The Flesh of Images: Merleau-Ponty Between Painting and Cinema by Mauro Carbone

The Flesh of Images: Merleau-Ponty Between Painting and Cinema

Suny Contemporary Continental Philosophy

Mauro Carbone with Marta Nijhuis (Translator)

128 pages missing pub info (editions)

nonfiction philosophy
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In The Flesh of Images, Mauro Carbone begins with the point that Merleau-Ponty's often misunderstood notion of "flesh" was another way to signify what he also called "Visibility." Considering vision as creative voyance, in the visionary sense of c...

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