Reviews with content warning for Abandonment - The Drift

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The Drift by C.J. Tudor

3 reviews

samburkhouse's review against another edition

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adventurous dark mysterious tense fast-paced

Plot- or character-driven? A mix
Strong character development? Yes
Loveable characters? No
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.25

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chymerra's review against another edition

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challenging dark emotional mysterious reflective sad tense fast-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? Yes

4.0

When I first read the synopsis for The Drift, I was initially put off by it. Why? For one, I am suffering from post-Covid burnout. That means I am actively not reading books with pandemic themes running through them. But something about this blurb made me take a second look at it, and that second look made me want to read it. Forget about the pandemic theme; I was genuinely interested in the scenarios and characters portrayed in the blurb. I am glad I did because this turned into a great horror book after a rocky (somewhat confusing) beginning.

There are trigger warnings in The Drift. They are gore, death, blood, body horror, detailed injury, gun violence, violence, murder, child death, suicidal thoughts, medical content, medical trauma, car accident, animal death, rape, suicide, terminal illness, torture, grief, abandonment, pregnancy, addiction, and body shaming. If any of these triggers you, I recommend not reading this book.

The Drift is a fast-paced book set in modern-day and future England. The plotline for The Drift could have been clearer to follow at first. Not going to lie to you all, but I had an issue following the timelines (there are three different ones) and the main characters. But the author does eventually tie them all together, but until then, it isn’t evident.

Getting back on topic, The Drift follows three people – Hannah, Meg, and Carter. Hannah is a student at a prestigious academy who is being evacuated to a place called The Retreat with several other students. On the way there, there is an accident, and everyone on board is killed except for Hannah and five other students. Desperate to escape, Hannah realizes that the virus that has killed half the population and keeps mutating is present in one of the dead. But there are more significant problems, such as a blizzard burying the bus, wolves, and several people on the bus hiding explosive secrets. Will Hannah and the other survivors make it out?

Fast forward ten years later, and the pandemic is still going strong. Meg, a former detective, is woken up and finds herself stuck in a cable car with other strangers while a snowstorm rages outside. When it becomes clear that no one is coming, the group of people starts turning on each other, with tensions ending in murder. Who is killing the other people in the cable car, and why? Will help come, or will Meg have to do the impossible swing on the cable car line to get to safety, which is 200 meters away? And what will happen to Meg once she is at the cable car station?

Fast forward around 2-3 years later, and everything has stayed the same. Carter is part of the science team who is turning out vaccines desperately to stem the pandemic’s spread. But his life at The Retreat is falling apart. Their generator is failing, the infected are closing in on the chalet, and the man who gives them supplies is suddenly wanting more. So, when various crew members are murdered or missing, Carter is on edge. See, Carter has an ulterior motive for being at The Retreat, and this motive, along with everything else, might get him killed. Why is Carter there? Who is he looking for? And, more importantly, will he survive the fallout?

The characters in The Drift were well-written. What I liked the most about them is that they were written to be morally gray characters. Take Carter, for instance. He did awful things to get where he was. But he wasn’t a bad person. He was doing what he had to do to get by in a society devastated by a pandemic that didn’t have a cure.

Hannah— I liked her the most out of the three main characters. In her parts of the book, she brought a clinical, almost detached view of what was happening. She learned to do it after her mother died and relied on it to process everything. She quickly discovered certain things on the bus and was instrumental in helping when things started to go sideways. And it was that reason why I was so mad with how the author ended her storyline.
Meg—She had the most heartbreaking storyline of the three characters. She was the most emotional out of the three because of what she went through. But I liked that she also thought like a cop. She knew something was up with the other people in the car. The scenes where she escaped the car were harrowing, and I didn’t think she would make it during parts of her escape. I disagreed with how her storyline ended, but I got why the author wrote it the way she did.
Carter—I didn’t understand why he was included until halfway through the storyline. Then a lightbulb clicked on in my head. It made sense why he had such extreme frost bit to his face. I also liked how he followed his gut about who was killing the other people at The Retreat.

