A review by kell_xavi
Foundryside by Robert Jackson Bennett
adventurous
dark
fast-paced
2.5
There were a few things I liked about this book, but it’s a case where a combination of length and unpleasant tropes brought it down in my esteem the further along the plot went. There’s a kind of fantasy novel that is concerned with magic that is often mechanic, often acts on the human body, is often a curse of gothic body horror, and almost always has someone sadistic and mad with jealous power at its heart. I’ve read a few of these books, and I can feel the dread creep in as I figure out that they’re going in this direction.
Bennett’s basic world-building is kind of cool, though (and this may also be an element of the kind of book I’ve just described) perhaps not to the well-trained, in-depth fantasy reader. The idea that codes can train objects to act like other objects, essentially as though their reality is different and specific to another thing, is intriguing. The scrivers and fabricators, lexicons and Sancia’s powers are all fascinating. The problem is that a lot of the mythology is really complex, the advanced scrived designs get a bit out of hand, and Bennett ends up juggling a lot of stuff that, despite sometimes lengthy explanations, is often a mix of suspension of disbelief and deus ex machina. Which would be a good joke, considering how much of the story deals with gods, machines, advanced beings, magic cyborgs, and the like, except that the piling up of all these pieces sort of cracks the foundations that the story is built on. I was never sure, when the characters refer to god (as in, “god help me” etc.), which god they speak of, since there’s no religion mentioned and the distant past is legend. They also swear way too much, all said, so that it became a distraction and the characters blended together at times; and this alternate universe looks a lot like steampunk 19th century Italy.
Some of the reveals about the key, about Sancia, are moving, but there’s a way to write trauma without putting that trauma in the reader, and Bennett was not interested in doing so. There’s an abundance of scenes of torture, war, enslavement, of misogyny, of medical trials, of starvation and mutilation, a lot of which I didn’t feel served it’s purpose. It’s a terrible world that’s terrible to live in. Sancia is a scrappy thief with a weird curse, and one of the few people worth rooting for. Mostly, these circumstances made me less likely to read the rest of the trilogy.
Bennett’s basic world-building is kind of cool, though (and this may also be an element of the kind of book I’ve just described) perhaps not to the well-trained, in-depth fantasy reader. The idea that codes can train objects to act like other objects, essentially as though their reality is different and specific to another thing, is intriguing. The scrivers and fabricators, lexicons and Sancia’s powers are all fascinating. The problem is that a lot of the mythology is really complex, the advanced scrived designs get a bit out of hand, and Bennett ends up juggling a lot of stuff that, despite sometimes lengthy explanations, is often a mix of suspension of disbelief and deus ex machina. Which would be a good joke, considering how much of the story deals with gods, machines, advanced beings, magic cyborgs, and the like, except that the piling up of all these pieces sort of cracks the foundations that the story is built on. I was never sure, when the characters refer to god (as in, “god help me” etc.), which god they speak of, since there’s no religion mentioned and the distant past is legend. They also swear way too much, all said, so that it became a distraction and the characters blended together at times; and this alternate universe looks a lot like steampunk 19th century Italy.
Some of the reveals about the key, about Sancia, are moving, but there’s a way to write trauma without putting that trauma in the reader, and Bennett was not interested in doing so. There’s an abundance of scenes of torture, war, enslavement, of misogyny, of medical trials, of starvation and mutilation, a lot of which I didn’t feel served it’s purpose. It’s a terrible world that’s terrible to live in. Sancia is a scrappy thief with a weird curse, and one of the few people worth rooting for. Mostly, these circumstances made me less likely to read the rest of the trilogy.
Content Warnings
Graphic: Torture, Slavery, War, Medical trauma, and Violence
Moderate: Excrement, Misogyny, Blood, Cannibalism, Murder, Body horror, and Colonisation
Minor: Vomit, Child abuse, and Physical abuse