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A review by erebus53
Harrow the Ninth by Tamsyn Muir
adventurous
challenging
dark
emotional
funny
lighthearted
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Necromages are fighting to save the universe from world-eating monsters, and that's not the weird bit. This is a labyrinthine ride through visceral fight scenes (with ... lots of viscera, and bones and connective tissues.. elaborate in the details thereof), half remembered memories or dubious reliability, weird hallucinations that often make almost sense, tea and gingernuts, backstory overheard in snippets lacking context, ribald humour, assassins, and spooky weird ghosty stuff.
There are times where I wish I was capable of reading proper, honest to goodness, paperback books, but seeing as I'm bound to Audiobooks due to my infirmities, all I can say is OUCH.
Tamsyn Muir writes with a sensual love of words, that does not make the content of her prose accessible to most people. To say it plainly - she uses big words, and weird words. a lot. I am well at home in anatomical and psychological textbooks, and literary critique; one of my friends suggested that in conversation with me it would be easiest to carry a notebook to write down all the odd words I use to look up later... and even _I_ needed to read this with a dictionary nearby. It seems quite clear that the author was mauled or possibly traumatically wounded by a feral thesaurus as a child.
I'm sorry, Moira Quirk. Your work on this audio narration was ok, but you fail to catch the Kiwi parlance. It sounds SO weird to hear kiwi idioms in your accent (we don't pronounce a$$ like that) and your attempt at te reo Māori words was wince-inducing. Thankfully that was only one line.
I'm doubling down on my comparison from the first book. This is definitely like an anime. Great chunks of this book feel a bit like watching Neon Genesis: Evangelion. A good proportion of the narrative is in second person perspective, which definitely leans hard into the claustrophobic and unhinged aesthetic. You spend the first half of the book trying to figure out why things in this book don't tally with the happenings in the previous book. That was kind of cool and didn't leave me feeling anywhere near as confused as I thought I would. There were enough breadcrumbs to keep me from feeling too lost in the woods.
Upside of the audiobook was the similarity I was amused by in the fast travel; I was reminded of Douglas Adams's, Hitchhiker's Guide, specifically his description of hyperspace, and the Infinite Improbability drive. "The River" having weird brain melting effects on a backdrop of a woman's voice calling out time-stamps felt so much like HHGTG with Trillian in the Heart of Gold.
Many twists and turns, the reappearance (in various forms) of characters who were bumped off in the last book, the list at the front of the book of the dramatis personae (alive and dead) being actually useful, and a sense that you still don't know quite wtf is going on.. all leads me to think that the third book could go either way in my estimation. I'll have to see what it's like.
There are times where I wish I was capable of reading proper, honest to goodness, paperback books, but seeing as I'm bound to Audiobooks due to my infirmities, all I can say is OUCH.
Tamsyn Muir writes with a sensual love of words, that does not make the content of her prose accessible to most people. To say it plainly - she uses big words, and weird words. a lot. I am well at home in anatomical and psychological textbooks, and literary critique; one of my friends suggested that in conversation with me it would be easiest to carry a notebook to write down all the odd words I use to look up later... and even _I_ needed to read this with a dictionary nearby. It seems quite clear that the author was mauled or possibly traumatically wounded by a feral thesaurus as a child.
I'm sorry, Moira Quirk. Your work on this audio narration was ok, but you fail to catch the Kiwi parlance. It sounds SO weird to hear kiwi idioms in your accent (we don't pronounce a$$ like that) and your attempt at te reo Māori words was wince-inducing. Thankfully that was only one line.
I'm doubling down on my comparison from the first book. This is definitely like an anime. Great chunks of this book feel a bit like watching Neon Genesis: Evangelion. A good proportion of the narrative is in second person perspective, which definitely leans hard into the claustrophobic and unhinged aesthetic. You spend the first half of the book trying to figure out why things in this book don't tally with the happenings in the previous book. That was kind of cool and didn't leave me feeling anywhere near as confused as I thought I would. There were enough breadcrumbs to keep me from feeling too lost in the woods.
Upside of the audiobook was the similarity I was amused by in the fast travel; I was reminded of Douglas Adams's, Hitchhiker's Guide, specifically his description of hyperspace, and the Infinite Improbability drive. "The River" having weird brain melting effects on a backdrop of a woman's voice calling out time-stamps felt so much like HHGTG with Trillian in the Heart of Gold.
Many twists and turns, the reappearance (in various forms) of characters who were bumped off in the last book, the list at the front of the book of the dramatis personae (alive and dead) being actually useful, and a sense that you still don't know quite wtf is going on.. all leads me to think that the third book could go either way in my estimation. I'll have to see what it's like.
Content Warnings
Graphic: Child death, Cursing, Death, Genocide, Gore, Gun violence, Mental illness, Physical abuse, Self harm, Suicidal thoughts, Violence, Blood, Vomit, Medical content, Dementia, Grief, Medical trauma, Death of parent, Murder, Schizophrenia/Psychosis , Pregnancy, Fire/Fire injury, Dysphoria, and Injury/Injury detail
Moderate: Panic attacks/disorders and Toxic friendship
Minor: Miscarriage