A review by nwhyte
Doctor Who and the Krikkitmen, by Douglas Adams, James Goss
3.0
https://nwhyte.livejournal.com/2968930.html
This is surely the last of the unpublished Douglas Adams scripts to surface. Back in 1976, Adams had actually submitted a story outline to Robert Holmes involving warlike aliens with a peculiar connection to cricket - this in itself was surely inspired by "Volcano", the seventh episode of one of my very favourite stories, the epic Daleks' Master Plan, broadcast on New Year's Day 1966, in which the TARDIS, pursued by Daleks, materialises at Lord's during a cricket match.
Douglas Adams fans will at this point be shifting uncomfortably and muttering that this whole plot was basically recycled into the third Hitch-Hikers Guide to the Galaxy book, Life, The Universe and Everything, published in 1982 (also available as an audio play recorded in 2003, featuring a posthumous appearance by Douglas Adams). And that's basically right. The two stories share the vicious Krikkitmen, whose planet is trapped in a timewarp, and who are seeking to restore a cosmically important artifact which is shaped like a wicket and has five parts scattered through the cosmos. (That last bit will also be familiar to Who fans from the Key to Time.) So, given that James Goss is trying to channel the spirit of Douglas Adams in rewriting a Doctor Who story that Adams himself had already rewritten, is there really any point?
Actually, yes. It works rather well. Goss has updated Adams' original Fourth Doctor/Sarah concept to include instead the second Romana and K-9, which effectively sets the story around the same era as City of Death, also of course recently novelised. And he takes Adams' core concepts and runs with them in a different direction, while remaining aligned with the story's original core. In particular, he has paid a bit more internal homage to the continuity of the Time Lords and Gallifrey than Adams was interested in doing, which does make it knit more easily into the Whoniverse. The one scene that doesn't work particularly well is the early passage of the Krikkitmen's massacre at Lords; massacres are not terribly funny, and Goss doesn't really try to make this one funny either, but it therefore falls rather flat. However, it's possible to blame Adams at least as much for that misfire. After that, we go to interesting places, on an enjoyable and yet slightly terrifying journey.
This isn't the best Goss or Adams story, and to be honest I would probably have enjoyed it more if I cared even slightly about cricket (which I don't). But it's well worth a look even for non-completists.
This is surely the last of the unpublished Douglas Adams scripts to surface. Back in 1976, Adams had actually submitted a story outline to Robert Holmes involving warlike aliens with a peculiar connection to cricket - this in itself was surely inspired by "Volcano", the seventh episode of one of my very favourite stories, the epic Daleks' Master Plan, broadcast on New Year's Day 1966, in which the TARDIS, pursued by Daleks, materialises at Lord's during a cricket match.
Douglas Adams fans will at this point be shifting uncomfortably and muttering that this whole plot was basically recycled into the third Hitch-Hikers Guide to the Galaxy book, Life, The Universe and Everything, published in 1982 (also available as an audio play recorded in 2003, featuring a posthumous appearance by Douglas Adams). And that's basically right. The two stories share the vicious Krikkitmen, whose planet is trapped in a timewarp, and who are seeking to restore a cosmically important artifact which is shaped like a wicket and has five parts scattered through the cosmos. (That last bit will also be familiar to Who fans from the Key to Time.) So, given that James Goss is trying to channel the spirit of Douglas Adams in rewriting a Doctor Who story that Adams himself had already rewritten, is there really any point?
Actually, yes. It works rather well. Goss has updated Adams' original Fourth Doctor/Sarah concept to include instead the second Romana and K-9, which effectively sets the story around the same era as City of Death, also of course recently novelised. And he takes Adams' core concepts and runs with them in a different direction, while remaining aligned with the story's original core. In particular, he has paid a bit more internal homage to the continuity of the Time Lords and Gallifrey than Adams was interested in doing, which does make it knit more easily into the Whoniverse. The one scene that doesn't work particularly well is the early passage of the Krikkitmen's massacre at Lords; massacres are not terribly funny, and Goss doesn't really try to make this one funny either, but it therefore falls rather flat. However, it's possible to blame Adams at least as much for that misfire. After that, we go to interesting places, on an enjoyable and yet slightly terrifying journey.
This isn't the best Goss or Adams story, and to be honest I would probably have enjoyed it more if I cared even slightly about cricket (which I don't). But it's well worth a look even for non-completists.