A review by timmytunter
The Odyssey by Homer

adventurous challenging dark medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5

I found The Odyssey a difficult one to review. On the one hand, I recognize that this story, or indeed, poem, is one of the first pieces of Western literature. As such, and given its scope and scale, it deserves a huge amount of praise. There is adventure, drama, tension, fantasy, and heroism. Factual elements are mixed in with the fiction, creating a vivid narrative.

On the other hand, as a product of its age (it is approximately 2,800 years old!), the poem is riddled with chronic sexism and hyper-masculinity. Worst of all is the unironic presentation of a “hero” character in Odysseus, who is constantly touted as “godlike” and “noble,” yet he is dishonest, prideful, arrogant, unfaithful, and I would argue selfish. Nonetheless, the poem justifies Odysseus’s ruthless and barbaric acts in the final scenes by framing these as justice.

I want to pause here and let my boiled blood simmer, as I recognize that the context I live in is entirely different from that of Homer’s hero almost three millennia ago. I live in a democratic society, where the people have appointed a leader who is held accountable by said people, and whose government enforces the law. In this ancient Ithacan context, the king holds the power and authority, and it is up to him to determine justice for crimes. And there is no doubt that crimes have been committed: the suitors have imposed themselves on Odysseus’s household in his absence, consuming his food and drink, abusing his staff, slaughtering his livestock, harassing his wife Penelope, and attempting to kill his son Telemachus. They pray for Odysseus to not return and want to make sure he has nothing to return to if he does. When they fail to recognize Odysseus, they hurl verbal and physical abuse upon him, seeing only a decrepit old beggar. No doubt, justice is warranted. Nonetheless, Odysseus’s bloodthirsty desire for vengeance is severely at odds with my own ideology of love, peace, forgiveness, and mercy. There is certainly a need for justice to be meted out, but as the wronged, Odysseus is not in a position to be an impartial judge and is unable to apportion appropriate punishment.

Having said all this, I want to set the jarring contextual differences aside and recognize this work for what it is: a complex, beautiful tale, with countless characters including gods, people, gods-who-pretend-to-be-people, mythical creatures, and animals. The tale is ingeniously spun, taking us to both real and fictional locations. The fact that the entire work is in fact poetry was frequently lost on me, as I read the English translation by Rieu. Rendered as prose, it is highly readable and accessible, and from what I understand, accurate to the story, but entirely lacking in most of the poetic content of the original. To have told such a lengthy and complex tale in beautiful, flowing poetic language, Homer—and indeed, The Odyssey—is worthy of all the accolades bestowed. 
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