A review by shipyrds
Confessions of the Fox by Jordy Rosenberg
challenging
dark
emotional
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.75 with the frame narrative, 4.5 if you skip the footnotes (shocking coming from me!) I held off on reviewing this for a while, because I wanted to percolate on it. I actually started reading the book way back in January in audio format, was moving through it fairly slowly, got concussed, and simply could not get back into it. Physical format was much more successful! In part, I think, the audio format does not handle the extensive and discursive footnotes particularly well, and in part because the beginning of the book is heavily concerned with Dr. Voth, and I simply didn't like him very much. I've read about a lot of sad-sack transmasc characters this year, and only some of them are enjoyable. He got a lot more bearable in print!
That being said, the narrative of Jack Sheppard is well-done; Rosenberg nails a particular sort of 18th-century cadence (possibly anachronistic; I don't really care.) Jack's narration is as slippery as the thief himself, both poetic and crude. The end of the book is spectacular, and Bess's discussion of the Fens is lovely.
Even in print, though, I found myself wishing the footnotes weren't there at all - as much as I enjoy a metanarrative, I think there's enough metanarrative present in the "18th century" portion itself, which touches on environmental destruction, the carceral state, the new calcification of racial categories, and transgender lives and loves. I don't think the book actually needed our modern day Dr. Voth in order to make the narrative speak to the present; it does that just fine on its own without the frame narrative, and I ended up getting distracted trying to track the details of his near-future academic dystopia.
So, overall: great book, loved Jack and Bess, (shockingly for me) could have done without the frame!
That being said, the narrative of Jack Sheppard is well-done; Rosenberg nails a particular sort of 18th-century cadence (possibly anachronistic; I don't really care.) Jack's narration is as slippery as the thief himself, both poetic and crude. The end of the book is spectacular, and Bess's discussion of the Fens is lovely.
Even in print, though, I found myself wishing the footnotes weren't there at all - as much as I enjoy a metanarrative, I think there's enough metanarrative present in the "18th century" portion itself, which touches on environmental destruction, the carceral state, the new calcification of racial categories, and transgender lives and loves. I don't think the book actually needed our modern day Dr. Voth in order to make the narrative speak to the present; it does that just fine on its own without the frame narrative, and I ended up getting distracted trying to track the details of his near-future academic dystopia.
So, overall: great book, loved Jack and Bess, (shockingly for me) could have done without the frame!
Content Warnings
Graphic: Violence, Transphobia, Slavery, Xenophobia, Racism, Police brutality, and Medical content