A review by bookishchef
The Grace Year by Kim Liggett

dark mysterious tense fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.25

The first 50% of this is so so so good. 

But the rest...
Oh the rest...

I went into this book with low expectations. To be reminiscent of the Handmaid's Tale is quite a big claim, so my expectations plummeted to the lowest circle of Hell.

And that's where my expectations would have remained if the first quarter of this book wasn't so good. 

The mystery is interesting. And the flower language worldbuilding feels very unique and not too far removed from our own world at the same time. The author keeps you on the edge of your seat the entire time. Is the magic real? Who are the Poachers and what motivates them? Why is Kiersten such a bitch? They're interesting questions, and the answers weren't bad either but the way we got those answers...

At about the 25% mark the story starts to drag a bit. This is made up for by Liggett's excellent writing. At this point, you don't know whether Tierney is spiraling into madness or whether the world around her is truly mad. The plot doesn't move forward, but the story remains interesting. 

Then at the 50% it all goes to shit. 
Suddenly, we get introduced to the most bland love interest I've ever read about. He has no personality and falls for Tierney for no discernible reason. And of course, Tierney loves him back despite him having the personality of unseasoned chicken. 

The author rushes us through a love story. And when I say rushes, I mean RUSHES. 

And then, after some shenanigans we're back to the plot and the mystery and the book is actually really good again until the last fucking chapter. 

What the fuck was that love story doing in this book? This story really really really did not need a romance plotline. The book would have been an easy 3 (or maybe even 4) star for me if the romance had not been there. It takes away from the themes of the book and undercuts its message. I don't understand how you write a book about sisterhood and fighting the patriarchy, and then have the MC only care about her male love interest for half of the book. Aaaaaaaaaaaaah. 

The book also has very white feminism vibes. Can't quite put my finger on what exactly rubs me the wrong way, but to begin with, the book has 0 characters of colour

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