A review by cheye13
The End of Men by Christina Sweeney-Baird

dark emotional fast-paced
  • Plot- or character-driven? A mix
  • Loveable characters? It's complicated
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? It's complicated

2.0

It started off well, but lost me around halfway. Ultimately, I'm not sure what... the point... was... 

It's pitched as a feminist dystopia, but only mentions women taking over positions of power in the briefest asides. The real focus is the fallout of losing half the population. All of the recovery is focused on repopulation: protecting surviving men, birthing healthy boys, rationing sperm. Despite the female POVs, all the attention is once more on the men. Counterintuitively, it felt like the story coddled men while women buckled down to helm survival.

The most cohesive and developed theme was not women in positions of power, but fertility.
The book is tidily bookended by Catherine's fertility problems and eventual pregnancy.
All of the grief and fear we see in-depth is for husbands and sons – not fathers or brothers. Fertility stories are important, but this one felt incidental; it was the most coherent throughline, but didn't explore the topic in any meaningful way.

The specific careers (genetics, anthropology, government intelligence) spread the content of the novel too thin. With such intricate professions, there wasn't enough research to provide more than a superficial involvement in the novel's entire premise.

The identity diversity also felt like a hamfisted afterthought rather than a significant facet of the characters that would affect their approach to events. I appreciated the acknowledgement of the trans experience, but it felt extremely shoehorned, and again, not explored in any meaningful way. Sexuality and racial diversity wasn't handled any better, and there was nearly no class diversity.

The writing style was exceedinly readable, and the narrative was generally engaging. But ultimately, I sat down for a dissection of gender in the modern world, and instead got an exceedingly heteronormative narrative that in no way challenged the status quo, skirted gender essentialism, and was also kinda depressing.

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