minor: Xenophobia and Fatphobia
incel behavior, controlling behavior, manipulationnatgoe's review against another edition
dark
mysterious
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Content Warnings
Graphic: Emotional abuse, Toxic relationship, and Body shaming
Moderate: Death
dlrosebyh's review against another edition
dark
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.5
A captivating tale, The Phantom of the Opera centers on the young Swedish Christine Daaé. She is reared at the Paris Opera House with her famed musician father's dying vow of a guardian angel to watch over her. She finally learns how to sing wonderfully from the voice she starts hearing after spending some time at the opera. All is good until Raoul, Christine's childhood friend who attends the opera, arrives to see his opera-going parents and spots her as she starts singing effectively on stage. Erik, the deadly, malformed "ghost" of the opera theater, is the voice, but as his awful jealously builds, he becomes more aggressive until Christine vanishes without a trace. The ghost is madly in love and it is a terrible disaster.
Although it appears intriguing, comprehending it was quite difficult. Throughout the first half of the book, I thought the two major characters to be obnoxious and didn't give a damn about them. I was highly entertained by the book's second half, but the ending was awful.
Content Warnings
Graphic: Kidnapping, Murder, and Toxic relationship
Moderate: Death, Torture, and Emotional abuse
Minor: Suicide attempt
streamthief's review against another edition
adventurous
dark
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
2.75
I really liked a lot of the writing and much of the story was interesting but I had a lot of time enjoying reading the characters. It's not just that they are unlikable, I'm not sure how to explain but not my thing. Raoul is especially annoying which kinda of sucks because he narrates most of it. I did like learning more about Christine's dad and all that, but I didn't really like it. I didn't like erik either, I wanted him to be redeemable, but he just wasn't.
Content Warnings
Moderate: Death of parent, Emotional abuse, Gaslighting, and Kidnapping
sxrxh_lenx's review against another edition
dark
emotional
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
Content Warnings
Moderate: Death, Death of parent, Emotional abuse, Gaslighting, Grief, Kidnapping, Mental illness, and Murder
taelights's review against another edition
dark
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
While I do prefer the stage version and the movie a lot more, I did really enjoy getting to read the original book which inspired Andrew Lloyd Webber's musical. I definitely have to give a lot of respect to this book for being the inspiration for my favorite musical ever.
The Phantom was truly creepy in this version and not sexy at all. While I do enjoy the more sexy twisted version in the book version was very interesting to learn about.
All the characters do pale a bit in comparison to the musical. But it was also interesting to get some extra context on inspirations for the musical.
The writing, especially the dialogue was a bit bad at times but I'm not sure if that's just how it is or how the translation is seeing as the original novel was in French. Or perhaps a bit of both.
I wouldn't recommend this book unless you are a fan of the musical or movie because honestly if I had read this without being a big fan of the musical I'd probably have dnf it but I only enjoyed it a bit due to the musical.
The Phantom was truly creepy in this version and not sexy at all. While I do enjoy the more sexy twisted version in the book version was very interesting to learn about.
All the characters do pale a bit in comparison to the musical. But it was also interesting to get some extra context on inspirations for the musical.
The writing, especially the dialogue was a bit bad at times but I'm not sure if that's just how it is or how the translation is seeing as the original novel was in French. Or perhaps a bit of both.
I wouldn't recommend this book unless you are a fan of the musical or movie because honestly if I had read this without being a big fan of the musical I'd probably have dnf it but I only enjoyed it a bit due to the musical.
Content Warnings
Graphic: Body horror, Body shaming, Child abuse, Death, Gaslighting, Injury/injury detail, Suicidal thoughts, Blood, Murder, Stalking, Adult/minor relationship, Death of parent, Emotional abuse, Grief, Kidnapping, Sexual harassment, Suicide attempt, and Toxic relationship