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A review by citrus_seasalt
Into the Bright Open: A Secret Garden Remix by Cherie Dimaline
- Plot- or character-driven? Character
- Strong character development? Yes
- Diverse cast of characters? Yes
3.75
At some times endearing, at others on-the-nose. The cast of characters was charming, but I can see the story working better if Mary was just a year younger. If you're a fan of the author, I recommend you still check it out, but I can't say it'll be the strongest work in her catalog. I also have not read the original Secret Garden story, some of the negative reviews came from aging Mary up but I cannot comment on (most of) it for that reason.
I did, however, really like the pacing of the queer romance. I was appropriately happy when Mary realized her feelings for Sophie, the two's dynamic was genuinely cute, and I liked that unlike a few YA novels, this wasn't a first love scenario. Mary's sapphic identity was revealed earlier on in the story, she originally spent the time thinking about a former crush-slash-almost-friend(which doesn't go anywhere, lol, it's just nice to see childhood crushes represented like that), but later on she develops an actual love for Sophie.
Easily, the Indigenous characters were the most fleshed-out besides Mary. (Which isn't surprising, considering the author.) Flora was a fun addition of much-needed snark when Rebecca was introduced.
Some of the story notes felt repetitive, though, like the titular "bright open" motif. I get that it was used only when needed, but my annoyance came from the tell-not-show writing. Some of the themes of community, loneliness, and different kinds of love could've been gathered from analysis and not spelling them out imo.
Works very well as a children's/middle-grade book, though, if you remove the occasional cursing.
I did, however, really like the pacing of the queer romance. I was appropriately happy when Mary realized her feelings for Sophie, the two's dynamic was genuinely cute, and I liked that unlike a few YA novels, this wasn't a first love scenario. Mary's sapphic identity was revealed earlier on in the story, she originally spent the time thinking about a former crush-slash-almost-friend(which doesn't go anywhere, lol, it's just nice to see childhood crushes represented like that), but later on she develops an actual love for Sophie.
Easily, the Indigenous characters were the most fleshed-out besides Mary. (Which isn't surprising, considering the author.) Flora was a fun addition of much-needed snark when Rebecca was introduced.
Some of the story notes felt repetitive, though, like the titular "bright open" motif. I get that it was used only when needed, but my annoyance came from the tell-not-show writing. Some of the themes of community, loneliness, and different kinds of love could've been gathered from analysis and not spelling them out imo.
Works very well as a children's/middle-grade book, though, if you remove the occasional cursing.
Graphic: Chronic illness
Moderate: Child abuse, Confinement, and Racism
Minor: Grief, Death of parent, and Lesbophobia