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kzsof's review against another edition
adventurous
emotional
hopeful
informative
inspiring
medium-paced
4.5
samyukta_24's review against another edition
5.0
Gerald Durrell is an insanely funny writer. I always end up feeling his books are too short! The way he describes his ‘collecting’ trips really brings out his utmost love for all animals and their well-being and protection. He is a truly inspiring person!
leorejoanne's review against another edition
5.0
Gerald Durrell! I have certainly missed his writing. I forgot how well he writes. Funny, flowing, interesting and with a fantastic vocabulary.
I had a bit of a rough time reading about the accidents which happened in the zoo, but it was a terrific book and I finished it so fast.
Great great great!
5.3.07
I had a bit of a rough time reading about the accidents which happened in the zoo, but it was a terrific book and I finished it so fast.
Great great great!
5.3.07
theaceofpages's review against another edition
adventurous
informative
fast-paced
3.5
"When you start talking about conservation, people immediately leap to the conclusion that, as you are an ardent animal lover, what you mean is that you just want to protect the fluffy koala bear or something similar. But conservation doesn't mean this at all. Conservation means preserving the life of the whole world, be it trees or plants, be it even man himself. It is to be remembered that some tribes have been exterminated very successfully in the last few hundred years and that others are being harried to extinction today - the Patagonian Indians, the Eskimoes, and so on. By our thoughtlessness, our greed and our stupidity we will have created, within the next fifty years or perhaps even less, a biological situation whereby we will find it difficult to live in the world at all. We are breeding like rats and this population explosion must be halted in some way. All religious factions, all political factions, the governments of the world, must face facts, for if we persist in ignoring them then, breeding like rats, we will have to die like them also."
Catch me a Colobus follows Durrell as he travels around the world to catch animals for his zoo, interspersed by tales of what running his zoo entails. While I keep telling myself that this was a different time, I must say that I found the descriptions of capturing animals, especially in Sierre Leone, rather sad. I can tell that he cares for the animals he captures and those in his zoo, but as a biologist, there is something uncomfortable about how he just asked for anything and everything. at times his actions seem rather irresponsible. One example that stands out to me is with the colobus monkeys. While I'm incredibly glad that he released those that wouldn't eat in captivity, creating new artificial social groups takes far more than he implies. Colobus monkeys form tightknit groups and taking only parts of troops feels wrong. And then randomly just putting them together? They could have died. Maybe he did more than the book describes, but it upsets the biologist in me.
Despite my complaints, this was a fun book to read and I enjoyed the author's style. I very much appreciated that he talked about the importance of conservation being seen as something more than protecting the cute and majestic animals (although that is what he does himself). I feel like these views were pretty advanced for a zookeeper at the time. I also very much related to his fascination at everything and his distractedness when in nature - definitely something I also experience.
Catch me a Colobus follows Durrell as he travels around the world to catch animals for his zoo, interspersed by tales of what running his zoo entails. While I keep telling myself that this was a different time, I must say that I found the descriptions of capturing animals, especially in Sierre Leone, rather sad. I can tell that he cares for the animals he captures and those in his zoo, but as a biologist, there is something uncomfortable about how he just asked for anything and everything. at times his actions seem rather irresponsible. One example that stands out to me is with the colobus monkeys. While I'm incredibly glad that he released those that wouldn't eat in captivity, creating new artificial social groups takes far more than he implies. Colobus monkeys form tightknit groups and taking only parts of troops feels wrong. And then randomly just putting them together? They could have died. Maybe he did more than the book describes, but it upsets the biologist in me.
Despite my complaints, this was a fun book to read and I enjoyed the author's style. I very much appreciated that he talked about the importance of conservation being seen as something more than protecting the cute and majestic animals (although that is what he does himself). I feel like these views were pretty advanced for a zookeeper at the time. I also very much related to his fascination at everything and his distractedness when in nature - definitely something I also experience.
Content Warnings
Moderate: Animal death
Minor: Animal cruelty
tabularasablog's review against another edition
4.0
Written for my blog, Tabula Rasa.
In this memoir-like book, Durrell has returned from a trip to Australia, only to find his zoo in shambles. In Catch Me A Colobus, he recounts how they set up the Durrell Wildlife Conservation Trust, found sponsors and eventually built the zoo back into shape. The first half of the book is a compilation of vignettes expansing about seven years at Durrell's Jersey Zoo. From escaped chimps, pregnant tapirs and bullying parrots to stories of the strange characters that visit the zoo, like a woman who sat on a bird. Durrell and his staff care deeply for their animal cohabitants, which shows how his zoo is a long way off from the cruelty that is commonly seen in such places.
