Scan barcode
A review by mlewis
The Memory Police by Yōko Ogawa
mysterious
reflective
sad
tense
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
I have more complicated feelings about this than I expected to, as taken as I was with “The Cafeteria in the Evening and a Pool in the Rain,” a short story of Ogawa’s published about a decade after this novel was.
The prose often felt flat to me, and I wonder whether it's because -- at the risk of sharing too much and in an odd venue -- I've spent the pandemic feeling an increasing sense of derealization. I think this novel was doing something that I didn't appreciate until too close to the end, a feeling reinforced by reading “How ‘The Memory Police’ Makes You See,” a great review by Jia Tolentino. I’m also still learning to read deeply, and may still struggle with the stylistic choice to give a narrator a diegetic voice that doesn’t resonate with me immediately.
I think it’s still a great testament to a book’s force that you know you’ll continue thinking about it and want to revisit it, even if you can’t speak glowingly of it right away.
The prose often felt flat to me, and I wonder whether it's because -- at the risk of sharing too much and in an odd venue -- I've spent the pandemic feeling an increasing sense of derealization. I think this novel was doing something that I didn't appreciate until too close to the end, a feeling reinforced by reading “How ‘The Memory Police’ Makes You See,” a great review by Jia Tolentino. I’m also still learning to read deeply, and may still struggle with the stylistic choice to give a narrator a diegetic voice that doesn’t resonate with me immediately.
I think it’s still a great testament to a book’s force that you know you’ll continue thinking about it and want to revisit it, even if you can’t speak glowingly of it right away.
Content Warnings
Moderate: Blood, Police brutality, and Injury/Injury detail
Minor: Body horror