I mentioned at the beginning of this review that I wasn’t a fan of how the author wrote the timelines. She jumbled them all together, and we had to figure out where in the 12 years this book covers that it took place. It wasn’t obvious. But, a little more than halfway through the book, the author starts tying all three of the storylines together, and by the end, everything makes sense.

The storyline with Hannah, the bus crash, and everything else were well written. I felt awful for Hannah. Not only did she discover something horrible, but she had to do something terrible to save a life. I also felt her trust in a specific person was misplaced. As I mentioned in her section, I wasn’t happy with how her storyline ended.

The storyline with Meg, the cable car, the other passengers, and what happens after is interesting. I say interesting because of what the author reveals. Keep that in mind while you’re reading the book. How the author portrayed that storyline was interesting. There was a mystery that should have been super easy to solve but wasn’t. The breakout scene of this storyline was Meg’s escape while traveling the cable car lines. It was perilous. Again, I wasn’t happy with how Meg’s storyline ended, but I understood why it ended that way. It was something she wanted more than anything in the world, and while it broke my heart, it made me so happy for her.

The storyline with Carter, The Retreat, and the murders was interesting. I’m not going to get much into this storyline because there are major spoilers. But several things surprised me while reading it. Such as the murderer. I thought I knew who it was, and that was wrong. I also liked how the author brought elements from the previous storylines into this one. Again, I was taken by surprise at certain things revealed. Like the other two storylines, I wasn’t thrilled with how Carter’s ended. But it did make sense, and it explained a particular scene.

The Drift fits one hundred percent into the horror genre. The author did a fantastic job of creating a world ravaged by a pandemic similar to Covid. I had no issue picturing what happened in this book happening in real life. There is also a mystery angle to this book that the author did a fantastic job with. I usually can figure things out reasonably early, and I couldn’t in this book.

There are no happy endings in The Drift. I was surprised by who was featured at the very end. What that person did was surprising. All I could think was that this person had a death wish. It left me sad because of everything that had led up to that small chapter.

I would recommend The Drift to anyone over 21. There are language, violence, and non-consensual sexual situations. Also, see my trigger warnings.

Many thanks to Random House Publishing Group – Ballantine, Ballantine Books, NetGalley, and C.J. Tudor for allowing me to read and review The Drift. All opinions stated in this review are mine.

Content Warnings

hailsbooknook's review against another edition

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adventurous challenging dark funny mysterious sad tense fast-paced

Plot- or character-driven? A mix
Strong character development? It's complicated
Loveable characters? It's complicated
Diverse cast of characters? Yes
Flaws of characters a main focus? It's complicated

4.25

TW: Death, Gore, Body horror, Child death, Sexual assault, Suicide, Animal death, Rape, Adult/minor relationship
4.25 stars
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I picked this up blindly and assumed it was a story about being isolated/trapped during a winter storm. Although this book touches on that aspect, it is a story of survival in a post-apocalyptic world, I love how the plot still focuses on human survival rather than being a story focusing more on the Whistlers and escaping from them.

In each chapter, we focus on a different tale of survival; Hannah (who is on a coach bus that has crashed), Meg (Trapped in a cable car with a suspicious group), and Carter (who lives in an abandoned chalet and seems to have the most resources, but not everyone can be trusted). At first, it seems as if there are a lot of characters as each setting has multiple people trapped, but since each pov is mainly set in the same area and always told via the same person it starts to clear up as you read.

As the book went on I was a little on the fence as part of me wondered if all of these POVs were connected. The main factor in each situation is a place called The Retreat and it's the goal for our characters to get there. At one point I gave up thinking they were connected and just assumed the book was three short stories combined into one! Once I found out how all POVs were linked together I was shocked, the author did a great job at tying it all together and had my head spinning with theories!

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