The second half of the book follows Durrell's expedition to Sierra Leone to collect the rare Colobus monkeys and make the eponymous BBC series. The travelogues detail the conservation efforts or lack thereof across the world, the lives of tribals and forest officers, the customs problems Durrell faces when transporting animals across oceans and the difficult job of adapting the wild to a life of captivity. When Durrell speaks about conservation in the final chapters, he speaks with an admirable passion.
"The world is as delicate and as complicated as a spider's web, and like a spider's web, if you touch one thread, you send shudders running through all the other threads that make up the web. But we're not just touching the web, we're tearing great holes in it...
When asked why I should concern myself so deeply, I reply that I think the reason is that I have been a very lucky man and throughout my life the world has given me the most enormous pleasure. People always look at you in a rather embarrassed sort of way when you talk like this, as though you had said something obscene, but I only wish that more people felt that they owed the world a debt and were prepared to do something about it."
Durrell's dedication to his zoo is remarkable. In this pre-internet age, he conducts his research through a vast library of books on flora and fauna. He highlights the shortcomings of most books of science and explains how he combats them by maintaining intricate journals on the behaviour of the animals at his zoo. He also often reaches out to his contacts for assistance, from veterinarians and human surgeons to other zookeepers. Their readiness and the lengths they go to help out say a lot about Durrell himself.
I had read a book in my mother tongue once about a similar conservationist's zoo, and I had a few issues with it. The main problem was, the writer kept attaching human qualities to the animals that made their behaviour a little misleading to the uninformed reader. The leopard threw a tantrum, he would say, and purred to me that he was upset with me. It was cute, but not quite scientific enough, and I kept wanting to remind him that it was a wild animal he was referring to. Durrell, on the other hand, displays his love for animals and their unique personalities quite well, while explicitly reminding the reader not to mistake a chimpanzee for a friendly little pet.
Disappointingly, the book has no pictures, only cartooney illustrations at the beginning of each chapter. An annoying unnecessary addition are some rather absurd fan letters that beg the question - do people put in any thought before they put pen to paper?
But Durrell more than makes up for both shortcomings. He has some engaging writerly tricks up his sleeve. My favourite is how he attaches animal qualities to the humans that populate this book. So we see someone "spread out in his chair like a ship-wrecked giraffe," or another "clung to his bed like a limpet," and we get these profiles of the BBC crew -
"Chris has heavy-lidded, green eyes, which he tends to hood like a hawk when he is thinking, and in moments of crisis retreats behind his nose like a camel. And there was Howard who was short and stocky with dark curly hair, and enormous horn-rimmed spectacles which made him look like a benevolent owl."
Now, I would not have called an owl benevolent myself, but I can totally see it. It is silly and very entertaining, and only the tip of the giant iceberg that is Durrell's warm, endearing humour. The glimpses of his personal interactions with his wife Jacquie and his assistants make him out, perhaps self-flatteringly, to be a thoroughly lovable guy.
Durrell is also pretty good at imagery. I mean, the man can really write. He sees the world with the eyes of an expert, notes even the tiniest of details, and yet, his conversational tone assures that we never feel overwhelmed by factual information. Check out these few passages on Durrell's first sighting of the Colobus monkey. I have never seen a tree or a monkey described with so much care and fascination.
I was standing, looking out over the misty forest, when I heard some noises in the valley just below the house. I knew it was monkeys because there was that lovely sound as they leap into the leaves, like the crash of surf on a rocky shore. They were heading for a big and rather beautiful tree that grew a couple of hundred yards from the veranda just below us. It had a sort of greeny-grey trunk, the leaves were a very vivid green, and it was covered, at this time of year, with bright cerise-pink seed pods about six inches long.
There was another crash and rustle amongst the leaves. And then, suddenly, it seemed as though the whole tree had burst into bloom, a bloom of monkeys. They were red and black Colobus, and they were the most breathtaking sight. They had rich, shining, chestnut-red and coal black fur, and in the morning sun, they gleamed as though they had been burnished; they were magnificent.
When I looked back at the tree, they had all disappeared. As I sat sipping my tea, I remembered a stupid woman I'd met at a cocktail party in Freetown, who'd said, 'I cannot understand why you're going up country, Mr Durrell. There's absolutely nothing to do or see there.' I wish she could have seen those Colobus.
I cannot believe this is the first I have heard of this man. Catch Me A Colobus by Gerald Durrell is a treat for animal lovers, amateur naturalists, ornithology enthusiasts, and pretty much anyone with a liking for wordy English humour.
In this memoir-like book, Durrell has returned from a trip to Australia, only to find his zoo in shambles. In Catch Me A Colobus, he recounts how they set up the Durrell Wildlife Conservation Trust, found sponsors and eventually built the zoo back into shape. The first half of the book is a compilation of vignettes expansing about seven years at Durrell's Jersey Zoo. From escaped chimps, pregnant tapirs and bullying parrots to stories of the strange characters that visit the zoo, like a woman who sat on a bird. Durrell and his staff care deeply for their animal cohabitants, which shows how his zoo is a long way off from the cruelty that is commonly seen in such places.
