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A review by phantomeyer
Normal People by Sally Rooney
dark
emotional
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
The public’s opinion on this book is divided, and so too is mine.
Perhaps easiest to first discuss is the writing style. While you could argue that the lack of punctuated dialogue contributed to the impression that each scene wasn’t so much a distinct event as a one of many moments in time, it seemed a lazy method to achieve this goal. Punctuate the sentences properly, and it would have been more obvious just how mundane some of the descriptions were. Not that mundane is necessarily bad, but it doesn’t sit well with me that this stylistic choice could be sufficient to turn mediocre writing into “good” writing. I will admit, however, Rooney does make good word choices, which at times lead to rather evocative passages.
Next, the characters. I’ve seen complaints that the secondary characters aren’t fleshed out, but honestly I couldn’t care less. This book is about two people, and it makes sense to me that others seem unimportant in comparison. But let’s talk about these two characters. I don’t think they are unrealistic, but their arc felt rushed or disjointed at various points. Marianne all of a sudden fits in at college despite an incredibly isolating youth? Connell is intensely discomforted at the idea of dominating through violence, but gives away his former misgivings about psychological dominance without any reflection shared with the reader? It felt like Rooney was missing opportunities to explore interesting themes that would have added more depth to the book. Furthermore, skips such as these meant I was unable to maintain empathy consistently throughout the novel, and Marianne and Connell are not easy people to read about to begin with. You can’t afford to lose a reader’s empathy when your main characters’ struggles (to communicate, to make good decisions for themselves) become irritating without it.
This leads me to my thoughts about the plot. As a general rule, I enjoy character-driven plot, but I was tired of the constant back and forth by the end. A correction: I was tired of it a quarter of the way in. Their relationship felt largely repetitive, and the change in dynamic in the final act was not explored enough. If I had cared more about the characters, the ending might have been poignant, but as it was, I was just happy to be free of joyless characters and a book that had not quite reached its potential.
Perhaps easiest to first discuss is the writing style. While you could argue that the lack of punctuated dialogue contributed to the impression that each scene wasn’t so much a distinct event as a one of many moments in time, it seemed a lazy method to achieve this goal. Punctuate the sentences properly, and it would have been more obvious just how mundane some of the descriptions were. Not that mundane is necessarily bad, but it doesn’t sit well with me that this stylistic choice could be sufficient to turn mediocre writing into “good” writing. I will admit, however, Rooney does make good word choices, which at times lead to rather evocative passages.
Next, the characters. I’ve seen complaints that the secondary characters aren’t fleshed out, but honestly I couldn’t care less. This book is about two people, and it makes sense to me that others seem unimportant in comparison. But let’s talk about these two characters. I don’t think they are unrealistic, but their arc felt rushed or disjointed at various points. Marianne all of a sudden fits in at college despite an incredibly isolating youth? Connell is intensely discomforted at the idea of dominating through violence, but gives away his former misgivings about psychological dominance without any reflection shared with the reader? It felt like Rooney was missing opportunities to explore interesting themes that would have added more depth to the book. Furthermore, skips such as these meant I was unable to maintain empathy consistently throughout the novel, and Marianne and Connell are not easy people to read about to begin with. You can’t afford to lose a reader’s empathy when your main characters’ struggles (to communicate, to make good decisions for themselves) become irritating without it.
This leads me to my thoughts about the plot. As a general rule, I enjoy character-driven plot, but I was tired of the constant back and forth by the end. A correction: I was tired of it a quarter of the way in. Their relationship felt largely repetitive, and the change in dynamic in the final act was not explored enough. If I had cared more about the characters, the ending might have been poignant, but as it was, I was just happy to be free of joyless characters and a book that had not quite reached its potential.
Content Warnings
Graphic: Emotional abuse, Sexual assault, Toxic relationship, and Sexual harassment
Moderate: Bullying, Domestic abuse, Eating disorder, Misogyny, Sexual content, Sexual violence, Suicidal thoughts, Suicide, Toxic friendship, Alcohol, and Classism
Minor: Infidelity, Panic attacks/disorders, Self harm, and Grief