The second half of the book follows Durrell's expedition to Sierra Leone to collect the rare Colobus monkeys and make the eponymous BBC series. The travelogues detail the conservation efforts or lack thereof across the world, the lives of tribals and forest officers, the customs problems Durrell faces when transporting animals across oceans and the difficult job of adapting the wild to a life of captivity. When Durrell speaks about conservation in the final chapters, he speaks with an admirable passion.
"The world is as delicate and as complicated as a spider's web, and like a spider's web, if you touch one thread, you send shudders running through all the other threads that make up the web. But we're not just touching the web, we're tearing great holes in it...
When asked why I should concern myself so deeply, I reply that I think the reason is that I have been a very lucky man and throughout my life the world has given me the most enormous pleasure. People always look at you in a rather embarrassed sort of way when you talk like this, as though you had said something obscene, but I only wish that more people felt that they owed the world a debt and were prepared to do something about it."
Durrell's dedication to his zoo is remarkable. In this pre-internet age, he conducts his research through a vast library of books on flora and fauna. He highlights the shortcomings of most books of science and explains how he combats them by maintaining intricate journals on the behaviour of the animals at his zoo. He also often reaches out to his contacts for assistance, from veterinarians and human surgeons to other zookeepers. Their readiness and the lengths they go to help out say a lot about Durrell himself.
I had read a book in my mother tongue once about a similar conservationist's zoo, and I had a few issues with it. The main problem was, the writer kept attaching human qualities to the animals that made their behaviour a little misleading to the uninformed reader. The leopard threw a tantrum, he would say, and purred to me that he was upset with me. It was cute, but not quite scientific enough, and I kept wanting to remind him that it was a wild animal he was referring to. Durrell, on the other hand, displays his love for animals and their unique personalities quite well, while explicitly reminding the reader not to mistake a chimpanzee for a friendly little pet.
Disappointingly, the book has no pictures, only cartooney illustrations at the beginning of each chapter. An annoying unnecessary addition are some rather absurd fan letters that beg the question - do people put in any thought before they put pen to paper?
But Durrell more than makes up for both shortcomings. He has some engaging writerly tricks up his sleeve. My favourite is how he attaches animal qualities to the humans that populate this book. So we see someone "spread out in his chair like a ship-wrecked giraffe," or another "clung to his bed like a limpet," and we get these profiles of the BBC crew -
"Chris has heavy-lidded, green eyes, which he tends to hood like a hawk when he is thinking, and in moments of crisis retreats behind his nose like a camel. And there was Howard who was short and stocky with dark curly hair, and enormous horn-rimmed spectacles which made him look like a benevolent owl."
Now, I would not have called an owl benevolent myself, but I can totally see it. It is silly and very entertaining, and only the tip of the giant iceberg that is Durrell's warm, endearing humour. The glimpses of his personal interactions with his wife Jacquie and his assistants make him out, perhaps self-flatteringly, to be a thoroughly lovable guy.
Durrell is also pretty good at imagery. I mean, the man can really write. He sees the world with the eyes of an expert, notes even the tiniest of details, and yet, his conversational tone assures that we never feel overwhelmed by factual information. Check out these few passages on Durrell's first sighting of the Colobus monkey. I have never seen a tree or a monkey described with so much care and fascination.
I was standing, looking out over the misty forest, when I heard some noises in the valley just below the house. I knew it was monkeys because there was that lovely sound as they leap into the leaves, like the crash of surf on a rocky shore. They were heading for a big and rather beautiful tree that grew a couple of hundred yards from the veranda just below us. It had a sort of greeny-grey trunk, the leaves were a very vivid green, and it was covered, at this time of year, with bright cerise-pink seed pods about six inches long.
There was another crash and rustle amongst the leaves. And then, suddenly, it seemed as though the whole tree had burst into bloom, a bloom of monkeys. They were red and black Colobus, and they were the most breathtaking sight. They had rich, shining, chestnut-red and coal black fur, and in the morning sun, they gleamed as though they had been burnished; they were magnificent.
When I looked back at the tree, they had all disappeared. As I sat sipping my tea, I remembered a stupid woman I'd met at a cocktail party in Freetown, who'd said, 'I cannot understand why you're going up country, Mr Durrell. There's absolutely nothing to do or see there.' I wish she could have seen those Colobus.
I cannot believe this is the first I have heard of this man. Catch Me A Colobus by Gerald Durrell is a treat for animal lovers, amateur naturalists, ornithology enthusiasts, and pretty much anyone with a liking for wordy English humour.
thebobsphere's review against another edition
4.0
Another one of Durrell's short story collections with the breeding of the Colobus monkey the epicantre of the collection. At first I was always a little apprehensive of this book but after a couple of spins it has become a firm favourite.
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